starmer william (46 risultati)

Soft cover. Condizione: Very Good. Starmer Brothers ( Cover Art ) - William Henry and/or Frederick (illustratore). Lovely piece of vintage sheet music, large format. Piano and lyrics Some edgewear and creasing of covers, interior fine. The piece is a sentimental American ballad describing a wounded soldier asking a comrade to tell the former's mother that he will not return home. Originally written for the Spanish American war, it was revived during World War I. It is written in a parlor ballad style (simple melody, very emotional lyrics).

Paperback. Condizione: Very Good. Starmer Cover Art: brothers William Austin Starmer and Frederick Waite Starmer were noted sheet music cover artists (illustratore). 1st. 6 pages (smalll marginal chip on pg3); pictorial wraps w/lite wear only.

Soft cover. Condizione: Very Good. Starmer Brothers ( Cover Art ) - William Henry and/or Frederick (illustratore). Some light edgewear and closed tears along edges, interior fine. Lovely cover art. Pianoforte score. Benjamin Richmond was a composer working within the popular and light classical piano music tradition of the late nineteenth and early twentieth centuries. Like many composers producing music for the broad amateur market during this period, Richmond worked in a style that emphasized melodic charm, accessibility, and immediate appeal, creating pieces that would reward amateur pianists with an enjoyable and satisfying performance experience without demanding the technical mastery required by the serious classical repertoire. Composers of this type were often prolific contributors to the sheet music market, producing descriptive and character pieces that fed the steady commercial demand for attractive and playable piano music suited to domestic performance. Dance of the Stars is a descriptive character piece for solo piano in which the imagery suggested by the title establishes the expressive world of the music. Pieces built around celestial imagery such as stars, moonlight, and the night sky were a well established and popular category within the salon and light classical piano repertoire of this era, as such subjects lent themselves naturally to a particular quality of piano writing characterized by a sense of shimmer, sparkle, and ethereal lightness. The star as a musical subject invited composers to explore delicate textures, perhaps featuring glistening figuration in the upper registers of the piano, and to create an impression of brightness and gentle movement that would evoke the quality of starlight. The dance element suggested by the title adds a rhythmic dimension to the celestial imagery, implying that the piece combines a sense of graceful movement and rhythmic energy with the shimmering and atmospheric quality suggested by the star imagery. This combination of dance character and descriptive imagery was a common and effective formula in salon piano writing, giving a piece both expressive content and forward rhythmic momentum that could make it particularly engaging to perform and to hear. The piece would be expected to feature writing that balances melodic grace with rhythmic vitality, likely presenting a lyrical and singing main theme set against an accompaniment that provides both harmonic support and a sense of gentle rhythmic propulsion. The overall character would be bright, elegant, and pleasing rather than weighty or dramatic, and the harmonic language would be conventional and accessible, serving the descriptive and evocative purpose of the piece while remaining well within the comfort of an accomplished amateur player. Will Wood was a music publisher operating within the commercial sheet music industry, producing and distributing music aimed at the broad amateur market. Publishers of this type played an essential role in the musical culture of their era, acting as the primary means by which composers reached the public before the age of recording and broadcasting transformed how music was consumed and distributed. Sheet music publishing was a significant commercial enterprise during the late nineteenth and early twentieth centuries, with publishers actively seeking out compositions that would appeal to amateur pianists and sell well through music shops and mail order catalogs. Publishers such as Will Wood typically handled a wide range of material including popular songs, dance music, instructional pieces, and descriptive character pieces of the kind that Dance of the Stars represents. A piece with such an evocative and romantically appealing title drawing on celestial imagery would have been an attractive commercial proposition for a publisher serving the amateur market, as pieces evoking the beauty and mystery of the night sky consistently found a receptive audience among domestic pianists of the era. Sheet music of this period was notable not only for its musical content but also for the visual app.

