Schwarz günther (179 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. 56 pages. German language. 5.00x0.24x8.07 inches. In Stock.

Softcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. (Schriften der Winckelmann-Gesellschaft, 28); 108 pages; with illustrated jacket.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: New.

(21,5 x 21,3 cm). 102 S. Original-Pappband mit Rückentitel und illustriertem Deckeltitel. Papier innen leicht randgebräunt, sonst wohlerhalten. Insgesamt guter bis sehr guter Zustand. Die Publikation stellt unter anderem alle größeren Weingüter rund um den Bodensee vor.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 45 pages. German language. 8.00x5.00x0.12 inches. In Stock.

Taschenbuch / geringe Gebrauchsspuren, Unterstreichungen vom Vorbesitzer Zustand gut.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2009. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2009. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Taschenbuch. Condizione: Neu. Neuware -This volume, the third in our series, introduces the reader to the foundations of German Romantic theory. German Romanticism is fundamentally different from English and French Romanticism. It was the first of many European movements of the same name and, after the Storm and Stress of the 1770's, again marked a radical departure from the Aristotelian tradition established in 17th century France. This departure was again inspired by Shakespeare, who became the decisive influence on German Theatre and still rules the German stage in our time. (.) The movement 'Romantik', emerging twenty years after the 'Sturm und Drang' and its realism, replaces the senses-eye and ear-with 'Geist' and 'Fantasie', or unlimited imagination. Goethe discovers Oriental Literature and its orientation towards the 'Märchen' as the incarnation of 'Geist'. His poetry and his notes in the 'Divan' reveal him to be a proponent of the ideas of 'Romantik'-an observation not acknowledged in traditional 'Germanistik' (German Studies). Like Goethe in his 'Divan', the German Romantics create new, nonexisting worlds through their unbounded 'Fantasie'. 'Natur', the observable world perceived by the senses, is replaced by 'Geist', the freedom of thought and resulting actions. 'Geist' is the creative, inventive, and ordering principle of mind or spirit. This ordering, observable in the abstract, nonrealistic patterns of Oriental carpets or in any artistic manifestation, inspired the 'déréaliser' and 'suggérer' of Symbolist art and literature. Both are artistic principles of Goethe's 'Divan' and the writings of Friedrich Schlegel and Novalis, the acknowledged founders of 'Romantik'. (.) The theory of Romantic poetry, as established in texts published in the 'Athenaeum' (1798-1800), was developed by Schlegel in Jena between 1797 and 1799. In 1799, Friedrich Schlegel moved from Jena to Cologne. His departure marked the end of the Jena circle and of the effort to establish a Romantic movement. As early as February 27, 1794, in a letter to his brother August Wilhelm, he was already outlining his Romantic programme. There he describes a poetic programme aiming at a 'Vereinigung des Wesentlich-Modernen mit dem Wesentlich-Antiken' ('the unification of the essentially modern with the essentially ancient'). All his thoughts in the 'Gespräch über Poesie', from which we have selected the two most important passages, are united by a central thread: the synthesis of the Ancient and the Modern, understood as the unity of opposites. (From the Editors' Introduction).…

Broschiert. Condizione: Gut. 300 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); Stempel auf Buchschnitt; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 440.…

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

First Edition. First edition. Softcover. 131 pages. Exhibition catalog for a show that ran May 18 through July 4, 1982. Text in German. Foreword by Michael Schwarz. Essays by Gunter Aust, Andreas Franzke, Michael Schwarz, Gert Reising, and Manfred Woitischek. Includes color and black and white illustrations. A very good plus copy in wrappers with some minor wear. A nicely printed catalog.…

Hardcover. Condizione: gut. 127 S. ; 23 cm, gebräunt. Sprache: deu.

Paperback. Condizione: Brand New. 71 pages. German language. 8.00x5.00x0.18 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware - This volume, the third in our series, introduces the reader to the foundations of German Romantic theory. German Romanticism is fundamentally different from English and French Romanticism. It was the first of many European movements of the same name and, after the Storm and Stress of the 1770's, again marked a radical departure from the Aristotelian tradition established in 17th century France. This departure was again inspired by Shakespeare, who became the decisive influence on German Theatre and still rules the German stage in our time. (.) The movement 'Romantik', emerging twenty years after the 'Sturm und Drang' and its realism, replaces the senses-eye and ear-with 'Geist' and 'Fantasie', or unlimited imagination. Goethe discovers Oriental Literature and its orientation towards the 'Märchen' as the incarnation of 'Geist'. His poetry and his notes in the 'Divan' reveal him to be a proponent of the ideas of 'Romantik'-an observation not acknowledged in traditional 'Germanistik' (German Studies). Like Goethe in his 'Divan', the German Romantics create new, nonexisting worlds through their unbounded 'Fantasie'. 'Natur', the observable world perceived by the senses, is replaced by 'Geist', the freedom of thought and resulting actions. 'Geist' is the creative, inventive, and ordering principle of mind or spirit. This ordering, observable in the abstract, nonrealistic patterns of Oriental carpets or in any artistic manifestation, inspired the 'déréaliser' and 'suggérer' of Symbolist art and literature. Both are artistic principles of Goethe's 'Divan' and the writings of Friedrich Schlegel and Novalis, the acknowledged founders of 'Romantik'. (.) The theory of Romantic poetry, as established in texts published in the 'Athenaeum' (1798-1800), was developed by Schlegel in Jena between 1797 and 1799. In 1799, Friedrich Schlegel moved from Jena to Cologne. His departure marked the end of the Jena circle and of the effort to establish a Romantic movement. As early as February 27, 1794, in a letter to his brother August Wilhelm, he was already outlining his Romantic programme. There he describes a poetic programme aiming at a 'Vereinigung des Wesentlich-Modernen mit dem Wesentlich-Antiken' ('the unification of the essentially modern with the essentially ancient'). All his thoughts in the 'Gespräch über Poesie', from which we have selected the two most important passages, are united by a central thread: the synthesis of the Ancient and the Modern, understood as the unity of opposites. (From the Editors' Introduction).…

Leinen. Condizione: Gut. 344 S. Guter Zustand. Bibliotheksexemplar mit Stempeln und Signatur auf Einband. Sonst Seiten sauber. Sprache: Deutsch Gewicht in Gramm: 680.

Hardback. Condizione: New. 1.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New.

Paperback. Condizione: New.

Condizione: New.

Condizione: Good. Good condition. German edition. (books in german, oriental rug, art) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good. Series: Studien zur Germanistik, Anglistik und Komparatistik 127p laminated hardback, white illustrated cover, fresh clean copy, hardly used, review inserted Language: German.