serge spitzer (57 risultati)

hardcover. Condizione: Very Good. no dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

First Edition. First edition. Exhibition brochure for a show that ran February 14 through March 14, 1992. Single sheet folded twice to create 6 pages. Essay by Susan Harris. Includes 2 color illustrations. A fine copy. Scarce, with no copies listed in OCLC.

Soft cover. Condizione: Very Good. Thick brown self-wrappers printed in black and white, 4to., 195, (1) pages, profusely illustrated in color and monochrome. In Dutch, English, German, and Spanish. Elaborately signed in charcoal by the artist at the title-page. Small library stamp, no other marks. Moderate edgewear, else a very good copy in archival mylar. Signed by Artist.

Hardcover with dustjacket, 160+ pages, in English; very good condition, rear board slightly bent at upper right corner; no internal marks. Foreign shipping may be extra.

paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Oversized.

108 S. Hardcover. 4°. Zeweisprachig: deutsch, englisch. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Markierung auf letzter Seite. Sonst gut erhalten. Sprache: deu.

First Edition. Hardcover. First Edition. Catalog for an exhibition held in 1997 at the Moderna Galerija Ljubljana. Text in English and Slovenian. Near Fine, with a small tear on the lower spine, with no dust jacket as issued.

Berlin, Distanz Verlag 2010. OLeinen m. OUmschlag. 4to. Gutes Exemplar.

Gebundene Ausgabe. Condizione: Wie neu. 108 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 788.

Gebundene Ausgabe. Condizione: Gut. 108 S. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Englisch Gewicht in Gramm: 788.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Softcover. Condizione: Sehr gut. Internationale Ausgabe. Z : 270 Seiten, 113 Abbildungen und Faksimile, 13 x 19 cm - "The Swiss Issue" entstand 2008 als "Fucking Good Art #20" im Zusammenhang mit der Ausstellung "Shifting Identities (Swiss) Art Today" im Kunsthaus Zürich und vermittelt ein äusserst komplexes Bild der zeitgenössischen Schweizer Kunst der damaligen Zeit. Viele der angesprochenen Themen sind auch heute noch aktuell. Es gibt aber auch Änderungen, die im Vergleich zur "International Edition: Zurich Fucking Good Art #38", wie die neue Publikation "What live could be / the ambivalance of success" untertitelt ist, deutlich sichtbar sind.

In-8 carré ( 310 X 245 mm ), cartonnage imprimé sous étui. Illustrations dans hors-texte. Très bel exemplaire. Beaux-Arts,Avant-Garde,Photographie.

Hardcover. Condizione: Sehr gut. 83 S.: überwiegend Abb. u. Farbfotos; 31 cm, Sehr guter Zustand. Sprache: Deutsch Gewicht in Gramm: 1045.

Hardcover. Condizione: New. SPITZER, SERGE Serge Spitzer: Molecular (Istanbul). [Exhibition catalogue]. Berlin: Distanz Verlag, 2010. 4to., [223] p., color and b/w ills. In English. Original binding. Dust wrapper. New Oversize and very heavy volume. Please contact for postage cost. ISBN: 9783942405034 CATALOG: Painting & Sculpture KEYWORDS: Contemprary Art Installation photography Istanbul - Constantinople Molecular (ISTANBUL) is a breathtaking installation by Serge Spitzer in a former synagogue in the Istanbul district of Haskoy. The artist (born 1951 in Romania and living in New York since the 1980s) was immediately fascinated by this location, which functions as an aluminum workshop, rubber factory, storage hall, billiard room, and meeting place. From the outside, one cannot see that this former synagogue accommodates an international art project. Everything is completely built up; an entrance is not visible, but the workers busy in the side room immediately point the way to a hidden gray door. Spitzer had tons of marbles produced and brought to Turkey for his installation. Merely a tiny window above the entrance allows daylight into the space, which is then refracted by thousands of small green and blue glass balls lying next to and on top of each other on the stone floor. Depending on the vibrations, the glittering sea of marbles gently sways to and fro. This book not only presents fascinating pictures of the installation, it also offers images of Spitzer s other molecular works in Sydney or in Zug and Basel in Switzerland. The texts were chosen from the most interesting contributions to a symposium held in February 2010, attended by, among others, David Chipperfield (architect), David Elliott (artistic director of the Sydney Biennale 2010), Stella Rollig (director of the Lentos Museum, Linz), Jerome Sans (director of the Ullens Center of Contemporary Art, Beijing) and Marc-Olivier Wahler (director of the Palais de Tokyo, Paris). A supplement presents the guestbook entries of several of the many thousands of visitors who have viewed the installation since autumn 2009 as a facsimile reproduction.