Soft cover. Condizione: Very Good. Starmer Brothers ( Cover Art ) - William Henry and/or Frederick (illustratore). Some light edgewear and closed tears along edges, interior fine. Lovely cover art. Pianoforte score. John J. Fitzgerald was a composer working in the tradition of light classical and salon style piano music, producing pieces intended for amateur and recreational pianists rather than concert performance. His work falls within a genre that was particularly popular in the late nineteenth and early twentieth centuries, when there was a substantial market for appealing and accessible piano compositions that could be enjoyed in domestic settings by players of moderate ability. Pieces of this type were a staple of parlor music culture and remained in circulation through sheet music publishers catering to the broad middle ground between serious classical repertoire and purely popular music. Falling Waters Reverie is a character piece for solo piano that evokes through its title and musical content the imagery of flowing or cascading water. The reverie as a musical form or character piece type implies a mood of gentle contemplation and dreaming, and the combination of that quality with the water imagery suggested by the title points toward a piece that is lyrical, flowing, and unhurried in character. Pieces built around water imagery were extremely common in the salon and light classical piano repertoire, as the rippling and cascading patterns that water suggest translate naturally into idiomatic piano writing, particularly in the right hand where flowing arpeggiated or scalar passages can effectively conjure the impression of moving water. The piece would be expected to feature a singing melodic line set against a fluid accompaniment pattern, with the overall mood remaining gentle and pleasant throughout. The harmonic language would likely be conventional and accessible, prioritizing beauty of sound and ease of listening over complexity or challenge, in keeping with the traditions of the genre. Will Wood was a music publisher operating within the commercial sheet music industry, producing and distributing music aimed at the broad amateur market. Publishers of this type played an essential role in the musical culture of their era, acting as the primary means by which composers reached the public before the age of recording and broadcasting transformed how music was consumed and distributed. Sheet music publishing was a significant commercial enterprise during the late nineteenth and early twentieth centuries, with publishers actively seeking out compositions that would appeal to amateur pianists and sell well through music shops and mail order catalogs. Publishers such as Will Wood typically handled a wide range of material including popular songs, dance music, instructional pieces, and light classical character pieces of the kind that Falling Waters Reverie represents. The relationship between composers and publishers of this type was often transactional, with composers selling their work outright or receiving royalty arrangements in exchange for the publisher taking on the costs of engraving, printing, and distributing the sheet music. Sheet music of this era was notable not only for its musical content but also for the visual presentation of its covers, and illustration played an important role in making publications attractive and commercially appealing. It was common practice for publishers to commission decorative cover artwork that reflected the mood or subject matter of the piece inside, and a beautifully illustrated cover could significantly enhance the appeal of a publication on a music shop display. The Starmer brothers were both active as commercial illustrators during the late nineteenth and early twentieth centuries and produced a considerable body of work for the sheet music publishing industry among other commercial clients. Walter S. Starmer and his brother were known for their decorative and appealing cover illustrations that graced a large number of sheet music publications during this period. Their work ref.

Soft cover. Condizione: Very Good. Starmer (William A. & Fred W.) (illustratore). 9 X 12 inches. Four-page score with ukulele arrangement. Minor wear with a small tear at the bottom of the front cover. Front cover illustration credited to Starmer, which would be the Starmer brothers William A. and Fred W., prolific sheet music illustrators.

