Schepers b (28 risultati)

Hardcover. Condizione: New. New, unread copy. Pages clean and unmarked; binding tight and square. Ships promptly in protective packaging.

Hardcover. Condizione: Fair.

wrappers. 24 pp. -(wr sl faded, rusty staples). 777g.

Condizione: Good. Orignele half-perkamenten band, oblong, circa 22x17cm, onafgesneden.

Paperback. Condizione: Brand New. 53 pages. 11.25x8.00x0.25 inches. In Stock.

Hardcover. Condizione: Used - Good. Inventory Catalogue of the Deutsches Klingenmuseum Solingen. With the publication of volume l, the Jugendstil cutlery is presented in all its variety. The holdings include over 300 different patterns and provide the reader with a many-faceted survey of the most diverse shapes and designs. Jugendstil cutlery in all its diversity of decorative designs. First of three volumes on cutlery to include 1920-1940s and 1950-190s. Includes all the major designers and manufacturers of the period. Text in English and German. Jugendstil cutlery in all its diversity of decorative designs. First of three volumes on cutlery to include 1920s-1940s and 1950s-190s. Includes all the major designers and manufactureres of the period. Text in English and German. Slight scratching/scuffing on dust jacket. Book has minor shelf wear. Sold as is.…

A'dam, 1925. Linnen. 192 pp.

HARD BACK. Condizione: New. Condizione sovraccoperta: New. 216pp 342 illus. More than 300 patterns in silver and silver plate, and 100 marks are reproduced.

8° , Hardcover/Pappeinband. Condizione: Gut. 497 + 57 Seiten, Ohne Schutzumschlag, Einband mit Gebrauchsspuren, Buchzustand gut Sprache: Deutsch Gewicht in Gramm: 1230 5., neu bearbeitete und ergänzte Auflage..

1e dr. - Met handgeschreven opdrcht van de auteur aan zijn zoon. - Linnen.

Paperback. Condizione: Brand New. 205 pages. 9.00x6.00x0.50 inches. In Stock.

Farbiger O.-SU. Leinen Wie neu. Farbig illustrierter Schutzumschlag mit Rückenbeschriftung, kaum Gebrauchsspuren, weiß geprägter Leinen-Einband mit Rückentitelei, tadellos, 236 Seiten mit 330 Abbildungen, davon 277 in Farbe und 53 in Duplex, insgesamt tadellos. --- Nur als Paket. 30 x 30 Cm. 2,1 Kg. Gewicht in Gramm: 2100. …

Condizione: gut. Mythological Subjects Achilles to the Graces Rubens Corpus Rubenianum Ludwig Burchard XI In englischer Sprache. pages.

Couverture souple. Condizione: bon. RO40176038: 1965. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 100 pages. Etiquette de code sur le dos. Tampons et annotations de bibliothèque sur le 1er plat et en page de titre. Dos muet. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.…

Gr.-8vo. 20 S., 1 Bl. OBr. (kl. Etikett a. Fuß). Uit de handelingen der Maatschappij van Nederlandsche Letterkunde, met slotwoord een voorstel aan de leden der Maatschappij. Sprache: Niederländisch.

Softcover. Condizione: Gut. Schnittkante nachgedunkelt, Kanten bestoßen---. nein.

Softcover. Condizione: Very Good. Rare book (only 1 copy in UCL London known). Original paper binding, 23 x 14,5 cm.

gebundene Ausgabe. 408 Seiten. Schnitt leichte Lagerungsspuren, sonst sehr gut erhalten. Abgleich des Titelbildes bitte bei nika-books. 9782503050799 Sprache: Niederländisch Gewicht in Gramm: 890.

Hardcover with dusjacket, 2 volumes., 944 pages., 362 b/w ill. + 104 colour ill., 175 x 260 mm Languages: English. ISBN 9780905203676. Corpus Rubenianum Ludwig Burchard XI One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time there emerged a new, secular, genre of art devoted to the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. Still, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is a happy accident of history that so many of these splendid paintings are now widely visible in the great museums of the world. 0 g.…

hardcover with dusjacket, 2 vols, 946 pages.Size:175 x 260 mm Illustrations:450 b/w. Language(s):English. ISBN 9781912554867. One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time a secular space was created in art for the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. At the same time, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is happy accident of history that these splendid paintings are now widely visible in the great museums of the world. 0 g.…

Oblong half parchment binding, 17 x 22 cm. Binding with some smudges, interior with some foxing. All pages are laid paper. Beautiful copy.Uitgezocht en ingeleid door Dr. J.B. Schepers.

168 S. + 1 Bl. Colophon. Quer 8°. HPgt. Verso Vorblatt mit Ex-Libris. Selten. Sprache: Niederländisch Gewicht in Gramm: 400.

Ringbuch. Condizione: Gut. 3. 111/273 Seiten, gr.8°, mit Abbildungen, 3. neubearbeitete Auflage, sehr gutes Exemplar. P37844_Schiff + Medizin Sprache: Deutsch Gewicht in Gramm: 1200.

2 vols, 976 pages 175 x 260 mm, Illustrations:224 b/w, 91 col. English text. NEW . ISBN 9781915487636. One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time there emerged a new, secular, genre of art devoted to the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. Still, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is a happy accident of history that so many of these splendid paintings are now widely visible in the great museums of the world. TABLE OF CONTENTS Volume One Preface Catalogue Raisonn - Paris and his Judgement of the Goddesses: Nos 101-106 - Phaeton?s Temerity and the Consequences: Nos 107-108 - Philemon and Baucis: No.109 - Procris and Cephalus: No. 110 - Prometheus: No. 111 - Proserpina?s Abduction by Pluto: No. 112 - The Story of Psyche: Nos 113-114 - Satyr Subjects: Nos 115-120 - Silenus, with Bacchic and Rustic Companions: Nos 121-129 - Venus: Her Loves and her Worship: Nos 130-139 - Vertumnus and Pomona: No. 140 - Rejected Attributions: Nos R1-5 Volume Two List of Figures Figures Bibliography Indexes I: Collections II: Subjects III: Other Works by Rubens Mentioned in the Text IV: Names and Places Sources of Photographs 0 g.…

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1900 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 28 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Dutch.…

Condizione: Nuovo. 2 voll.ril. in tela con sovr., cm 27x18, pp 469+470. Vol. One : 21 ill. in b/n. Vol. Two: 410 tavv. e ill. a col. e b/n. - ISBN: 9781909400474/7.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 80. A perfect gift for your loved ones. Reprinted from 1897 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: FRI Pages: 80.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The study of soils today has taken on increased importance because a rapidly expanding population is placing demands on the soil never before experienced. This has led to an increase in land degradation. Land degradation is one of the most severe problems f.…