shamberg michael (28 risultati)

DVD. Condizione: Very Good.

VHS Tape. Condizione: Good. Some Writing on the Case. Minor Wear to VHS Case. Good Viewing Copy!

VHStape. Condizione: Good. Ex-Rental.

Softcover. Condizione: Good+. Condizione sovraccoperta: No Dust Jacket. Profusely Illustrated (illustratore). Slight shelfwear. ; B and w photos and illus.; 4to 11" - 13" tall; 108 pages.

Magazine. 44p., 8.25x10.75 inches, photos, stills, very good film magazine in stapled pictorial wraps. Leftist film magazine. Also interviews with SLON Collective and others on Working Class cinema in France. A review of Angela: Portrait of a Revolutionary.

Paperback. Condizione: Very Good. book has light to mild wear to coners and edges, light wear to spine gutter, light bits of tning to cover, otherwise solid clean shape.

Soft cover. Condizione: Good. Profusely Illustrated (illustratore). Condition somewhere between good and very good. Front cover has some fading and overall edge wear as well as the start of a small tear to the top corner at spine. Binding in pretty decent shape. Unmarked pages.

paperback, Condizione: Good, Holt,Rinehart & Winston, c.1972, 3rd.prtg., 8-1/2"x11", paperbk., 108pp., illusts., water-stain to top of spine & cover corners, ow G $.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. First Edition (stated), 1971. Clean and tightly bound with fine contents. Light edge wear at the spine ends and slightly to the edges, remains Very Good plus. The dust jacket has creasing and several long closed tears at the rear panel, Very Good minus. International shipping and domestic Priority Mail may require added postage charges.

Soft cover. Condizione: Very Good. 1st Edition. Designed by Ant Farm.

Soft cover. Condizione: Very Good. No Jacket. Profusely Illustrated (illustratore). 1st Edition. Black & white pictorial wraps. 4to, 108pp. VG+.

3rd printing softback with stiff wrappers Nice copy large octavo 108pp., b/w plates, text ills., How to build your own network. Classic counter-culture publication. Uncommon, especially in this condition.

Erstausgabe, herausgegeben von Raindance Corporation, mit zahlreichen Abbildungen, 108 S., Quart, Ecken mit Knickspuren, innen gutes Exemplar, illustrierte Original-Broschur.

Cloth Covered Boards. Condizione: Very Good. Condizione sovraccoperta: Good +. Second Printing. Black cloth covered boards, bottom corners lightly bumped, white titles on spine, mild wear to head and tail of spine. Book body is clean and illustrated throughout. Black and white illustrated dust jacket shows light wear to edges, small tears to head of lightly sunned spine, price intact, archival brodart protected.

paperback. Condizione: New. Profusely Illustrated (illustratore). In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Good. Condizione sovraccoperta: Poor. Good hardcover, second printing. Black boards, silver lettering, wear to edges of boards. Paper loss inside front boards (removed bookplate?). Jacket poor, missing a large piece at top of spine and front, edge wear, missing back flap. Not price-clipped. Designed by Ant Farm. Shamberg and Raindance's contention is that politics are obsolete and that information tools and tactics are a more powerful means of social change. To achieve true democracy, the author suggests that we develop a sense of media ecology. This is the first manual or how-to book for new media tools. M05286.

MGM Pictures, 1989. Laufzeit ca. 103 Minuten. In original Kassettenhülle--- 750 Gramm.

Softcover, 108 pages; very good condition; light rubbing to cover; owner s name inside front cover; no other internal marks. Designed by Ant Farm. Foreign shipping may be extra.

Documentation of an installation commissioned by The Dia Art Foundation in which Dan Graham created an environment on the roof of the Dia Center. In the video and accompanying book Graham discusses the history of the use of glass in architecture, as well as reflections on his own use of that material and his intentions. Staple-bound booklet in printed wraps and videocassette in plastic case. 56 pp. Very good.

New York: The Kitchen, 1976. Offset print black text on glossy white cardstock. 6 x 4 in. Near-fine. A postcard invitation to a preview screening of Lawrence Weiner's color video work A Bit of Matter and a Little Bit More, a 23-minute video which mixed pornography with philosophical and conceptual narration and music. Videography by Michael Schamberg. Produced by Moved Pictures and Fifi Corday.