Soft cover. Condizione: Good. Starmer Brothers ( Cover Art ) - William Henry and/or Frederick (illustratore). Lovely piece of original, large format sheet music. Some edgewear and stapled spine, otherwise a fine clean copy - piano and lyrics. According to Wikipedia" Anthony John Stastny was born on June 3, 1885, in Cleveland, Ohio, to Bohemian immigrant parents. Sometime after 1910, he modified the original Bohemian spelling of his surname from Stastny to Stasny. Music bearing the A.J. Stasny name appeared as early as 1908, and the firm was formally chartered as a New York corporation in 1922. He relocated to New York City in 1910, composed numerous popular songs and piano solo works, and also served as musical director for the magician Howard Thurston. By 1920, the company had grown into one of the largest music publishing firms in the country, with branch offices in 18 large cities including Philadelphia, Chicago, San Francisco, and London, employing over 200 people and grossing over a million dollars a year."James Royce Shannon, born James Royce on May 13, 1881, in Adrian, Michigan, was an Irish-American composer and lyricist who was nationally prominent during the Tin Pan Alley era. He is best known for writing the lyrics to "The Missouri Waltz," the state song of Missouri, and for composing "Too Ra Loo Ra Loo Ral," the Irish Lullaby, which became famous decades later when Bing Crosby performed it in the film Going My Way. Shannon organized his own theatrical company, with which he toured the United States and Europe. He later managed a chain of music stores, served as assistant manager and director of weekly shows at Detroit's Majestic Theater, and worked as drama critic for the Detroit Free Press, also composing special material for vaudeville. He died on May 19, 1946. For Rose Dreams he supplied the pastoral lyric text, evoking dewdrops on roses, soft breezes, birdsong, and the fading light of evening, perfectly suited to the reverie mood of Stasny's melody. Again citing Wikipedia "The name "Starmer" on the Rose Dreams cover refers to brothers William Austin Starmer and Frederick Waite Starmer, noted sheet music cover artists born in Leeds, England. "Starmer" is a household name to collectors of sheet music and appears on innumerable covers from the early 1900s to the 1940s. William Austin Starmer lived from 1872 to 1955, and Frederick Waite Starmer from 1878 to 1962. By some accounts, the brothers were responsible for nearly a quarter of all signed covers published during that era. Their work was of consistently high quality, and they were producing nearly a quarter of all large-format covers from the late 1890s to around 1919. The identity of the artists was unknown for some time until an invoice was discovered from William A. Starmer to the Jerome Remick Music Company, with a printed heading describing him as artist and medical draughtsman. William arrived in North America in 1898, with Frederick following two years later, and the two brothers made frequent visits back to England until 1924, when they became naturalized American citizens. The cover art for Rose Dreams has been noted by collectors as particularly beautiful and suitable for framing, typical of the Starmers' romantic style"Together, the three collaborators ? Stastny, Shannon, and the Starmer brothers ? represent the full apparatus of the Tin Pan Alley sheet music world at its height: a composer-publisher driving the commercial enterprise, a versatile lyricist supplying the words, and master illustrators whose cover art made the piece something buyers wanted to display as much as to play.

Paperback. Condizione: Very Good. Starmer Cover; brothers William Austin Starmer and Frederick Waite Starmer were noted sheet music cover artists (illustratore). 6 pages; lite marginal chippng.

Soft cover. Condizione: Very Good. Starmer ( Cover Art ) (illustratore). Lovely piece of original vintage sheet music. Piano and lyrics. Minor edgewear otherwise fine.

Soft cover. Condizione: Good. Starmer, William Austin (illustratore). Original vintage sheet music with marvellous cover graphics of an native Indian in full headdress - very suitable for framing. Minor edgewear and music store stamp offcentre, spine is tape repaired but otherwise fine - music is clear and legible - piano solo.

Soft cover. Condizione: Good. Starmer, William Austin (illustratore). ORIGINAL and hard to find vintage sheet music featuring a very sad looking Alice Joyce with her soldier sweetheard on cover along with cameo photos of Gus Hill and Harry Tenney. Piano with both English and French lyrics. Some general edgewear, a little age toning of the interior pages, otherwise still a good copy, very suitable for framing.

