solkin david warrell ian (6 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condizione: Fine.

Softcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. First Edition. Light curve to whole volume (pages and covers). Contains many colour illustrations. No dust jacket, as published. Previous owner's name, Kerry Downes, in pencil at the front. Quantity Available: 1. Shipped Weight: 1-2kg. ISBN: 1854377981. ISBN/EAN: 9781854377982. Pictures of this item not already displayed here available upon request. Inventory No: 19122021041. All our books are sent by tracked mail. This book is heavier than 1kg, and may incur additional delivery charges on some delivery services to some locations.

Condizione: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Soft cover. Condizione: New. 1st Edition. This new copy is bound in illustrated card covers as issued. The contents are bright, tight, white and square. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. J.M.W. Turner (1775-1851) is widely regarded as the greatest painter Britain has ever produced. Despite the many books and exhibitions that have been devoted to him, there is one aspect of his extraordinary oeuvre that has never been thoroughly examined. Uniquely in the history of European art, he took on all comers, past and present, that he considered worthy of a challenge, creating his own images in their styles. These works were both acts of homage and a sophisticated form of art criticism, demonstrating his understanding of great art and his ability to equal or better the most celebrated exponents of the landscape tradition. No artist, however revered, was considered beyond challenge. This unique habit is clearly a key to understanding Turner's art, yet the issue is one that has so far never been thoroughly addressed on Turner and on British art of the 18th and 19th centuries. In "Turner and the Masters" leading authorities explore this fascinating aspect of his career, revealing new detail on the debts and rivalries that shaped his work in often unexpected ways. Accompanying a major touring exhibition that brings together works by Turner with masterpieces by Claude, Canaletto, Ruisdael, Van de Velde, Poussin, Rubens and Rembrandt, as well as by Turner's contemporaries including Constable and Bonnington, this book firmly positions Turner in the company of the greatest painters of all time. The contributors include Guillaume Faroult, Sarah Monks, Martin Myrone, Kathleen Nicholson, Philippa Simpson and Ian Warren This stunning book was published to accompany the important exhibition 'Turner and the Masters' held at Tate Britain. Ref TTT 1.

Couverture souple. Condizione: Très bon état. In-4 broché, 288 p. Dans ce catalogue , on trouvera en regard de ses productions les oeuvres des maîtres qui l'ont inspiré - Claude Lorrain, Téniers, Titien, Watteau ainsi que ses contemporains, Bonington, Constable, Girtin, et Wilkie. L'exposition "Turner et ses peintres" - fruit et aboutissement des travaux de nombreux chercheurs depuis plusieurs années - propose pour la première fois une remarquable confrontation entre l'artiste britannique et "ses" peintres. Dans ce catalogue, on trouvera en regard de ses productions les oeuvres des maïtres qui l'ont inspiré - Claude Lorrain, évidemment, mais encore Canaletto, Poussin, Rembrant, Rubens, Ruisdael, Téniers, Titien, Watteau -, ainsi que celles de ses contemporains, Bonington, Constable, Girtin et Wilkie. in-4°.