Sengai (40 risultati)

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Ikawa, Sengai (illustratore). …

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Ikawa, Sengai (illustratore). …

Paperback. Condizione: New.

Hardcover. Condizione: Used - Very Good. Condizione sovraccoperta: Very Good. Ikawa, Sengai (illustratore).

Paperback. Condizione: Very Good. Oakland, 1956; green paper covers; edge and corner wear; bottom corner of front cover bumped; 4to,9 3/4" to 12" tall; interior is clean and unmarked; 23 pages.

Condizione: good. Book is in good condition. Minimal signs of wear. It May have markings or highlights, but kept to only a few pages. May not come with supplemental materials if applicable. Ikawa, Sengai (illustratore).

First edition Folded card of six poems. New and bright all around.

Paperback. Condizione: Near Fine. Paperback in pale green wraps, Japanese stab-binding. Formers from the Oakland Museum with stamps to front tissue guard and upper end of pg.21. 10 x 7in. 23pp. Light spotting to lower page edges, covers clean, tight binding, interior text clean. Near Fine copy.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Ikawa, Sengai (illustratore).

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Ikawa, Sengai (illustratore).

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Ikawa, Sengai (illustratore).

Paperback. Condizione: Good. Unknown publishing date, estimate 1976. Book has moderate rubbing, smudging, and surface scratches to covers and gentle rubbing to edges and corners. Otherwise, the book is in good condition with strong binding and clean, bright, unmarked pages with detailed photographs throughout.…

Paperback. Condizione: Used: Good. good to VG overall, no creases; minor shelfwear; binding is tight and appears unopened; 15 oz; 9 x 9".

Paperback. Condizione: Very Good. Stab binding. Contains black and white illustrations. Green paper covers. Title information printed on front cover with illustrations. Slight wear to head and tail of spine. 4to, 23pgs.

Soft Cover. Condizione: Very Good+. Exhibition Catalogue Series; B&W Illustrations; 7 1/4 x 10 1/4; Unpaginated pages; Soft cover has rubbing/scuffing, shelf wear, light bumping. Pages not numbered, ca. 60 pages. No date. Pages are clean and tight. Illustrated with 60 b/w drawings by the Zen Master. Sengai Gibon (1750 - 1837) was a Japanese monk of the Rinzai school (one of three main schools of Zen Buddhism in Japan, the others being the Soto school and the much smaller Obaku school. ). He was known for his controversial teachings and writings, as well as for his lighthearted sumi-e paintings. After spending half of his life in Nagata near Yokohama, he secluded himself in Sho-fukuji (located in Fukuoka) , the first Zen Temple in Japan, where he spent the rest of his life. Though the Rinzai sect is particularly known for its hard-to-understand teachings, Sengai tried to make them accessible to the public. One of his famous paintings shows a circle, a square and a triangle. Sengai left the painting without a title or inscription (save for his signature) , however the painting is often called "The Universe" when referred to in English. "My play with brush and ink is not calligraphy nor painting; yet unknowing people mistakenly think: this is calligraphy, this is painting." Sengai Gibon (17501837). Illustrated by Sengai (illustratore). …

In-8 broché ( 260x180 mm ) de 23 pages. Art.

Soft cover. Condizione: Very Good. 1st Edition. Tokyo: Fran-Nell Gallery, nd but c 1965. 8vo, 245 p., original stapled wraps. First edition of this mid century collection of work by 20 Japanese artists, with several small thumbnail examples of their work tipped in. Upper and lower front wrap heavily foxed; lower margin final leaf torn, else VG. Scarce.…

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Editorial and prefatory notes by Eva van Hoboken, Sazo Idemitsu, Basil Gray and Herbert Read. Handsomely bound book published by the New York Graphic Society. Grey buckram covered boards with title in a red spine panel outlined in gilt. 191 pages printed on a thick glazed paper stock. Sengai was one of the great Japanese Zen masters. Daisetz Suzuki considered his explanatory notes and texts on Sengai's scrolls as the summing-up of his work. Reproductions of 127 ink drawings and calligraphies with Suzuki's commentaries. No name or other markings. The dustjacket is price-intact with slight browning along the edges. Size: 4to - over 9¾" - 12" tall.…

'Strenna Del Pesce D''oro 1963 . Copia Numerata N° 608 .'.

Cm. 13,5 x 10,3, pp. 90, (4). Brossura editoriale figurata. Volumetto impresso dalla Stamperia Valdonega in 2000 copia numerate (n. 1706).

Condizione: NEW.

Shiba, Kokusai Bunka Shinkokai, 1961. With 80 ills. Softcover. Good. [164123].

Soft cover. Condizione: Fine. Exhibition catalogue. Description: 47 pages : colour illustrations ; 39 cm.

Rilegato. Condizione: quasi ottimo. prima edizione. Sengai, Poesie e disegni a china, Guanda, Milano, 1988. Prima edizione. Pagine 205. Collana Poeti della fenice. A cura di Daisetz Suzuki. Corredato da illustrazioni in b/n n.t. Volume in buono stato con piccola mancanza alla sovraccoperta e nota in penna alla prima c.b.…

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 1994. 1 Volume/1. -- Parfait état -- Broché semi rigide . Format étroit in-8°( 27,8 x 12,5 cm )( 670 gr ). ------- 255 pages richement illustrées. *********** Présentation du 4e de couverture : "" L'art de Sengaï, reconnaissait André Malraux, laisse le spectateur occidental perplexe : aucun art extrême-oriental, poursuivait-il, n'est aussi éloigné du nôtre, et de nous ". Chaque fois que le sens des légendes inscrites par Sengaï en marge de ses peintures nous est dévoilé, nous comprenons un peu mieux les raisons de ce malentendu. Car, par leur signification et leur graphisme, les mots ont autant d'importance que le sujet. Du fait que ces courts textes souvent en forme de poèmes, avec leurs citations implicites, leurs allusions facétieuses, leurs sous-entendus nous échappent, nous n'obtenons des oeuvres qu'une perception mutilée. Mais, en un sens, cela est vrai de toute la peinture extrême-orientale, indissociable de la calligraphie, et pas seulement parce que celle-ci y tient presque toujours une place. Chaque chose représentée arbre, rocher, cours d'eau, maison, sentier, montagne - au-delà de son apparence sensible, reçoit une signification philosophique de la façon dont le peintre la figure et la situe dans un ensemble organisé. '' ************* ref 51.…

Condizione: Fine. The book is in fine condition.

Condizione: Fine. Number of pages: 170p (mainly illustrations) Size: 31cm.

Condizione: Fine. The book is in fine condition.

Condizione: Fine. Number of pages: 208 pages Size: Weekly magazine size.

Condizione: Fine. The book is in fine condition.