Stanfield professor peter (39 risultati)

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Softcover. no owners' marks; square, uncreased spine; soft; otherwise excellent.; Near Fine Crisp, bright, clean pages cover shows minor edge wear at the top rear corners ix, 311pp incl. index.

paperback. Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. The concept of "un-Americanism," so vital to the HUAC crusade of the 1940s and 1950s, was resoundingly revived in the emotional rhetoric that followed the September 11th terrorist attacks. Today's political and cultural climate makes it more crucial than ever to come to terms with the consequences of this earlier period of repression and with the contested claims of Americanism that it generated.             "Un-American" Hollywood  reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry.             Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, and FTA.…

Soft cover. Condizione: As New.

Condizione: new.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

PF. Condizione: New.

Condizione: New.

Condizione: New. Discusses the debate on the blacklist era and on aesthetic and political work of the Hollywood Left. Featuring case studies focusing on contexts of production and reception, this book offers perspectives on the role of progressive politics within a capitalist media industry. It includes essays which scrutinize the work of individual practitioners. Editor(s): Krutnik, Frank; Neale, Steve; Neve, Brian; Stanfield, Peter. Num Pages: 416 pages, 34 b&w illustrations. BIC Classification: APFA; JP. Category: (G) General (US: Trade). Dimension: 340 x 234 x 23. Weight in Grams: 568. . 2007. None ed. paperback. . . . .…

Condizione: New. In English.

Condizione: New. In English.

Condizione: New. In English.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: New. Discusses the debate on the blacklist era and on aesthetic and political work of the Hollywood Left. Featuring case studies focusing on contexts of production and reception, this book offers perspectives on the role of progressive politics within a capitalist media industry. It includes essays which scrutinize the work of individual practitioners. Editor(s): Krutnik, Frank; Neale, Steve; Neve, Brian; Stanfield, Peter. Num Pages: 416 pages, 34 b&w illustrations. BIC Classification: APFA; JP. Category: (G) General (US: Trade). Dimension: 340 x 234 x 23. Weight in Grams: 568. . 2007. None ed. paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condizione: Brand New. 311 pages. 9.25x6.25x1.00 inches. In Stock.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: Brand New. 362 pages. 9.25x6.25x1.00 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware - The concept of 'un-Americanism,' so vital to the HUAC crusade of the 1940s and 1950s, was resoundingly revived in the emotional rhetoric that followed the September 11th terrorist attacks. Today's political and cultural climate makes it more crucial than ever to come to terms with the consequences of this earlier period of repression and with the contested claims of Americanism that it generated. 'Un-American' Hollywood reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry. Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, and FTA.…

Condizione: New. Discusses the debate on the blacklist era and on aesthetic and political work of the Hollywood Left. Featuring case studies focusing on contexts of production and reception, this book offers perspectives on the role of progressive politics within a capitali.

Condizione: New. &Uumlber den Autor Lee Grieveson is the director of the graduate program in film studies at University College London and the author of Policing Cinema: Movies and Censorship in Early-Twentieth-Century America. .

Taschenbuch. Condizione: Neu. Neuware - Sinister, swaggering, yet often sympathetic, the figure of the gangster has stolen and murdered its way into the hearts of American cinema audiences. Despite the enduring popularity of the gangster film, however, traditional criticism has focused almost entirely on a few canonical movies such as Little Caesar, Public Enemy, and The Godfather trilogy, resulting in a limited and distorted understanding of this diverse and changing genre.Mob Culture offers a long-awaited, fresh look at the American gangster film, exposing its hidden histories from the Black Hand gangs of the early twentieth century to The Sopranos. Departing from traditional approaches that have typically focused on the 'nature' of the gangster, the editors have collected essays that engage the larger question of how the meaning of criminality has changed over time. Grouped into three thematic sections, the essays examine gangster films through the lens of social, gender, and racial/ethnic issues.Destined to become a classroom favorite, Mob Culture is an indispensable reference for future work in the genre.…

Paperback. Condizione: New. The concept of "un-Americanism," so vital to the HUAC crusade of the 1940s and 1950s, was resoundingly revived in the emotional rhetoric that followed the September 11th terrorist attacks. Today's political and cultural climate makes it more crucial than ever to come to terms with the consequences of this earlier period of repression and with the contested claims of Americanism that it generated.             "Un-American" Hollywood  reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry.             Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, and FTA.…