Soft cover. Condizione: Very Good. Starmer Brothers ( Cover Art ) - William Henry and/or Frederick (illustratore). ORiginal large format vintage sheet music - pianoforte score. Minor edgewear and stapled spine, all else quite fine. The Meadowbrook Fox Trot is a piece of ragtime-influenced dance music composed by Arthur M. Kraus and published in 1914 by the New York firm Jos. W. Stern and Company. The piece dates to 1914 and is written in F major at a moderato tempo, scored for piano, and catalogued in the ragtime genre. It was part of the enormous wave of fox trot compositions that flooded the American market that year, when the dance was newly fashionable and publishers rushed to supply music for it. A surviving 78 rpm Edison disc recording of the piece carries matrix number 3339-C-25 and catalog number 50190, and was recorded using vertical-cut acoustic technology. A separate Edison Blue Amberol cylinder recording also exists, performed by the National Promenade Band and issued around 1915. The sheet music cover is illustrated by the artist known as Starmer, depicting a fox hunt scene with an inset photograph of Miss Sonia Baraban and Charles C. Grohs. Their presence on the cover was a marketing choice rooted in their celebrity as exhibition dancers. Sonia Baraban and Charles C. Grohs toured on the Keith vaudeville circuit in the 1910s, and they are known for introducing the Reuben Fox-trot to the public in 1914. They performed modern dances such as the foxtrot and appeared at venues including the Seattle Orpheum Theater in March 1915. Placing their photograph on sheet music covers was a common promotional practice of the era, linking a composition to recognizable performing personalities and lending it an air of fashionable credibility. Their image appears on at least one other fox trot publication from the same period as well. It is worth noting that different copies of the Meadowbrook Fox Trot sheet music appear to carry different cover photographs. At least one copy in the York University collection shows a photograph of Holton Herr and Janet McIlwaine rather than Baraban and Grohs, though the Starmer fox hunt illustration is consistent across versions. This reflects the common practice of publishers issuing multiple cover variants. As for Arthur M. Kraus himself, detailed biographical information about him is sparse in the historical record. His known recordings date only from 1914 to 1915, and his role in the Discography of American Historical Recordings is listed solely as composer. He is sometimes credited in collaboration with a co-writer named Hall. The piece was popular enough to be arranged for player piano rolls as well as recorded on cylinder and disc formats. Regarding Rector's and the Kraus' Society Orchestra, the picture here requires some caution because the documentary trail is thin. Rector's was a celebrated New York restaurant and cabaret on West 44th Street that was one of the central venues for the dance craze of the early 1910s. When the tango came to New York via Paris in 1912, cabarets and restaurants including Rector's introduced afternoon tango teas, and the venue became deeply associated with fashionable dancing. Rudolph Valentino himself worked as a dance partner at such tango teas, and in 1915 returned to Rector's in a vaudeville dance act. Dance orchestras were central to Rector's identity during this period, and a number of society orchestras played there across the years. By 1917, Earl Fuller led a society dance band at Rector's called Earl Fuller's Rector Novelty Orchestra, which gives a sense of the venue's musical prestige and the style of ensemble associated with it. The specific ensemble name "Kraus' Society Orchestra" does appear in Edison-era catalogues of the period, where the label "Society Orchestra" was commonly used for refined dance ensembles playing in hotel and restaurant settings rather than rough commercial venues.

Soft cover. Condizione: Very Good. Starmer Brothers ( Cover Art ) - William Henry and/or Frederick (illustratore). The ORIGINAL piece of vintage sheet music. Written and published by Denton, the piece is vibrantly illustrated by one or both of the Starmer Brothers. Active in Tin Pan Alley, they were prolific illustrators in the early 1900s and considered highly important in their field. Joseph Denton is less well known. He was a composer of marches and other popular music, and is an early example of "branding" in that he composed and published his own music, enlisting the talents of the Starmer Brothers to illustrated his music and thus make it more marketable. This is a lovely copy with only very minor edgewear.

Paperback. Condizione: Fair. First Edition. scarce, some staining to cover 4pp. Book.

Condizione: New. In.

Pamphlet. Condizione: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDStaple binding, previous owner marked upper left hand side and wrote on upper right hand side, clean pages, minor wear, Microb Ecol (1985)11: 165-173.

Condizione: New. pp. 490.

Condizione: New. pp. 490.

