schneeman carolee (12 risultati)

Staples wraps. First edition. An early visionary magazine or art, politics and culture edited by Susan Sherman There is a coffee stain on the front cover and sunning on a number of pages. This copy is priced accordingly.

Softcover/Paperback. Condizione: Very Good. CaroleeSchneeman.Early Work 1960/1970. New York: Max HutchinsonGallery, 1982. Postcard.4" x 6". Very good.Minor corner wear and sunning to verso.Scarce announcement for 1982 CaroleeSchneemanexhibition at Max Hutchinson Gallery.

Wraps. Condizione: Very Good. Narrow 4to, 100 pp., illus. Wrappers lightly rubbed, handled and edgeworn.

First Edition. First edition. Softcover. October 1970. The highlight of this issue is an article with illustrations by Carolee Schneeman. Features images by these photographers: Brett Weston, Laszlo Moholy Nagy, Herbert Bayer, Fritz Schroder, Mark Trompeteler, Lucien Gauthire, Hais Vogel. A near fine copy in stapled wrappers with some minor wear.

First Edition. First edition. Small oblong softcover. [28 pages.] Features text by Ted Castle. Includes color and black and white illustrations, a checklist, biographical information, list of previous exhibitions, and a selected bibliography. A clean very near fine copy in wrappers.

Original Wraps. Condizione: Near Fine. First Edition. Near fine -- illus. wraps. 14 issues in 11 volumes published between 1968 and 1972. #3/4, 5, 6, 7, 8/9, 10, 11, 12, 15/16, 17, 19. A substantial broken run (14 of the 20 total issues) of this important '60s poetry magazine, edited by Clayton Eshleman. Issues feature numerous New American poets; #12 is devoted to Jack Spicer.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:0929701542.

Paperback. Condizione: Near Fine. ICA Bulletin no. 174, October 1967. 23pp. Booklet printed black and white, stapled in paper wraps printed black and white. Covers by Kohei Sugiura. Includes: ICA Notes and Programme of events; 'Alvin Lucifer' music for solo performer, 1965'; 'Duet for Sound' by James Tanney and Carolee Schneeman with b/w photographic documentation; 'Gallery number ten/project 67' by Brian Lane; B/w photographic documentation of dance performances by Graziella Martinez; b/w photograph of Louis and Allen Ginsberg and poems by Louis Ginsberg; 'Desesperanto' by Jean-Francois Bory; Group One Four (Brian Yale et. al.). In 1965, under Jasia Reichardt's curatorial leadership, the ICA Bulletin changed format from a stapled information pamphlet to illustrated booklets with essential documentation and critical essays on the contemporary avant-garde practices. The ICA Bulletins from 1965-1968 are an essential reference documentation of Avant Garde artists in London in arguably its most exciting period. Condition: There is ownership signature of the artist Geoffrey Beaghan in red ink on the front cover, minor dirt marks to back cover, minor rusting to lower staple. Otherwise Near Fine.

Soft cover. Condizione: Very Good. P.B. cover after Robert Morris sculpture, the uzual plus George Brecht, Berrigan & Mac Low & with a 15pp section by Schneeman on MEAT JOY with 2 b&w photos, Very Good with small chip top of spine.(HP/3).

Softcover. Condizione: Near Fine. First edition. Small quarto. 38pp. Illustrated from photographs. Bound in blue and white mattress ticking over flexible card wrappers. Slight fraying at the edges and a couple of small stains on the cloth, near fine. Copy number 194 of 200 copies. Inscribed by Richard Squires: "For Sally love Richard." Documentation of a Fluxus or Soft Art installation and "happening" by Argentine-born feminist conceptual artist Marta Minujín collaborating with Squires at his Soft Gallery, an environmental performance space in Washington, DC. Minujín and Squires were commissioned by Harold Rivkin to create an installation using 200 mattresses rented from a Washington, DC hotel. Among those listed as "Photographers" who created events in the environment were Carolee Schneeman, Ray Johnson, Charlotte Moorman, Lynn Anderson, and several others, with their contributions illustrated and noted in the index. The installation was later recreated at the Museum of Contemporary Art in Los Angeles in 2007 and at the Museum of Modern Art in New York in 2008. Very scarce. *OCLC* locates five copies.

[1] pp.; 27.7 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Press release for panel discussion held on Wednesday, May 21, 1969 at New York University to discuss "The Disintegration of a Critic: An Analysis of Jill Johnston." Panelists include David Bourdon, Dr. John Atchley, Walter Gutman, John de Menil, Carolee Schneeman, Lil Picard, Andy Warhol, and Ultra Violet. Very Good. Folded in eight, pencil notation on recto "1794," light handling marks and edge wear.

[2] pp.; 25.4 x 33 cm.; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Two sided poster / program for an evening of performances and happenings held at the BAM (Brooklyn Academy of Music), Brooklyn, on March 8 and April 12, 1968, produced as part of the first Intermedia Festival which occurred at various locations across New York State. The festival featured happenings, electromedia theater, space-time art, process, ecumenical technology, kinetic environments, action theater, acoustic space, mixed media, dance, and sound construction. Artists included Remy Charlip, Al Carmines, Aileen Passloff, Carolee Schneeman, Aldo Tambellini, Ken Dewey, Trisha Brown Schlicter, Terry Riley, Calo Scott, Lee Guilliatt, John Patrick Dodd, George Montgomery, Andrew Roman, Burton Supree, Ruth Krauss, Maria Irene Fornes, Peter Ilyich, Grace Paley, Jules Massanet, Carolee Schneemann, Joan Adler, Tom Bissinger, Carol Grosberg, Denys Irving, Mitsou Naslednikov, Gary Maxwell, Laurence Warshaw, Steve Bartok, Art Sinsabaugh, James Tenney, Jerry Walter, and Ken Jacobs. Good. Folded in eight with moderate wear to edge including a 1.5 cm. tear. Three stains to recto measuring 1 mm. - 1 cm , otherwise clean and unmarked.