shakespear dorothy (31 risultati)

Condizione: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hard Cover. Condizione: Good. Condizione sovraccoperta: Good. Dampstain to upper edge of front and back endpapers and inside of dust jacket in the same area. Interior pages clean and unmarked. Light wear to dust jacket. Full teal blue cloth boards.

hardcover. Condizione: Very Good. First edition hardcover in dust jacket. VG/VG. Light wear. Name on ffep. Text is clean. Ships wrapped in bubble wrap and packed with care in a box.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Minor shelf wear to binding. Light soiling on edges of text block. Text and images unmarked. Dj lightly worn & toned in a mylar cover.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First edition. Edited by Omar Pound and A. Walton Litz. 399pp. Black and white illustrations. Fine in a near fine dust jacket with toning and a faint tidemark on the front panel top edge.

Hardcover. First Edition; First Printing. Very Good+ in a Very Good+ dust jacket. Owner personalization on FEP. Foxing on top text block edge. ; 6.3 X 1.5 X 9.4 inches; 399 pages.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Dale Rawls, Hokkei, Dorothy Shakespear Pound, Jacques Callot, George Catlin, Enok Sweetland, et el [Illustrators] (illustratore). 1st Edition. First printing of the first edition, Translations, Reworkings, Interpretations & Responses with over 40 illustrations, 272pp. Signed by Paul Merchant directly on the title page. Book and dust jacket fine, as new condition. Signed by Author(s).

Hardcover. Condizione: Very Good. Pound, Dorothy Shakespear (illustratore). Gilt burgundy cloth hard covers. Limited edition, this being #113 of 300. Signed and inscribed by Merchant, to poet Phyllis Webb. All pages heavy stock paper. Light staining to front board. Mild edge- and corner wear. Otherwise clean, tight, and unmarked. A sound and handsome copy, very neat. 11 pages of text + plates. Size: 4to - over 9¾ - 12" tall. Book.

Hard cover. Condizione: Very good. Condizione sovraccoperta: Good. Number 249 of only 300 copies produced. Edges of jacket are worn and lightly chipped, particularly along edges of front flap, but jacket is protected by a Mylar cover. Cover boards are in good condition. Binding is secure. Small, light stains on textblock, not visible on edges of pages. Pages themselves are clean and unmarked.

First edition. 4to. 11 pp. Frontispiece. Illustrations. No. 223 of 300 copies. Cloth binding in unclipped dustwrapper, very good copy. (92170). Edited by Moelwyn Merchant.

Hardcover. Condizione sovraccoperta: Near Fine. First Edition. viii, 11 pp. text, 23 pages of B/W drawings, photographs and watercolours. 8.5 x 11 inches. First edition (first printing). Limited edition, #121/ 300 copies. A fine copy in a near fine dust jacket. Dust jacket with slight bend at top edge.

Hard Cover. Condizione: Very Good. No Jacket. Limited. Hardback, no dust-wrapper. 27.5cm x 21cm. 11pp. Frontis. Numerous b&w illustrations. One of a limited edition of only 300 copies. Inscribed by the editor, Moelwyn Merchant, to title page. Binding is a little marked, contents clean and unmarked. Inscription from Editor.

Condizione: New. Satisfaction Guaranteed or your money back.

HARDCOVER. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition Thus. Printed at the Lanana Creek Press, Nacogdoches, Texas in an edition of 210 copies (200 for sale) designed by Charles Jones, printed on a Vandercrook Universal III press onto Magnani Biblios mould made white wove paper, hand-bound in Harmatan's tan leather with Japanese book cloth over boards, and matching slip-case. This copy numbered 114 and signed by Omar Pound and Charles Jones in pencil . [CONDITION: An AS NEW unread and unmarked copy in an AS NEW slip-case. This copy has been stored un-opened since it was made ] . . . NOTE: Depending on destination this item may require an extra payment for insurance. If so, orders made by card will be completed only after you have approved any such extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardback, with protected dust-wrapper. 11pp & illustrations. Frontispiece. Signed by the editor, Moelwyn Merchant, to introduction. No. 119 of a limited edition of only 300 copies. D/w a little grubby. (bs110). Signed by Author(s).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: very good. Bookplate inside front cover. Carefully wrapped on a protective acetate cover to prevent further damage.

Softcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. Limited edition. Edited by Moelwyn Merchant. Quarto. Curling on flyleaves, boards lightly bowed, near fine in a fine dust jacket. One of 100 copies (out of 300 total) numbered and Signed by the author. Publisher's prospectus laid in.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. An entrancing series of poems, observations, and drawings by Ezra Pound's beleaguered wife published a couple of years before her death. This copy used to be owned by Ted Hughes, one of the directors of The Rougemont Press. PLEASE NOTE: THIS BOOK COMES FROM THE ESTATE OF TED HUGHES. ALL PROFITS FROM SALES WILL BE REMITTED TO HUDDERSFIELD UNIVERSITY TO FURTHER THE PURCHASE AND STUDY OF TED HUGHES RELATED MATERIALS. Signed by Author(s).

First edition. 4to. Full red morocco, gilt-lettered on upper board, t.e.g., ribbon marker. Near fine. Edition limited to 300 numbered copies, of which the first 100 were signed by Pound; this copy signed but unnumbered, and in a special binding, presumably for presentation.

Exeter, Rougemont Press, 1971. 4°. 44 ungez. Seiten. OLeinen mit Rücken- und Deckeltitel in Gold. OUmschlag. Erste Ausgabe. Dorothy Shakespear Pound war die Ehefrau von Ezra Pound. - Nr. 68 von 100 numerierten und signierten Exemplaren. - Fast neuwertig. First edition. No. 68 of 100 numbered and signed copies. Near fine copy. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Hardcover. Condizione: Fine. 1st Edition. The sole UK printing published by The Scolar Press, London / LaNana Creek Press, Nacogdoches, Texas in 1999. Number '145' of a limited edition of 210 numbered copies (of which 200 were for sale) signed by Omar Pound and the designer and printer, Charles Jones. The BOOK is in Fine condition in a Fine matching slipcase, with a printed title label pasted to the spine. Charles Jones printed 200 copies on a Vandercrook Universal III press, on Magnani Biblios mould made white wove paper. The edition is hand-bound in Harmatan's tan leather with Japanese bookcloth covered boards, and slipcased. In the late 1930s, Ezra Pound planned an edition of the 'Cantos' to be illustrated by his wife, the artist Dorothy Shakespear. She created the designs, but for various reasons, the edition was never published. This volume presents them in a limited edition based on a selection of pages from the 'Cantos'. The selection has been made by Omar Pound, the son of Dorothy Shakespear and Ezra Pound. The edition has been designed by the LaNana Creek Press' printer, Charles Jones, and reflects the style and generosity of materials and processes that were the hallmark of private press publishing in the 1920s and 1930s. A very handsome production. More images available on request. Ashton Rare Books welcomes direct contact.