Taschenbuch. Condizione: Neu. Ecological and Evolutionary Genetics of Drosophila | J. S. F. Barker (u. a.) | Taschenbuch | xvii | Englisch | 2012 | Springer US | EAN 9781468487701 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Paperback. Condizione: Brand New. reprint edition. 541 pages. 10.01x7.01x1.23 inches. In Stock.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Ecological and evolutionary genetics span many disciplines and virtually all levels of biological investigation, from the genetic information itself to the principles governing the complex organization of living things. The ideas and informa tion generated by ecological and evolutionary genetics provide the substance for strong inferences on the origins, changes and patterns of structural and functional organization in bio logical communi ties. It is the coordination of these ideas and thoughts that will provide the answers to many fundamental questions in biology. There is no doubt that Drosophilids provide strong model systems amenable to experimental manipulation and useful for testing pertinent hypotheses in ecological and evolutionary genetics. The chapters in this volume represent efforts to use Drosophila species for such a purpose. The volume consists of a dedication to William B. Heed, followed by four major sections: Ecological Genetics, Habitat Selection, Biochemical Genetics and Molecular Evolution. Each section is introduced by a short statement, and each chapter has an independent summary. The chapters contain the sub stance of talks given at a joint Australia-US workshop held January 5-10, 1989 at the University of New England, New South Wales, Australia. We are indebted to the Division of International Programs of the National Science Foundation (USA) and to the Science and Technology Collaboration Section of the Department of Industry, Technology and Commerce (Australia) for the provi sion of financial support under the US/Australia Science and Technology Agreement. Many people contributed to the preparation of this volume.

Condizione: Good. Sheet Music. Folio. 6 pp. Soft Covers, Good with loose pages, some staining, small tears. Former owner's stamp on cover. Illustrated cover by William Austin Starmer. First Edition.

Condizione: Very Good. Vintage piano sheet music in colour illustrated printed paper covers. 13½'' x 10¾''. Contains 6 pages folded sheet music including the covers. Front cover photograph of Akin - Figg and Duffy. Scored for piano and solo voice with lyrics. Small tear to the bottom front edge and in Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

Condizione: Very Good. Vintage piano sheet music in colour illustrated printed paper covers. 13½'' x 10¾''. Contains 8 pages folded sheet music including the covers. Scored for piano and solo voice with lyrics. In Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

Condizione: Very Good. Vintage piano sheet music in colour illustrated printed paper covers. 13½'' x 10¾''. Contains 6 pages folded sheet music including the covers. Inset photograph of Lillian Smalley to the front cover. Scored for piano and solo voice with lyrics. Without any tears to the covers and in Very Good sharp condition. Member of the P.B.F.A. SHEET MUSIC.

Condizione: Very Good. Vintage piano sheet music in colour illustrated printed paper covers. 13½'' x 10¾''. Contains 6 pages folded sheet music including the covers. Scored for piano and solo voice with lyrics. In Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

Condizione: Very Good. Vintage piano sheet music in colour illustrated printed paper covers. 13½'' x 10¾''. Contains 8 pages folded sheet music including the covers. Scored for piano and solo voice with lyrics. In Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

Condizione: Very Good. Vintage piano sheet music in colour illustrated printed paper covers. 13½'' x 10¾''. Contains 6 pages folded sheet music including the covers. Scored for piano. Without any tears to the covers and in Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

Condizione: Very Good. Vintage piano sheet music in colour illustrated printed paper covers. 13½'' x 10¾''. Contains 6 pages folded sheet music including the covers. Scored for voice and piano with lyrics. Small repaired tear to the front fore edge and in Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

Condizione: Very Good. Vintage piano sheet music in colour illustrated printed paper covers. 13½'' x 10¾''. Contains 6 pages folded sheet music including the covers. Scored for voice and piano with lyrics. In Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

Condizione: Very Good. Vintage piano sheet music in colour illustrated printed paper covers. 13½'' x 10¾''. Contains 4 pages folded sheet music including the covers. Scored for voice and piano with lyrics. Just two small tears to the front fore edge and in Very Good condition. Member of the P.B.F.A. SHEET MUSIC.