Paperback. Condizione: Near Fine. Raindance Foundation. Dean Evenson, Jodie Sibert, Megan Williams, Ann Arlen contributing editorsl Beryl Korot associate editor Tom Klein, Ira Schneider 'Help'. Visionary technology, process evolution, you are the media, feedback-feedforward, networking, the second coming of television, videosphere new clear vision, electronic literacy, high tech, bio-technology, organic re-focusing, alternatives transformations in media America ; 9 x 12 "; 120 pages.

Softcover. Condizione: Near Fine. First edition, wrappered issue (also issued in hardcover). Quarto. 108pp. Illustrated. A little light rubbing along the edges of the spine, else very near fine. DIY guide to non-commercial counterculturally subversive television techniques. Very uncommon.

Brossura. Condizione: molto buono. prima edizione. Text: von Furstenberg Adelina, Kunz Martin, London Barbara, Weibel Peter, Adams Hugh, Bicocchi Maria Gloria, Salvadori Fulvio, Shamberg Michael H., Hauswirth E. Artists: Otth Jean, Glass Philip, Chaimowics Marc Camille, Chiari Giuseppe, Lucier Alvin, Weibel Peter, Mighty Oaks Service. cm 17x24; pp. 48; BW ills.; staple binding. Rare catalogue in fine condition.

Softcover, staple-bound, 64 pages; good condition; moderate yellowing and rubbing to covers; no internal marks.

31.5 x 31.4 cm.; edition size unknown; unsigned and unnumbered Vinyl record complication of audio by musicians and visual artists. Edited by Barbara Ess and Glenn Branca. Produced with the assistance of White Columns. Contributions by Larry Simon, Dara Birnbaum, Carla Liss, Bobby G, Wharton Tiers, Carol Parkinson, Nina Canal, Lee Ranaldo, Jenny Holzer, Annea Lockwood, Michael Smith, A. LeRoy, Chris Nelson, Willie Klein, Mitch Corber, Mark Abbott, Dan Graham, Michael Shamberg, Anne Demarinis, Thurston Moore, Andy Blinx, Don Hunerberg, Vikky Alexander, John Howell, Salvatore Principato, Nigel Rollings, Peggy Katz, Eric Bogosian, Herr Lugus, Amy Taubin, Remko Scha, Susan Russell, Bill Buchen, Verge Piersol, David Hofstra, Lynne Tillman, D. Brown, Sandra Seymour, Phill Niblock, Barbara Kruger, John Rehberger, Paul McMahon, Nancy Radloff, Bruce Tovsky, Martha Wilson, Ned Sublette, Glenn Branca, Gail Vachon, B. Conan Piersol, Gregory Sandow, Stephan Wischerth, Bob George, Judy Rifka, David Garland, Mark Bingham, Michael Byron, Glenda Hydler, Susan Fisher, Laurie Spiegel, Barbara Ess, Kiki Smith, Shelley Hirsch, Peter Gordon, Arleen Schloss, Tod Jorgensen, David Rosenbloom, Doug Snyder, Jon Rubin, Steve Stain, Thomas Lawson, Harry Spitz, Rhys Chatham, David Linton, Isa Genzken, Daile Kaplan, Kim Gordon, Miranda, Sally A. White, Joseph Nechvatal, Steven Harvey, Sammy Marshall Harvey, Brian Doherty, Rudolph Grey, Richard Morrison, and Zev. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 218. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Very Good. Light yellowing of verso from adhesives. Still in factory shrink-wrap, opened to sleeve cut. Dusting to plastic wrapping. Light scuff on side 1. Otherwise Fine. Due to the fragility of this item additional shipping charges will be required for international orders.

[1] pp.; 27.8 x 27.8 cm.; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Poster announcing a screening of "Altered to Suit" a film of Lawrence Weiner at Mudd Club, New York, April 23, 1979. Featuring Peter Gordon, David van Tieghem, and Love of Life Orchestra. Music by Peter Gordon with Teta Gorgoni, Rosmary Hochschild, Britta Le Va, Michael Shamberg, and Kirsten Vibeke Thueson. References : "Lawrence Weiner : Posters, November 1965 - April 1986" by Lawrence Weiner, Benjamin H.D. Buchloh, Alice Z. Weiner. Halifax, Nova Scotia / Toronto, Canada : Nova Scotia College of Art & Design / Art Metropole, 1986, pp. 80 - 81. "SHOW (&) TELL : The Films & Videos of Lawrence Weiner" by Lawrence Weiner, Bartomeu Mari, R.H. Fuchs, Alice Weiner, Dieter Schwarz. Ghent, Netherlands : Imschoot Uitgevers, 1992, pp. 22- 25. "Of & About Posters : The Lawrence Weiner Poster Archive (1965?2021) at the Vancouver Art Gallery" by Lawrence Weiner, Grant Arnold, AA Bronson, Cathy Busby, Gary Dufour, Willard Holmes. Vancouver / Munich, Canada / Germany : Vancouver Art Gallery / Hirmer Publishers, 2025, pp. 49. Very Good / Fine. 1 mm. nick to left side edge of recto. Very light bumping of corners and small areas of rubbing on recto, otherwise Fine.

