Shakur tupac 2pac (3 risultati)

Autore
Perfeziona con la Ricerca avanzata

Perfeziona la tua ricerca

a

Fascia di prezzo personalizzata (EUR)

a

    • Condizione: Usato - Molto buono

      EUR 119,00

      EUR 39,95 spedizione 
      Spedito da Germania a U.S.A.

      Quantità: 1 disponibili

      Hardcover. Condizione: gut. 2005. Dieses Buch erlaubt einen intimen Blick auf einen der einflussreichsten, vielschichtigsten und faszinierendsten Künstler der HipHop-Szene: auf den 1996 verstorbenen Rapper Tupac Shakur. Von seiner Mutter Afeni Shakur autorisiert, enthält es Auszüge aus Tupacs Gedichten, Tagebüchern und Briefen,dazu Drehbuchskizzen und Songtexte. Tupac schreibt in eigenen Worten über sein Leben und seine Vorbilder. Mit zahlreichen Fotos aus dem Fundus von Afeni Shakur ist dieses Buch die opulente Begleitlektüre zum Dokumentarfilm Tupac: Resurrection, der Leben und Werk von Tupac Shakur vorstellt. In vielerlei Hinsicht ist Resurrection Auferstehung die Autobiographie, die Tupac Shakur nicht mehr schreiben konnte. Hier werden die Komplikationen und die Getriebenheit in seinem Leben deutlich,aber auch seine hemmungslose Leidenschaft, seine bedingungslose Ehrlichkeit und seine verblüffende Intelligenz. So bildet der Fotoband das unauslöschliche Vermächtnis eines außergewöhnlichenKünstlers, der noch acht Jahre nach seinem Tod geradezu kultische Verehrung genießt. Autor: Der Rapper Tupac (2Pac) Amaru Shakur, wurde am 16. Juni 1971 in Brooklyn, New York, als Lesane Parish Crooks geboren; er starb am 13. September 1996 in Las Vegas, Nevada. Seine Mutter Afeni Shakur war Mitglied der damals im Untergrund operierenden Black Panthers. 1990 rappte 2Pac für Digital Underground, sein Debutalbum 2Pacalypse Now erschien 1992. Am 7. September 1996 wurde er in Las Vegas angeschossen, sechs Tage später erlag er seinen Verletzungen. TUPAC. Resurrection Auferstehung 1971-1996 [Gebundene Ausgabe] Tupac Shakur (Autor), 2PAC Shakur (Autor), Jacob Hoye (Autor), Karolyn Ali (Autor) HipHop Tupac Shakur 2Pac Amaru Shakur Black Panthers Digital Underground Debutalbum 2Pacalypse Now Las Vegas Künstler Gedichte Tagebücher Briefe Drehbuchskizzen Songtexte Afeni Shakur Rapper Gangsta-Rapper Rapper-Krieg Las Vegas Chris Carroll California Love Hip-Hop Star Singles Alben Archivaufnahmen Hits Musiker posthum Songs HipHop Tupac Shakur 2Pac Amaru Shakur Black Panthers Digital Underground Debutalbum 2Pacalypse Now Las Vegas Künstler Gedichte Tagebücher Briefe Drehbuchskizzen Songtexte Afeni Shakur Mitarbeit Zusammenstellung: Afeni Shakur Übersetzer Hannes Loh Zusatzinfo zahlr. meist farb. Abb. Sprache englisch; deutsch Maße 210 x 260 mm Einbandart gebunden ISBN-10 3-85445-257-8 3854452578 ISBN-13 978-3-85445-257-7 9783854452577 In deutscher Sprache. 261 pages. 25,6 x 21 x 3 cm.

    • Editore: Interscope Records, 2022

      • Prima edizione
      • Firmato
      • Arte / Stampa / Poster

      Da: Bucklin Gallery, Thornwood, NY, U.S.A.Bucklin Gallery

      Venditore con 5 stelle
      Contatta il venditore

      Condizione: Nuovo

      EUR 11.160,05

      EUR 2,60 spedizione 
      Spedito in U.S.A.

