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Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

XV, 409 p. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Numanities - Arts and Humanities in Progress, Vol. 7. Sprache: Englisch.

Hardcover. Condizione: new. Hardcover. This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performers and listeners perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy. This book provides a new approach to the intersections between music and philosophy. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. pp. 409 1st ed. 2019 edition NO-PA16APR2015-KAP.

Condizione: New. 1st ed. 2019 edition NO-PA16APR2015-KAP.

Hardcover. Condizione: Brand New. 409 pages. 9.50x6.25x1.00 inches. In Stock.

Condizione: New.

Hardcover. Condizione: new. Hardcover. This volume provides a transnational study of the impact of musicalcultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of theCold War and in the early post-Communist period. Throughout the book, thecontributors explore and conceptualize transnational musical collaboration and thediffusion of information,people, and ideas focusing on musical activity which shaped the moral and artisticoutlook of several generations.The volume sheds light on the transformative power of politically and socially engaged music and offersa deeper understanding of the artistic potential of societies and its impact on social and politicalchange. Thisvolume provides a transnational study of the impact of musical cultures inthe Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at theend of the Cold War and in the early post-Communist period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: New. 2022. Hardcover. . . . . .

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: As New. Text clean and tight; no dust jacket; Studies In The History And Sociology Of Music; 8vo 8" - 9" tall; 362 pages.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer's and listener's perceptions.In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy.This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy.

Buch. Condizione: Neu. Neuware - The subject of this book is the activity of the Lithuanian Section of the International Society for Contemporary Music, its pre-history (1936-1939) and post-war reception, as well as the history of the Vilnius Chapter of the ISCM Polish Section which is seen as integral part of the modernisation of Lithuanian and international musical culture. With the aim of including the modern music movements in Kaunas and Vilnius in the international context, the book presents a critical review of ISCM strategies and a history of festivals in the interwar and early Cold War periods.In the said context not only the artistic, but also the politic al contexts of the Society's activities are important. The Lithuanian Section of the ISCM is attributed to typical organisations of small countries stimulated by an international movement of modern music. However, in an environment of cultural transfer, not only the migration of ideas from the centre to the periphery is important, but also the response from the periphery to the centre. The author addresses the issues which are only marginally represented in many histories of the 20th-century musical modernisation.

Taschenbuch. Condizione: Neu. Of Essence and Context | Between Music and Philosophy | R¿ta Stanevi¿i¿t¿ (u. a.) | Taschenbuch | Numanities - Arts and Humanities in Progress | xv | Englisch | 2020 | Springer | EAN 9783030144739 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Buch. Condizione: Neu. Figures of Modernity | International Society for Contemporary Music and the Modern Music Movement in Lithuania | Ruta Staneviciute | Buch | 312 S. | Englisch | 2024 | Hollitzer Verlag | EAN 9783990941096 | Verantwortliche Person für die EU: Hollitzer Wissenschaftsverlag, Trautsongasse 6/6, 1080 WIEN, ÖSTERREICH, kontakt[at]hollitzer[dot]at | Anbieter: preigu.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer's and listener's perceptions.In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy.This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy.

Condizione: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condizione: New. In.

Hardcover. Condizione: new. Hardcover. This volume provides a transnational study of the impact of musicalcultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of theCold War and in the early post-Communist period. Throughout the book, thecontributors explore and conceptualize transnational musical collaboration and thediffusion of information,people, and ideas focusing on musical activity which shaped the moral and artisticoutlook of several generations.The volume sheds light on the transformative power of politically and socially engaged music and offersa deeper understanding of the artistic potential of societies and its impact on social and politicalchange. Thisvolume provides a transnational study of the impact of musical cultures inthe Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at theend of the Cold War and in the early post-Communist period. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condizione: New. New Book, Direct from Publisher.

Hardback. Condizione: New. This volume provides a transnational study of the impact of musicalcultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of theCold War and in the early post-Communist period. Throughout the book, thecontributors explore and conceptualize transnational musical collaboration and thedi?usion of information,people, and ideas focusing on musical activity which shaped the moral and artisticoutlook of several generations.The volume sheds light on the transformative power of politically and socially engaged music and o?ersa deeper understanding of the artistic potential of societies and its impact on social and politicalchange.

Hardback. Condizione: New. This volume provides a transnational study of the impact of musicalcultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of theCold War and in the early post-Communist period. Throughout the book, thecontributors explore and conceptualize transnational musical collaboration and thedi?usion of information,people, and ideas focusing on musical activity which shaped the moral and artisticoutlook of several generations.The volume sheds light on the transformative power of politically and socially engaged music and o?ersa deeper understanding of the artistic potential of societies and its impact on social and politicalchange.

Hardcover. Condizione: Brand New. 362 pages. 9.21x6.14x1.06 inches. In Stock.