Soft cover. Condizione: Very Good. Gaudier-Brzeska, C. R. W. Nevinson, Dorothy Shakespear,Edward Wadsworth,Wyndham Lewis, (illustratore). 1st Edition. 1914-5. First editions, first impressions, all published by John Lane, Bodley Head .  A landmark modernist magazine, the literary and artistic manifesto of Wyndham Lewis and Ezra Pound. In addition to Pound and Lewis, contributors included Ford Madox Hueffer, Rebecca West, and T. S. Eliot (with the 1915 issue containing the first appearance of his important poem "Rhapsody on a Windy Night"), Gaudier-Brzeska (who had been killed in the war), C. R. W. Nevinson, Dorothy Shakespear, and Edward Wadsworth. Two volumes, quarto. Bound in original printed paper printed wrappers; Vol. I printed in black on pink card, with 22 black-and-white photographic plates, pp. 160, [iv, ads.].The paper on the spine has been replaced sympathetically and toned in; covers reattached; corners and fore-edges strengthened and repaired. The covers are a little worn at at some point have got wet and the pink has bleed through onto the title page and a little on the following page. Internally complete with the occasional scattering of spotting but generally very good throughout. Due to the paper used for the original binding to volume one, most copies have issues with the cover. Vol. II with cover design by Lewis in black over white card; pp. 102, [vi, ads.] with 20 full-page, inter-text and tailpiece illustrations by Lewis, Edward Wadsworth, Jacob Epstein, Gaudier-Brzeska, Christopher Nevinson, William Roberts and many others, and 1 photograph.The paper on the top and bottom of the spine has been repaired; corners and fore-edges strengthened and repaired. The covers are a little discoloured. Internally complete with the occasional spotting throughout. Both volumes are aged toned and with age related markings and had some restoration which now makes it easier to handle them. Housed in a custom made black arbelave buckram solander box lined with black acid free paper. Loosely inserted is a cutting regarding 'Little Review Magazine' Size 34.5 x 27 x 6cm [13.5 x 10.5 x 2.5 inches].

Exeter [England]: The Rougemont Press, 1971. Frontispiece, [6], 11, [25]pp. 4to. Near fine in publisher's cloth binding. Dust jacket has a light stray mark on its plain rear panel else in like condition. Limited to 100 copies signed by the author, out of total edition of 300; this copy out-of-series.

First edition. 4to. Illustrated. Fine copy in lightly spine-browned and lightly dust-soiled jacket, with original slipcase. Edition limited to 300 numbered copies, of which the first 100 were signed by Dorothy Shakespear Pound. I'm not sure why this copy has a slipcase, whilst others don't, but it was given to me by Omar Pound a couple of years after publication.

First edition. Edited by Moelwyn Merchant. Quarto. 36 pages. Includes the author's brief description of Pound, written in 1909, and reprints Pound's poem written for her, "Plaint".One of 100 copies signed by the author/artist, out of a total edition of 300 copies.Very near fine in near-fine dustwrapper slightly creased at top edge.

185/210 COPIES signed by Omar S. Pound (who contributes the biographical note on his mother Dorothy Shakespear) and Charles D. Jones (the book's designer and printer), printed on Magnani Biblios Mouldmade white wove paper, each Canto with historiated initial, the letter itself printed in red, & numerous further monochrome decorations all by Shakespear, pp. [102], folio, original quarter tan morocco with red Japanese silk boards, cover with black stamp featuring artist and author's initials, matching slipcase with printed label to spine, fine. Around fifty Dorothy Shakespear designs published here for the first time, the majority for a new edition of the Cantos, following on from the initials which she provided for A Draft of XXX Cantos issued by the Hours Press in 1930. Owing to the Second World War, the project was never completed and it is to the credit of the two presses and all involved with the publication that these designs in 'an emphatically modern style, one invoking the angularity and bold simplicity of Vorticism and the calligraphic sweep of Chinese ideographs' have now seen the publishing light of day. They are 'eminently well suited to the expressive embellishment of the quintessentially modern text they were designed to illuminate.' (David A. Lewis, Preface) Dorothy Shakespear was the daughter of Olivia Shakespear, novelist and friend - briefly, the lover - of W.B. Yeats; it was she who introduced the latter to Ezra Pound, whom Dorothy married in 1914. Though a manifestly talented artist, one of only a few women to participate in the short-lived Vorticist movement that her husband had formulated, Shakespear never exhibited; her work, in a public sense, was largely restricted to cover-designs and illustrations for Pound's projects - and her energy was in general subordinated to his requirements, in literary, business and health matters, through good times and bad. Their marriage endured, though his mental and physical decline corresponded with their progressive estrangement.