Unbound. Condizione: Very Good. Periodical. Folio. 26pp. Quarter-fold newsprint in blue ink. Small stamps on front wrap, light toning on rear cover, small nicks and tears at edges, very good. A journal started by Beryl Korot, Phyllis Gershuny, and Ira Schneider in 1970 (soon after low-cost portable video equipment became available) "as a service to alternate television people". The journal ran for 11 issues and dealt with videos and other technologies as a tool for social change and making people familiar with the technologies that are controlling their lives. Articles include "Cybernetic Guerilla Warfare," "Alternatives for Alternate Media II," "Tentative Design for a Flexible Video Environment," "Design for a Human Porta-Pak," "Videotape Versus Film," "This Cassette Thing," "Dial Access Information Retrieval Systems," "Citizen Sampling Simulations: A Method for Involving the Public in Social Planning," and more. Also includes a videotape distribution and exchange plan which they hope to be the genesis of an alternate television network. One of the only periodicals devoted to video in the early 70s.

New York: Raindance Corporation, 1971. Folio (folded: 36 × 30 cm, unfolded: 58 × 36 cm). Original pictorial self-wrappers; [1], 26, [1] pp. with numerous illustrations. Signs of wear; small edge tears and creases; wrappers somewhat toned; few pages with handwritten annotations; else good or better. Third issue of the ?most important video journal? (Wulf Herzogenrath). Iconically, the cover of the first issue shows a computer-generated image and thus evokes the dawn of a new age in which media are no longer structured by the hierarchical relationship between sender and receiver, but by a plastic, dynamically changing network. The subtitle of the first issue already makes it clear what the New York group ?Raindance Corporation? of artists, writers and video artists was all about: The establishment of an ?Alternate Television Movement? And the editorial of the first issue states that the aim would be to ?design and implement alternate information structures which transcend and reconfigure the existing ones.? The lead article in the third number was Paul Ryan's essay ?Cybernetic guerrilla warfare? Contrary to what the title might initially suggest, Ryan is not interested in a cybernetic guerrilla war. ?Nobody with any wisdom is looking for a straight out fight. We have come to understand that in fighting you too easily become what you behold.? Instead, Ryan thinks about how social consciousness could change as a result of the findings of cybernetics. The concept of feedback is crucial for Ryan. Networking and free exchange, in which there is no longer a distinction between active sender and passive receiver, is intended to set deadlocked structures in motion. Ryan sees the portable video camera as the ?weapon? in this ?guerrilla war?, which is supposed to be fundamentally different from violent, bloody acts of revolution. However, it is not just the video that is supposed to bring about change, but ?What is critical is to develop an infrastructure to cable in situations where feedback and relevant access routes can he set up as part of the process.? Other contributions include: Willard Van de Bogart (?Laser Light in Video Space?), Van Ftergiotis (?Dial Access Information Retrieval Systems?), Frank Gillette (?Aspects of Data?), Louis Jaffe (?Videotape versus Film?), Stuart Umpleby (?Citizen Sampling Simulations: A Method for Involving the Public in Social Planning?), Gene Youngblood (?Cathode-Ray Tube Videotronics?). The idea of the network was primarily based on a ?techno-anarchist? critique of the structures of the mass media. In contrast, video was interpreted as an ?egalitarian? medium that provided the individual with an affordable means of production. Thus, in addition to theoretical discussions on the ideas of thinkers such as Gregory Bateson, Buckminster Fuller and Marshall McLuhan, numerous practical contributions on video production with inexpensive camera equipment are also printed. (Cf. Alan N. Shapiro, Decoding Digital Culture with Science Fiction: Hyper-Modernism, Hyperreality, and Posthumanism, Bielefeld: 2024, p. 330f.) As of September 2025, KVK, OCLC list only two copies in North America.