Hardcover. Condizione: Good. Condizione sovraccoperta: No DJ. 1st Edition. 83 pps. Titles: frt. & sp. Frontis. Illust. w/ colour & b/w photos, plans, prints, diagrams & fold-ins (listed). Red cloth bds. German-Engllish text. Book seller price sticker, rear bd. Interior leaves are clean and tight. Bi-lingual art show catalog. Signed copy No. 071 of 100. Includes essay by Heinz Liesbrock. Contemporary industrial art delineated. Signed by Author(s).

Condizione: Very good.

Soft cover. Condizione: Good. 1st Edition. One of his rares exhibition catalogs as pictured good condition large over size soft cover gently read. 24 plates black white and color, 4 pages of text, 3 highlighted in yellow , Text in French and German , n pencil number top edge.

Hardcover. Condizione: Near Fine. No Jacket. First Edition. (1986). (Graz, AT). Oblong 4to. First edition INSCRIBED by Spitzer. Contents clean and crisp. NF in VG slipcase. INSCRIBED.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 14 x 21 cm, 280 Seiten/pages,100 illustrations, thread-stitching, brochure with double cover / An export edition of this publication is published by episode publishers, Rotterdam / Awarded as one of the Most Beautiful Swiss Books 2008 -.

196 S. Orig.-Broschur. - Rücken mit Lesespuren; Kopfschnitt gering fleckig. Ansonsten gut erhaltenes Exemplar. Innen sauber. - Achtung: Bei Auslandsversand bitte Portokosten erfragen (höheres Gewicht)!

HARDCOVER. Condizione: Fine. 1st Edition. 4to in colour printed thick boards, 110pp on stiff art paper, colour plates, etc. Dual text in English and German . [CONDITION: A well preserved almost AS NEW unmarked copy (minute speck of shelf rub to cover corner tips) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Ostfildern-Ruit/Stuttgart; Edition Cantz, 1992. 31x24 cm. 71, (1, 2 blanks) pp. Illustrated. Original printed boards. A fine copy. The book treats Spitzer's sculpture at Biltmore Financial Center in Phoenix, Arizona. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Hardcover without dustjacket as issued, 86 pages; in English and German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Rústica. Folio menor Textos en alemán, inglés y castellano. Algo rozado en los cantos del lomo. Buen estado. 195 p Libro.

Softcover. Condizione: Sehr gut. 1. Auflage. B : 32 pages with illustrations. Folder with encased text sheets. - This limited-edition artist's book and exhibition catalogue documents the most recent work by the Romanian-born sculptural installation artist, Serge Spitzer, as seen at New York's Nyehaus/Foundation 20/21 in 2006. Taking typical office materials (and mail art) to a new level, the book is actually an ingenious, customized oversized accordion-bound partition folder containing a fastened-in essay by Trevor Smith; a dark-brown kraft cardboard pocket folder which houses a series of delicate, blueprint-esque line drawings; and another fastened-in retention folder containing a series of deluxe, oversized postcards printed with installation shots from the show. An instant collector's item, Round the Corner is numbered with tab labels and was designed to be sent through the mail in a special kraft envelope with string-and-button style closure.

The Hague; Haags Gemeentemuseum, 1992 & Düsseldorf; Kunstverein für die Rheinlande und Westfalen, 1993. 29,5x22,5 cm. 195, (1) & 16 pp. Two volumes in original printed wrappers, the latter stapled. The catalogue is slightly rubbed at extremities, and the supplement is partly faded at front wrapper. A fine set. Catalogue with supplement of the touring exhibition in English, German, and Spanish, with texts by Dan Cameron, Kaiser, Harald Szeemann, and others. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Condizione: Bueno. 204. Haags Gemeentemuseum, 1992, 204pp, Tapa blanda.

Condizione: Very good.

Paperback. Condizione: Very Good. First Paperback Edition. 4to. pp 16. Book is a folder like object with pockets for loose pages of illustrations, poster; essay clipped to inside front cover; very good condition, no internal marks. With a small plain white label reading 'Simon Lee' indicating the book came from the art reference collection of the Simon Lee Gallery (2002-2023) dealers in contemporary art in Mayfair, London and Hong Kong. This limited-edition artist's book and exhibition catalogue documents the most recent work by the Romanian-born sculptural installation artist, Serge Spitzer, as seen at New York's Nyehaus/Foundation 20/21 in 2006. Taking typical office materials (and mail art) to a new level, the book is actually an ingenious, customized oversized accordion-bound partition folder containing a fastened-in essay by Trevor Smith; a dark-brown kraft cardboard pocket folder which houses a series of delicate, blueprint-esque line drawings; and another fastened-in retention folder containing a series of deluxe, oversized postcards printed with installation shots from the show. ISBN 13: 9781891027222 Very good.