soulard ida (23 risultati)

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff.

Condizione: New. 2021. Paperback. . . . . .

Condizione: New.

Condizione: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: NEW.

Brossura. Condizione: new. Milano, 2021; br., pp. 200, ill. Libro.

Condizione: As New. Unread book in perfect condition.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: new.

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 2021. 1 Volume/1. -- Comme Neuf -- Broché cousu. Format 24 x 17 cm ( 792 gr) . --------- 284 pages. Illustrations. ******************* "" Rédigé par l'une des pionnières de l'art textile au XXe siècle, cet ouvrage illustré offre une brillante méditation sur l'art du tissage, son histoire, ses outils et ses techniques, et sur ses conséquences pour le design moderne (nouvelle édition augmentée, avec trois textes critiques et des illustrations en couleur). Initialement paru en 1965, Du tissage retrace le passage de l'artisanat à la production industrielle, soulignant toute l'importance de la matérialité et les innovations créatives apparues à chaque fois que des questions de design ont été résolues à la main. En plaçant les matériaux et le métier à bras au c ur de sa réflexion, Anni Albers rend compte des limites imposées à la créativité et au savoir faire par la technologie et la production de masse, plaidant pour un retour à l'ingéniosité humaine aujourd'hui devenu essentiel. Sa prose limpide, captivante, s'accompagne d'une foule d'illustrations dont la grande richesse met en lumière l'histoire du médium : schémas à la main, détails de textiles précolombiens, études réalisées à partir de grains de maïs, de papier ou à la machine à écrire accompagnent de précieuses reproductions de ses propres uvres. Cette édition augmentée, qui place Du tissage à la portée d'une nouvelle génération de lecteurs, substitue aux illustrations en noir et blanc de l'édition originale des photographies en couleur. S'y ajoutent une postface de Nicholas Max Weber et deux essais de T'ai Smith et Ida Soulard qui apportent un éclairage inédit sur l'artiste et sa carrière. "" ********************** ref fav-02-06 ref 159.

Paperback. Condizione: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff.

Condizione: New. KlappentextComposers, artists and writers from Alvin Lucier and Charles Curtis to Claudia La Rocco and James Fei discuss the lineages and politics of Minimalist musicFocusing on phase shifting in music (i.e. .

Paperback. Condizione: New. New Book, Direct from Publisher.

Taschenbuch. Condizione: Neu. Neuware - Composers, artists and writers from Alvin Lucier and Charles Curtis to Claudia La Rocco and James Fei discuss the lineages and politics of Minimalist music.

Paperback. Condizione: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff.

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Wrappers. Condizione: Very Good. Condizione sovraccoperta: Very Good. 368 pages. Paperback. Texts in English. There is an impression on the front cover of the dustjacket, with some mild wear to the edges. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. Bound in stiff printed paper covers and wrapped in a printed and folded dustjacket. Well illustrated. Book.

8°, Klappbrosch., 198 S. - sehr gutes Exemplar. Buch.