Siegfried susan l (77 risultati)

Condizione: Very Good. Condizione sovraccoperta: 47258281. 1757586309. 9/11/2025 10:25:09 AM.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. in original shrink wrap Very Good paperback with light shelfwear - NICE! Oversized.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

paperback. Condizione: Acceptable. May have crinkled pages. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

paperback. Condizione: Acceptable. Ex-library with typical library markings/labels, otherwise unmarked. Cover has light shelf wear, bumped corners. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condizione: New. An exploration of the fascinating parallels and differences between Picasso's Woman with a Book and Ingres's Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picasso's Woman with a Book (1932) and Ingres's Madame Moitessier (1844-56). Each painting is explored in depth, illuminating the parallels and differences between the artists' techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres's Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso's Woman with a Book, among the most celebrated likenesses of the artist's young lover, Marie-Thérèse Walter. In contrast to Ingres's work, it was painted in just a day or two. The final essay explores, through these two works, the artists' shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso's engagement with Madame Moitessier, which motivates and animates Woman with a Book. Published by National Gallery Company/Distributed by Yale University Press.…

Paperback. Condizione: New. An exploration of the fascinating parallels and differences between Picasso's Woman with a Book and Ingres's Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picasso's Woman with a Book (1932) and Ingres's Madame Moitessier (1844-56). Each painting is explored in depth, illuminating the parallels and differences between the artists' techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres's Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso's Woman with a Book, among the most celebrated likenesses of the artist's young lover, Marie-Thérèse Walter. In contrast to Ingres's work, it was painted in just a day or two. The final essay explores, through these two works, the artists' shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso's engagement with Madame Moitessier, which motivates and animates Woman with a Book. Published by National Gallery Company/Distributed by Yale University Press.…

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Condizione: New.

Paperback. Condizione: Brand New. 64 pages. 10.50x9.00x0.50 inches. In Stock.

Trade Paperback. Condizione: Very Good. First Edition. First Edition, First Printing. Published by Fogg Art Museum, 1980. Quarto. Pictorial wraps. Book is very good; with no writing or names. Spine straight. Binding tight and pages crisp. Covers have shelf wear and nicks. 190 pages. ISBN: 0916724263. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell. …

Condizione: New.

Condizione: New.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. Oversized soft cover book (221 pages) beautifully illustrated with numerous color and b/w reproductions. Light rubbing/scuffing on cover - light creases on a few pages.INTERNATIONAL SHIPPING MAY REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Art-1-Middle-L) rareviewbooks. …

Hardback. Condizione: Good. Jean-Auguste-Dominique Ingres (1780-1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. This book offers an account on various aspects of Ingres' achievement.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition, First Printing. Large octavo. 8.25 x 10 in. 512 pp. Occasionally illustrated with black & white and color reproductions of art. Fine in original cloth boards and fine pictorial dust jacket. Heavy edition, additional postage may apply if beyond media rate.…

SOFTCOVER. Condizione: NEW. Condizione sovraccoperta: Issued without a dustjacket. 1st Edition. Large 4to. in colour printed stiff card covers, 72pp, colour plates, illustrations in text, etc . [CONDITION: NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardback. Condizione: Good. Jean-Auguste-Dominique Ingres (1780-1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. This book offers an account on various aspects of Ingres' achievement.

4°, Softcover. Condizione: Gut. 190 S. Softcover. Bei dem Buch handelt es sich um ein ehemaliges Bibliotheksexemplar mit Signatur und Stempel. L2205. Sprache: Englisch Gewicht in Gramm: 594.

Binding sound, text unmarked. Condizione: Near Fine. Near Fine. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. 1st edition. No ownership marks. Size: xiv,221pp, 170 col & b/w illus, 29.5 x 25.5 cm. No ownership marks.…

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. New. Pristine, In publisher's shrinkwrap. // Shipped carefully packed in a sturdy box. Susan L. Siegfried is Professor of Art History and Women's Studies at the University of Michigan. She is the author of The Art of Louis-Léopold Boilly: Modern Life in Napoleonic France, co-author of Staging Empire: Napoleon, Ingres, and David , and co-editor of Fingering Ingres.…

Softcover. Color illus. wraps; 190 pp.; Profusely illustrated with plates, most bw, some color. Includes biography of the artist and an index of Ingres's portrait subjects. VG- (Cover pulling away from pages; Pages intact).

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: As New. Unread book in perfect condition.