Pound was related to the Busha family through the marriage of his first cousin once removed Ida Lillian Pound (1858-1949) to Charles Thomas Busha (see 'Ezra and Dorothy Pound: Letters in Captivity, 1945-1946, ed. Omar Pound and Robert Spoo, 1999). The two letters are each 2pp., 4to. Both in fair condition, lightly aged and worn. Both closely typed on both sides, with a few autograph emendations; the second letter with an autograph postscript. 'Tommy', who at the time of the first letter is serving with the United States armed forces, is also referred to by his nickname 'Toppie'. ONE (18 May 1945). A long gossipy letter, packed with family news, concluding: 'Ezra Pound is to be brot [sic] to U.S.A. to stand trial for treason, for just why, I cannot tell you. He is supposed to have talked over the Rome Radio against the U.S.A. I think that he made the same remarks that Hoover and other Republican leaders made against the new deal and after that country of Italy joined with Germany those remarks weren't free speech as we call it here. However, I have yet to know just what the real charge is that is to bring him here for trial. Aunt Alice Robertson wrote the other day as if he had been in hiding and was just found, said she saw his picture and a news item to that effect in a Montana paper but I did not see anything. His father died over there in 40 I think and she, his mother wrote me that the American consulate wanted her to go to Lisbon and take passage for U.S.A. but she said if she came, there was no home for her here. Omar, Ezra's only child [Omar Shakespear Pound (1926-2010)] lives with his grandmother Shakespeare [sic, for the novelist Olivia Shakespear (1863-1938)] in London or near there, always has and I wish I could hear what happened to Cousin Isabelle, Ezra's mother. I visited her in Philadelphia and she is surely sweet. About eighty three now. I must get busy at once on some files. Thanks for letter and do keep them coming. Love from | Aunt Beulah'. Other topics include: V. E. Day and 'the Chinese retreat from Foochow'; a visit from 'Aunt Helen'; 'Mabel'; 'Ford and Bobby'; 'Bea's card'; the sale by 'Alice Helen and her husband' of 'their home in Seattle'; 'David Busha Granley'; 'Ida', who is at 'Treasure Island, or rather at Almeda', TWO (19 August 1947): Written in the same style as One. Begins with news of a communication from Pound's wife the artist Dorothy Pound (née Shakespear, 1886-1973): 'Your letter was such a happy surprise. I had been wondering about you, if you were vacationing or going to summer school, and since Dorothy Pound's last note stated that Omar was in Hamilton College, I had wondered if you two cousins might meet. You will have a lot of fun, sort of catching up on family history. And Dorothy has said that it is possible that sometime she and Omar might come to see me, so we will keep this trip that you and he may have in mind. If he gets out here, he will love the country and later bring his mother. Right now, I have been looking for a note from her telling me if Omar's grandmother has arrived from Italy, or a note from Isabella herself telling me if her plans to come are shaping up. Since Mother has not been writing, I have corresponded with the "Italy Pounds" myself []'. She continues on the topics of Homer's pension, and a letter she has received 'from Ezra from Elizabeth's Hospital', which she has forwarded to 'Dorothy, Omar's mother'. She discusses a photograph she has of Omar, taken 'when he was a small tot': 'Aunt Isabelle has told me so much about him, I feel as if he is one of my own circle of adopted sons'. She discusses his actual relationship to her and the recipient, concluding: 'Anyway, even if the cousin-ship is not close, you can be real buddies at that.' She reminisces on an 'Easter vacation with Homer and Isabelle in Philadelphia' when she was young. She continues with family news concerning 'Uncle Pat'; 'The girls'; 'Aunt Bea'; and 'the original Busha name [] "Boucher"'.

watercolour on paper, a little tattered at the edges, pin holes in corners, the drawing to the verso with some paint dabs for the other work, 32 x 25 cm approx, good condition. Two pieces of artwork by Ezra Pound's wife, the painting a more finished work, though the roofscape has a Vorticist feel by dint of the geometric arrangement of its subject - the sheet was presented to poet Michael Alexander in the 1960s, as per his note in the corner of the pencil drawing. Alexander had first visited Pound in 1962, to ask if he would accept the dedication of his translations of 'The Earliest English Poems', and was a regular visitor (in Rapallo and Venice) over the following decade.