Shub esfir (28 risultati)

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[Großaufnahme. Text russisch]. Gr.-8°. OLwdbd. mit OUmschl. (Randläsuren). 253 SS., 1 Bl. mit zahlr. Fotos auf Tafelss. Sprache: Russisch, Erste Ausgabe. - Esther Schub (1894-1959) wurde 1927 mit ihrem Dokumentarfilm "Padenije dinastii Romanowych" (Der Fall der Dynastie Romanow) bekannt, für den sie alles historische Filmmaterial über die Zarenfamilie zusammentrug und zerstörtes Material mit neu, selbstgedrehten Filmszenen ergänzte. In Ihrem Essayband zum sowjetischen Film widmet sie eigene Kapitel Wladimir Majakowski und Sergej Eisenstein. - Bibliotheksexemplar mit Ausleihkarte und Stempeln auf dem Titel, sonst schön erhalten. - Selten.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - My Life is the Cinema brings to English readers for the first time the memoirs and selected writings of Esfir Shub, the pioneering Soviet filmmaker whose archival works transformed the practice of documentary cinema. A comrade of Sergei Eisenstein and Dziga Vertov, Shub was among the first to recognize montage as both an artistic and historiographic method, an instrument through which the political and emotional truths of the twentieth century could be revealed. Her landmark film The Fall of the Romanov Dynasty (1927) established the compilation documentary as a distinct genre, reshaping the relationship between image, history, and ideology.This volume, translated and annotated by Keith Sanborn, includes Shub's autobiographical text In Close Up, articles, unrealized film projects, correspondence, and rare theoretical reflections on editing, authorship, and the ethics of representation. Supplemented by newly translated letters and critical essays, My Life is the Cinema restores Shub to her rightful place within the history of world cinema as a writer, theorist, and 'sorceress of the editing table' whose work continues to inform debates on montage, feminism, and the politics of the archive.Esfir Shub (1894-1959) was an editor, and theorist whose innovative compilation documentaries laid the groundwork for the use of archival footage in cinema. Trained in literature and theatre before joining the Soviet film industry in the early 1920s, she gained prominence for her 1927 film The Fall of the Romanov Dynasty, a ground- breaking assemblage of newsreel footage and archival documents that reinterpreted history through a revolutionary lens. Shub's work explored the ideological and aesthetic possibilities of montage while maintaining a distinct, analytically reflective approach to editing. As one of the first women to achieve prominence in Soviet cinema, her writings on film editing and historical representation remain foundational to documentary theory and film historiography.…

Paperback. Condizione: new. Paperback. My Life is the Cinema brings to English readers for the first time the memoirs and selected writings of Esfir Shub, the pioneering Soviet filmmaker whose archival works transformed the practice of documentary cinema. A comrade of Sergei Eisenstein and Dziga Vertov, Shub was among the first to recognize montage as both an artistic and historiographic method, an instrument through which the political and emotional truths of the twentieth century could be revealed. Her landmark film The Fall of the Romanov Dynasty (1927) established the compilation documentary as a distinct genre, reshaping the relationship between image, history, and ideology.This volume, translated and annotated by Keith Sanborn, includes Shub's autobiographical text In Close Up, articles, unrealized film projects, correspondence, and rare theoretical reflections on editing, authorship, and the ethics of representation. Supplemented by newly translated letters and critical essays, My Life is the Cinema restores Shub to her rightful place within the history of world cinema as a writer, theorist, and "sorceress of the editing table" whose work continues to inform debates on montage, feminism, and the politics of the archive.Esfir Shub (1894-1959) was an editor, and theorist whose innovative compilation documentaries laid the groundwork for the use of archival footage in cinema. Trained in literature and theatre before joining the Soviet film industry in the early 1920s, she gained prominence for her 1927 film The Fall of the Romanov Dynasty, a ground- breaking assemblage of newsreel footage and archival documents that reinterpreted history through a revolutionary lens. Shub's work explored the ideological and aesthetic possibilities of montage while maintaining a distinct, analytically reflective approach to editing. As one of the first women to achieve prominence in Soviet cinema, her writings on film editing and historical representation remain foundational to documentary theory and film historiography. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. My Life is the Cinema brings to English readers for the first time the memoirs and selected writings of Esfir Shub, the pioneering Soviet filmmaker whose archival works transformed the practice of documentary cinema. A comrade of Sergei Eisenstein and Dziga Vertov, Shub was among the first to recognize montage as both an artistic and historiographic method, an instrument through which the political and emotional truths of the twentieth century could be revealed. Her landmark film The Fall of the Romanov Dynasty (1927) established the compilation documentary as a distinct genre, reshaping the relationship between image, history, and ideology.This volume, translated and annotated by Keith Sanborn, includes Shub's autobiographical text In Close Up, articles, unrealized film projects, correspondence, and rare theoretical reflections on editing, authorship, and the ethics of representation. Supplemented by newly translated letters and critical essays, My Life is the Cinema restores Shub to her rightful place within the history of world cinema as a writer, theorist, and "sorceress of the editing table" whose work continues to inform debates on montage, feminism, and the politics of the archive.Esfir Shub (1894-1959) was an editor, and theorist whose innovative compilation documentaries laid the groundwork for the use of archival footage in cinema. Trained in literature and theatre before joining the Soviet film industry in the early 1920s, she gained prominence for her 1927 film The Fall of the Romanov Dynasty, a ground- breaking assemblage of newsreel footage and archival documents that reinterpreted history through a revolutionary lens. Shub's work explored the ideological and aesthetic possibilities of montage while maintaining a distinct, analytically reflective approach to editing. As one of the first women to achieve prominence in Soviet cinema, her writings on film editing and historical representation remain foundational to documentary theory and film historiography. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condizione: Neu. My Life is the Cinema | Esfir' Shub | Taschenbuch | Englisch | 2025 | Sticking Place Books | EAN 9798899760419 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - My Life is the Cinema brings to English readers for the first time the memoirs and selected writings of Esfir Shub, the pioneering Soviet filmmaker whose archival works transformed the practice of documentary cinema. A comrade of Sergei Eisenstein and Dziga Vertov, Shub was among the first to recognize montage as both an artistic and historiographic method, an instrument through which the political and emotional truths of the twentieth century could be revealed. Her landmark film The Fall of the Romanov Dynasty (1927) established the compilation documentary as a distinct genre, reshaping the relationship between image, history, and ideology.This volume, translated and annotated by Keith Sanborn, includes Shub's autobiographical text In Close Up, articles, unrealized film projects, correspondence, and rare theoretical reflections on editing, authorship, and the ethics of representation. Supplemented by newly translated letters and critical essays, My Life is the Cinema restores Shub to her rightful place within the history of world cinema as a writer, theorist, and 'sorceress of the editing table' whose work continues to inform debates on montage, feminism, and the politics of the archive.Esfir Shub (1894-1959) was an editor, and theorist whose innovative compilation documentaries laid the groundwork for the use of archival footage in cinema. Trained in literature and theatre before joining the Soviet film industry in the early 1920s, she gained prominence for her 1927 film The Fall of the Romanov Dynasty, a ground- breaking assemblage of newsreel footage and archival documents that reinterpreted history through a revolutionary lens. Shub's work explored the ideological and aesthetic possibilities of montage while maintaining a distinct, analytically reflective approach to editing. As one of the first women to achieve prominence in Soviet cinema, her writings on film editing and historical representation remain foundational to documentary theory and film historiography.…