standish lawder (25 risultati)

Paperback. Condizione: Used-Very Good. illustrated edition. Some shelf-wear to wraps; internals very sound. Sewn binding. Illustrated.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. For 2 volumes. Near fine in good only glassine DJ. No slipcase. Book.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. For 2 volumes. Near fine in good only glassine DJ. No slipcase. Book.

Hardcover. Condizione: Good. Condizione sovraccoperta: no. 2025 slight wear to clot edges/light stain on front and beack leaves.

Soft cover. Condizione: Good. 1987 exhibition catalog. 29 pages : illustrations (some color.) No marks or writing in book. Covers rubbed at edges; sticker shadow to upper corner of front cover.

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condizione: Very Good. Condizione sovraccoperta: Poor. 1st Edition. Very good condition overall. Both volumes are complete and solid, with clean, well-preserved gray cloth boards showing mild shelf wear and some sun fading in spots. Spines are straight and firm, with no splitting or structural issues. The original glassine wrapper is present for one volume but is in poor condition. Internally, the contents are clean and unmarked throughout, with crisp text, strong hinges, and high-quality plates well preserved. A handsome, stable set that has clearly been well cared for. Folio, 11 1/4" x 12 1/8". Complete in two volumes: Volume I (The Catalogue Raisonné) and Volume II (The Plates). This monumental scholarly work documents the Robert Sterling Clark Collection of European and American drawings from the sixteenth through nineteenth centuries, with authoritative catalogue entries and an extensive corpus of high-quality reproductions. A foundational reference in the field of drawing studies and museum scholarship, indispensable for historians, curators, and serious collectors of Old Master and nineteenth-century works on paper.

23 x 15 cm with b&w illustrations. Wrappers, very good.

Soft cover. Condizione: Very Good. Softcover exhibition catalog, published in 1987 by the Cleveland Center for Contemporary Art to accompany a show mounted 11 Sept. - 31 Oct. 1987, and at Cooper Union for the Advancement of Science and Art, New York, (26 Jan. - 13 Feb. 1988). Artists included Alice Aycock, Larry Bell, Chris Burden, Rockne Krebs, Standish Lawder and Frank Stella. Cover image by Berenice Abbott. No marks or writing in book. 30 pages. Covers lightly rubbed, else like new.

Hard. Condizione: Very Good. No Jacket. 1st. First edition. 2 volume hard cover set. Published New Haven: Yale University Press, 1964. Folio, 11 1/4" x 12 1/8". Vol 1 Text, xvi+164pp; Vol 2 Plates, ix+227, some plates in color. Brown cloth with gilt spine titles in black block. Minor dust spotting along top edge of page block, sun fade to the cloth at the spine. Very good, bindings tight, unworn. Lacking the slipcase.

Condizione: Neuf.

SOFTCOVER. Condizione: Very Good. 1st Edition. 8vo in photo illustrated stiff card covers, 265pp, plates illustrations in text, index etc . [CONDITION: VERY GOOD+, a well preserved clean and tight unmarked copy (covers and page-block edges slightly tanned, cover edges a very little rubbed) ] . . . . . . . . . . . . . To see more of our books on Film type DbbFILM in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Couverture souple. Condizione: Bon. un volume in-8°, 265 pp., couverture illustrée en noir & blanc. (couverture frottée, dos marqué, trois traits de markeur noir sur la tranche supérieure). Nombreuses reproductions en noir & blanc. Ouvrage très complet sur le cinéma cubiste.

First Two 4to volumes, cloth. ix+164, ix pp of text, 355 total illustrations (15 in color), index. Arntzen/Rainwater L16. Very good, but a corner bump and scratch to the cover of the plate volume.

Internally clean and bright in rubbed and creased publishers decorated wrappers. 1st edition. ISBN 0814749577.

Paperback. Condizione: Ausreichend. Gebraucht - Akzeptabel Buch ist Bibliotheksexemplar und kann die üblichen Stempel und Markierungen enthalten.

hardcover. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

265 S., OKart., gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Color, Black & White Illus. (illustratore). New Haven, CT: Yale University Press. Very good condition-vol. 2 scuffed/No Dustjacket. 1964. 4to., 164, 227 pp. . Very good condition-vol. 2 scuffed/No Dustjacket.

