Sheldon hsiao peng lu (62 risultati)

Condizione: Fair.

Condizione: Good. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. 1 Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. 1 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paper Back. Condizione: Very Good.

Softcover. First Printing. no owners' marks; square, uncreased spine; soft cover; otherwise excellent. xiii, 414pp incl. index.; Very Good Crisp, bright, clean shows mild spine fading.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fine. Paperback. Fine. All orders shipped securely in a bubble envelope or box/hard mailer.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

2005 Sheldon H Lu and Emilie Yueh-Yu-Yeh CHINESE-LANGUAGE FILM: HISTORIOGRAPHY, POETICS, POLITICS Honolulu: University of Hawaii Press, c2005 first printing 413pp, index, bibliography, black and white illustrations 8vo Uncreased spine, as new unread trade paperback.

Soft cover. Condizione: Good. trade paperback in very good condition. a few pages have highlighting.

Trade paperback Very good. No dust jacket as issued. 432 p.; 1.12" x 9.26" x 6.15". Includes Illustrations.

paperback. Condizione: Very Good. 2014 printing. Spine is uncreased, binding tight and sturdy; text also very good; very minor wear to edges of wraps. Ships from Dinkytown in Minneapolis, Minnesota.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780824818456.

Soft cover. Condizione: Fine. 1st Edition. Softcover volume, measuring approximately 5.75" x 8.75", shows very light shelfwear. Binding is sound. Pages are clean and bright. viii/213 pages. "This is the first comprehensive work in English on the complex history and theory of traditional Chinese narrative. It describes the major Chinese conventions and strategies for interpreting narrative works, both historical and fictional, from the earliest narratives through those of the Ch'ing dynasty. For most of China's recorded history, historical authenticity and factual accuracy were paramount in the production and reception of narrative texts. Fictional narratives were theorized and judged in accordance with the standards of historical narratives. In short, narrative was history, and fiction was defective history. Furthermore, the state made great efforts to control fiction by suppression (censorship) and disavowal (denigration and trivialization). It was only with the widespread popularity of novels in the Ming and Ch'ing dynasties that Chinese theorists were able to come to terms with fiction and dehistoricize the poetics of narrative by allowing and recognizing invention and fabrication in narrative texts. At this time, the Chinese poetics of narrative moved away from the long-held centrality of historicity, and critics acknowledged that good fiction can penetrate the nature and feelings of human beings in ways that other writings cannot, and that a reader is able to discover the uttermost principles of life in fiction just as in the Confucian classics and historical writings. Narrative was no longer assigned the function it had, for some 2,000 years, of being a "factual record" or "credible history." Its existence was justified because it conjured up a world that was lifelike and credible. In the process of tracing the long history of Chinese narrative, the author employs both Chinese and Western theoretical writings to chart convergences and differences in Chinese and Western literary theory and criticism.".…

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Very Good. Condizione sovraccoperta: Very Good. 213 pages, in a bright dust jacket. Record # 403116.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780824828691.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780824828691.…

Paperback. Condizione: Very Good. 413 pages. The cover has a little wear. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: New.

Paperback. Condizione: New. This is the first comprehensive work in English on the complex history and theory of traditional Chinese narrative. It describes the major Chinese conventions and strategies for interpreting narrative works, both historical and fictional, from the earliest narratives through those of the Ch'ing dynasty. For most of China's recorded history, historical authenticity and factual accuracy were paramount in the production and reception of narrative texts. Fictional narratives were theorized and judged in accordance with the standards of historical narratives. In short, narrative was history, and fiction was defective history. Furthermore, the state made great efforts to control fiction by suppression (censorship) and disavowal (denigration and trivialization). It was only with the widespread popularity of novels in the Ming and Ch'ing dynasties that Chinese theorists were able to come to terms with fiction and dehistoricize the poetics of narrative by allowing and recognizing invention and fabrication in narrative texts. At this time, the Chinese poetics of narrative moved away from the long-held centrality of historicity, and critics acknowledged that good fiction can penetrate the nature and feelings of human beings in ways that other writings cannot, and that a reader is able to discover the uttermost principles of life in fiction just as in the Confucian classics and historical writings. Narrative was no longer assigned the function it had, for some 2,000 years, of being a "factual record" or "credible history." Its existence was justified because it conjured up a world that was lifelike and credible. In the process of tracing the long history of Chinese narrative, the author employs both Chinese and Western theoretical writings to chart convergences and differences in Chinese and Western literary theory and criticism.…