Lingua: Inglese
Editore: Arts Council Of Great Britain], 1986
ISBN 10: 0728704811 ISBN 13: 9780728704817
Da: Anybook.com, Lincoln, Regno Unito
EUR 27,73
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This is a pamphlet. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:0728704811.
EUR 14,88
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. Card wrappers are slightly creased and marked, corners worn, spine sunned and lighly curled; binding is tight; pages are age-toned with black and white and colour plates. ; 8.25 x 0.25 x 7.75 inches; 48 pages.
Editore: Whitechapel Art Gallery., 1975
Da: Roe and Moore, London, Regno Unito
Prima edizione
EUR 21,43
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Good. 1st Edition. 4to. Three panel folding sheet. Biography, statement by the artist, note by Rudolf Nassauer, list of projects, bibliography, exhibitions, 20 item catalogue, b/w illusts. Fraying at folds, thumbed.
Condizione: very_good. Yolanda Sonnabend (illustratore). This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.
Editore: Serpentine Gallery, London, UK, 1985
Da: Marcus Campbell Art Books, London, Regno Unito
Prima edizione Copia autografata
EUR 23,81
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very good in wraps. First Edition. 20 x 21cm 48pp very good exhibition catalogue, a small sticker at top rear wrapper. signed by Yolanda Sonnabend on the title page: 'For David and Nikos from a possible (?) woman, alllove, Y'. With black and white reproductions.
Editore: Serpentine Gallery, London, 1985
Da: David Bunnett Books, London, Regno Unito
Prima edizione
EUR 26,19
Quantità: 1 disponibili
Aggiungi al carrelloSOFTCOVER. Condizione: Near FINE. 1st Edition. 4to in stiff card covers, 48pp on stiff art paper, plates in colour and (mainly) b/w, etc . [CONDITION: Front cover unevenly sunned else FINE, an otherwise well preserved clean and tight unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.
Editore: On his letterhead 16 Hamilton Terrace NW8. 24 May, 1970
Da: Richard M. Ford Ltd, London, Regno Unito
Manoscritto / Collezionismo cartaceo
EUR 41,66
Quantità: 1 disponibili
Aggiungi al carrello1p., 4to. In fair condition, on lightly aged and creased paper. He thanks her 'for giving me the wrongly addressed envelope'. He has tried ringing her 'a dozen times' and gives her number for checking. He ends by inviting her to dinner.
EUR 173,78
Quantità: 1 disponibili
Aggiungi al carrellohardcover. Condizione: Very Good. Yolanda Sonnabend (illustratore). Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.
Editore: On letterhead of 'King Lear | Athena/Laterna Films'. 16 October, 1969
Da: Richard M. Ford Ltd, London, Regno Unito
Manoscritto / Collezionismo cartaceo
EUR 53,56
Quantità: 1 disponibili
Aggiungi al carrello1p., 8vo. On aged and worn paper. Brook writes: 'I do of course know your work and I was very interested to get your letter. Unfortunately, the committee at the I.C.A. have panicked and abandoned our very interesting project. | Another time, I hope.'.
Editore: London? The fourteen photographs taken in preparation for Sonnabend's portrait commissioned in, 1991
Da: Richard M. Ford Ltd, London, Regno Unito
EUR 178,54
Quantità: 1 disponibili
Aggiungi al carrelloThirteen of the fourteen photographs are in black and white, with the largest 21.5 x 15.5 cm (with slight paint staining at edge), another 17.5 x 12.5 cm, and the other nine roughly 12.5 x 9 cm. The other print is a colour polaroid, with paint smudges from Sonnabend's portrait on the white mount. Other than the paint marks to three of the prints, in good condition, although six of the smaller ones have aged due to acid in the paper stock. Apparently taken in Sonnabend's studio, and not published, the photographs show Macmillan in different postures from a number of angles, full face, from the the side, seated on a wicker chair in front of a canvas, arms crossed. Two of the images in particular resemble Sonnabend's portrait, showing Macmillan resting his right arm on a white ledge. A product of the Slade School theatre design course, Sonnabend collaborated with MacMillan for over thirty years, beginning with Symphony in 1963. Image on application.