New Haven & London,Yale University Press, 1964. 2 vols (text & plates). XVI,164 pp. 126 b./w. figs & 227 col. & b./w. plts. Orig. unifom quarter cloth bindins. In oritig. cardboard slipcase. 4to. - Slipcase sl. dam.Complete two volume set: Vol. 1. The catalogue raisonne ; Vol. 2. The plates.

rilegato. Condizione: Good. 0. 2 voll. in 4', tela ed., sovrac. mancanti; 1 'vol. testi, pp. 164,  2 ' vol. tavole, scolorimenti ai dorsi e ai margini della cop., interni in ottimo stato, minimi segni del tempo. ***Books dated over 70 years old are not exportable, please do not order.***. Book.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. First edition. Small quarto. 265pp. Illustrated from film stills. Very light rubbing along the edges, near fine in a very good dust jacket with a few small creased tears, bumped edges, and just a bit of interior foxing.

Hardcover. Condizione: Fine. 1st. Two volumes. Volume I: Catalogue Raisonne; Volume ii: The Plates. Bound in publisher's original quarter tan cloth and grey paper on boards with black label on spine stamped in gilt. Slipcase in good condition, with drawing affixed to front and label affixed to back. Size: 12 1/2 x 11 1/4 x 2 1/2.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.

[2] pp.; 87.2 x 56.2 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 9th Annual New York Avant Garde Festival presented by Charlotte Moorman aboard the riverboat "Alexander Hamilton" at South Street Seaport Museum, Pier 16, New York City, October 28, 1972, "hopefully" in Poughkeepse, New York, October 29, 1972 and in Albany, New York, October 30, 1972. Artists included Shuya Abe, John Alpert, Eric Anderson, Oliver Andrews, Eleanor Antin, Ay-o, Claudio Badal, Shridhar Bapat, Fred Barzak, Gregory Battcock, Bill Birch, Frank Braynard, Dennis Brennan, Brenda Bufalino, John Cage, Domenick Capobianco, Jackie Cassen, Laura Cavestany, Joel Chadabe, Rhys Chatham, Emanuel Ghent, Dick Higgins, Ralph Hocking, Wayne Hycle, Glenda Hydler, Takahiko Iimura, Iris, Sylvia Johnson, Joe Jones, Allan Kaprow, Alison Knowles, Kenneth C. Knowlton, Shigeko Kubota, Joanne Kyger, Gilles Larrain, Standish Lawder, Francis Lee, Rick Lefrak, John Lennon, Carl Linder, Anna Lockwood, Alvin Lucier, Mary Lucier, Stanley Lunetta, Ernest Lurker, Christo, Shirley Clarke, Beverly Conrad, Tony Conrad, Philip Corner, Bob Cowan, Doug Davis, Henny DeKnegt, Storm de Hirsch, Bill Denner, Dimitri Devyatkin, Ken Dewey, Robert Diamond, Hans Joachim Dietrich, Eugene Dolgoff, Juan Downey, Franklin Drake, Jean Dupuy, Tom Drysdale, Ed Emshwiller, Jeni Engel, William Etra, Ralston Farina, Wolfgang Feelish, Peter Frank, Si Fried, John Fulop, Jeff Garrett, Davidson Gigliotti, Frank Gillette, Amy Greenfield, Donna Grob, Alex Gross, Walter Gutman, James Harithas, Harlem Drummers & Dancers Park East H.S., Gary Harris, Dermot Harvey, Ron Hays, Jackson MacLow, Marta Minujin, Max Neuhaus, Hermann Nitsch, Pauline Oliveros, Yoko Ono, Nam June Paik, Lil Picard, Otto Piene, Carolee Schneemann, Rudi Stern, Aldo Tambellini, Elsa Tambellini, Stan Van Der Beek, Jud Yalkut, Ben Vautier, Video Freex and others. Very Good. Mailed copy with mailing marks and wear, folded in sixteen for mailing. Stamps (on recto) have been postmarked and there is a return address, however no indication of to whom it was mailed. Two 7 mm pen marks on recto with a 3 mm. tear to center of one of the folds and 1 cm. of adhesive staining to poster edge. Otherwise clean and unmarked.