      Quantità: 1 disponibili

      Aggiungi al carrello

      Condizione: New. First Edition. Interscope, 2022. Vinyl record album issued with an original, museum-quality giclee print by Ed Ruscha as the album cover, housed in a custom Gucci box. Size: 11.5 x 11.5 inches. Limited Edition of only 100 prints individually numbered in the lower left-hand corner, and HAND-SIGNED by Ed Ruscha in the lower right-hand corner. CONDITION: Fine/As New. SIGNED. For this work, Ruscha employs a recent stylistic shift towards showing words in motion, combined with the sixteenth-century, classically-inspired typeface named Garamond to re-imagine Tupac Shakur's album cover, All Eyez on Me. In doing so, Ruscha gives the words a feathered, brushed, blurred and/or swiped appearance. As Lisa Turvey, editor of the catalogue raisonné of Ed Ruscha's works on paper, notes, this artistic choice and its effect are themselves intimately bound up with the technology surrounding us and the ways in which it manipulates words within the world we currently inhabit: "The skid mark works, by contrast, feel contemporary, even urgent. In registering a shift from static to mobile text, they evoke how many of us encounter words these days, in seemingly endless swiping and streaming-as news scanned on a computer or running television ticker, as books scrolled on e-readers, as ads on phones or changing billboards. Their blurs conjure the farsightedness that can follow staring at a small screen for too long; it is not by chance that these works are intimately sized, while Ruscha's larger recent paintings and drawings show their subjects (mountains, mattresses) as if seen from a distance, in sharp, even focus. "It makes you dizzy," Ruscha said a few years ago, alluding to the glut and speed of text and image transmission that digital media has brought on, noting, "the information is so abundant today, there's so much of it, and it's very confusing." His bleary phrases mime the dizziness that information overload can induce, and so too its consequences, ones acutely felt over the past six months: that despite, or because of, their rapid profusion, read-and especially screened-words can distract even as they absorb, obscure even as they expose, deteriorate even as they proliferate, and numb even as they engage. Pessimistic as that sounds, and probably is, this is work made for its moment." See: "'Things Fall Apart': Ed Ruscha's Swiped Words" in Gagosian Quarterly, Sept. 4, 2020. And perhaps it is with this in mind that we find Ruscha's world and his art overlapping with those of Tupac Shakur. We can ask is it mere coincidence or a conscious artistic act that Ruscha's downward swipe on "Me" in the re-imagined album cover moves towards and intermixes with Ruscha's own signature in the bottom right corner of the artwork? The artist's brushwork suggests that Ruscha, like Tupac, might see his own fame as shinning the bright light of a collective human gaze upon him. Indeed, Tupac chose to change the title of his album with precisely this idea in mind: Euthanasia was the initial title of the album before it was altered to All Eyez on Me; and as Shakur explained to MTV's Bill Bellamy in December 1995: "It's called All Eyez on Me. That's how I feel it is. I got the police watching me, the Feds. I got the females that want to charge me with false charges and sue me and all that. I got the females that like me. I got the jealous homeboys and I got the homies that roll with me. Everybody's looking to see what I'mma do now so All Eyez on Me." And we can be sure that, as one of the most famous, pioneering, prolific and iconic of living contemporary artists, Ed Ruscha, like Tupac Shakur, may likewise feel all eyes are indeed fixated on him, and his sly artistic gesture here may poignantly yet subtly hint at the reality these two artists share. Signed.

    • Altre immagini

      Editore: Interscope Records, 2022

      • Prima edizione
      • Firmato
      • Arte / Stampa / Poster

      Da: Bucklin Gallery, Thornwood, NY, U.S.A.Bucklin Gallery

      Venditore con 5 stelle
      Contatta il venditore

      Condizione: Nuovo

      EUR 8928,04

      EUR 2,60 spedizione 
      Spedito in U.S.A.

      Quantità: 1 disponibili

      Aggiungi al carrello

      Condizione: New. First Edition. Interscope, 2022. Double vinyl record album issued with an original, museum-quality giclee print by Nina Chanel Abney as the album cover, housed in a custom Gucci box. Size: 11.5 x 11.5 inches. Limited Edition of only 100 prints individually numbered in the lower left-hand corner, and HAND-SIGNED by Nina Chanel Abney in the lower right-hand corner. CONDITION: Fine/As New. SIGNED. The original cover art, an oil painting by Compton-based artist Ronald "Riskie" Brent, depicts Shakur (recording as his alter-ego Makaveli) as the Crucified Christ. Abney reworks the image in her signature angular graphic style and adds layers of context and symbolism with the inclusion of two, black and white, mourning figures, ascending doves, and humans hands and skulls gathered at the foot of the cross. Signed.