Selkokari hanne (11 risultati)

Hardcover. Condizione: Fine. Firm cover and clean pages that may have very minor cosmetic defects. A solid, nice copy to enjoy. All Items in stock ready for immediate shipping! Satisfaction Guaranteed.

Paperback. Condizione: Very Good. 239 pages. The page edges are lightly foxed. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Condizione: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Hardcover. Condizione: Good. No Jacket. 1st Edition. English text.; Hardcover (without dust jacket - as issued).; 24 x 29 cm.; 1.9 kg.; 296 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows edge wear, scuffs ans scratches on the front cover, spine and back cover. The edges at the top and bottom of the front cover show signs of wear, namely scuffs and minor chips. Interior in very good condition.; Catalogue from and exhibition held at Ateneum Art Museum, Finnish National Gallery, Helsinki 18 February - 15 May 2016; National Museum of Art, Architecture and Design, Oslo 16 June-16 October 2016; Tatens Museum for Kunst, Copenhagen 19 January - 23 April 2017.; "At the end of the nineteenth century Japonisme took Europe by storm. Spreading out from the 1867 Exposition Universelle in Paris and the artist quarters of Paris, the new craze soon appeared in the salons of the bourgeoisie through- out Europe. From a Nordic perspective, however, Japan was both remote and exotic-only very few people had actually been there. Cultured circles with an interest in the fine arts were fascinated with the exoticism of the far ends of the world. Japonisme made a deep impression on Nordic art. Artists who studied in Paris, including such figures as Akseli Gallen- Kallela, Nikolai Astrup, I. A. Ring and Bruno Liljefors, adopted new ideas from Japanese culture regarding composition, colour fields and the treatment of space. Compositions became asymmetrical and full of contrasting patterns, and the horizon moved to the top of the paintings so that the landscapes often seemed two-dimensional. Natural motifs were rendered in imitation of the reductive and meditative style of Japanese art, while portraits and interior scenes began to abound with Japanese fans, textiles and other objects. Japanese items were also acquired by collectors and museums, mostly with the help of intermediaries, but also on personal trips to Japan, which brought a considerable volume of objects to Europe, including furniture, lacquer work and ceramics. The effects of Japonisme on the fine arts have been the object of much research. As Professor Gabriel P. Weisberg, a leading expert on Japonisme, once remarked: While many different revivalist styles and outside influences helped shape the European visual arts in the nineteenth century-from Neo-Gothic to a historical interest in the Renaissance, to an Orientalist influence-none had the all-encompassing impact that Japonisme had on Western art and culture and none lasted as long Research on Nordic Japonisme, by contrast, has until now consisted of monographs and studies on individual artists. When the Ateneum Art Museum/ Finnish National Gallery took the initiative to launch a research and exhibition project on Nordic Japonisme, we quickly found that we were treading new ground. For the first time, we were examining Nordic Japonisme as a totality. This exhibition is the result of the fruitful cooperation between the four Nordic national galleries in Helsinki, Oslo, Copenhagen and Stockholm, all of which played different roles in the planning of the research and exhibition project. The show was co-curated by Helsinki and Oslo. The exhibition will then travel to Copenhagen." excerpt from preface by Susanna Pettersson, Director, Ateneum Art Museum/ Finnish National Gallery, Helsinki; Nils Ohlsen, Director, Department of Old Masters and Modern Art, National Museum of Art, Architecture and Design, Oslo; and Mikkel Bogh, Director, Statens Museum for Kunst, Copenhagen. …

Hardcover. Condizione: New.

Broschiert. Condizione: Gut. 220 Seiten 29,5 cm x 21 cm, in finnischer Sprache, geringe äußere Gebrauchsspuren, innen sauber und ordentlich W18 fi Gewicht in Gramm: 855.

Gr.-8°, OPappband, sehr gut. 1. Aufl. zahlreiche farbige Abbildungen, 296 S. Sprache: Deutsch Gewicht in Gramm: 550.

Condizione: Ottimo stato di conservazione. Cartonato editoriale illustrato, cm24.5x30, pp 296; 295 illustrazioni per la maggior parte a colori, nel testo e fuori testo. Catalogo della mostra, testo in inglese.

Hardcover. Condizione: Near Fine. Crossing Borders is a richly illustrated art historical exhibition catalogue and scholarly anthology that explores the lived and artistic journeys of women painters and visual artists in the 1800s who studied, worked, and forged networks across Europe - particularly in German art hubs such as Dresden, Düsseldorf, Karlsruhe, Munich, Weimar and Berlin. Rather than merely documenting individual biographies, this volume emphasises the social, educational and cultural networks that these women built, showing how travel, artistic exchange and transnational mobility shaped their careers at a time when opportunities for women in the arts were limited. Featuring essays by international researchers and visually engaging archival images and artworks, the book highlights how these pioneering artists "crossed borders" both geographically and institutionally, contributing to broader artistic conversations of the 19th century. Chief editors: Anne-Maria Pennonen, Hanne Selkokari ; photography and image processing: Ainur Nasretdin [and four others] ; translations: Gérard Goodrow, Ian Mac Eochagáin, Wif Stenger Text in English. 253 pp. Illustrated and contains maps. Overall in good condition. Some scratches on the covers.…

Hardcover. Condizione: As New. 1st Edition. Albert Edelfelt offers a captivating look into the life and work of Albert Edelfelt, one of Finland's most celebrated artists. Published in connection with the exhibition at Ateneum Art Museum, Helsinki on 5.5.-17.9.2023. This beautifully illustrated book highlights Edelfelt's artistic journey, his international influence, and his pivotal role in shaping Finnish art history. Featuring stunning reproductions of his iconic works and insightful commentary from leading art historians, this volume brings Edelfelt's world to life in striking detail through photography and image processing by Ainur Nasretdin, Jenni Nurminen, and Hannu Pakarinen -From his Paris years and European travels to the beloved paintings that continue to captivate audiences. Text in English. 303 pp.…

Dieser Prachtband ermöglicht einen gänzlich neuen Blick auf die nordeuropäische Kunst um 1900. Japanische Bildsprache und Stil begeisterten nach der Öffnung des Landes Richtung Westen nicht nur Franzosen, Deutsche und Engländer - der »Japonismus« griff ebenfalls im nordeuropäischen Raum um sich. Der vorliegende opulent bebilderte Katalog begleitet drei Ausstellungen, die dem weitreichenden Einfluss der japanischen Vorbilder auf nordische Malerei und Design vor allem in Norwegen, Dänemark und Finnland nachspüren. Der Verzicht auf Illusionismus, die Flächigkeit der Komposition, Asymmetrie, freie Formen und stilisierte Naturmotive waren Merkmale, die Kunst und Handwerk der Zeit revolutionierten. Werken von Albert Edelfelt, Gerhard Munthe, Thorvald Bindesböll, Bruno Liljefors und Helene Schjerfbeck werden dabei Arbeiten von Monet, Gauguin und van Gogh gegenübergestellt. Der fundierte Band zeigt aber auch, welchen Stellenwert die nordischen Länder im Rahmen des Japonismus einnahmen, etwa wenn Claude Monet nach Oslo reiste, um - im echten japanischen Geist - Berglandschaften im Winter zu malen. gutes Exemplar, ordentlich, * Verlag: Brüssel, Mercatorfonds im Auftrag d. Museen * Bindung: Das Buch wiegt über zwei Kilo und kann nur als Paket versendet werden (6.90¤ innerhalb Deutschland).…