steina vasulka (11 risultati)

Softcover, staple-bound, 16pages; in Czech; very good condition; except small hole in front cover no internal marks.

Soft cover. Condizione: Very Good. See photos. Includes CD-ROM. Phone number in black ink on FFEP. Contents otherwise unmarked.

Ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Softcover, staple-bound, 64 pages, very good condition; light rubbing and edgewear to covers; no internal marks.

'brossura editoriale. Catalogo dell''omonima mostra. In buone condizioni.'.

Stapled paper cover. Exhibition catalogue. 14 p. Ills in colour. -very good.

Softcover, 72 pages, in French; good condition, light rubbing and yellowing to covers with laminate starting to peel; long indent / crease to center of first half of pages;l first inserted page is printed, "exemplaire destine a Monsieur Michael Snow and is inscribed, "For Michael from Woody and Steina" no other internal marks. Also included is a stapled Press book of xeroxes of reviewsForeign shipping may be extra.

Condizione: Gut. 240 S., Spiralbindung. Text auf englisch. Kontaktdaten des Herstellers: The Vasulkas, Inc., Route 6, Box 100, Santa Fe, New Mexico, 87501 USA, Kontaktdaten des Inverkehrbringers: Antiquariat Dennis Wolter, Hauptstr. 10, 37181 Hardegsen, info(at)2ndhandbook(.)de. Buch.

[2] pp.; 84.5 x 55.2 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Oversized folded promotional poster for the 8th Annual New York Avant Garde Festival presented by Charlotte Moorman, held at the 69th Regiment Armory, New York, November 19, 1971. Artists included Otto Piene, Eric Siegel, Shirley Clarke, Nam June Paik, Shuya Abe, Frank Lincoln Viner, Douglas Davis, Ralph Hocking, Ken Dominick, Pulsa, Steina and Woody Vasulka, Morton Subotnick, Stefan Tcherepnin, Richard Teitelbaum, Lil Picard, Jud Yalkut, Ed Emshwiller, Stan Vanderbeek, Christo, Yoko Ono, John Lennon, Joe Jones, Robert Watts, Frank Gillette, John Reilly, Rudi Stern, Robert Breer, Ken Dewey, Geoff Hendricks, Ralph Ortiz, Tosun Bayrak, Bici Forbes, Gary Rieveschl, Jackson Mac Low, Philip Corner, Frederic Rzewski, Gregory Battcock, Shigeko Kubota, Joey Skaggs, Al Hansen, Emmett Williams, Jim McWilliams, Joseph Beuys, John Cage, Dick Higgins, Toshi Ichiyanagi, Allan Kaprow, Takehisa Kosugi, Pauline Oliveros, Faith Ringgold, Carolee Schneemann, Aldo Tambellini, Jean Toche, Ben Vautier, Wolf Vostell and many others. Photo by Peter Moore. Very Good. Folded in eight as issued. 2 cm. and 1.5 cm. yellowing on verso from removed tape with additional 7.4 cm. and 2.3 cm areas of yellow soiling. 24.5 cm. area of creasing and bumping along centerfold. Otherwise clean and unmarked.

No. 3 OF 25 COPIES. 615 x 510 mm. (24 1/4 x 20"). [2] leaves of text. Original linen portfolio, with gray paper folder, cover with paper label, linen ribbon ties. Eight photocollage plates, numbered and signed in pencil on verso by Rubenstein, all with tissue guards. With pencilled signature and inscription: "For Arnold [Horwitch] with admiration and gratitude 7/15/95." The tiniest bit of soiling to label on portfolio, otherwise in mint condition. This is a very rare portfolio based on Rubenstein's photo/text/video installation "Critical Mass," created between 1989 and 1993 in collaboration with Ellen Zweig, with technical assistance from Steina and Woody Vasulka. According to the Exhibition description at the MIT List Visual Arts Center, "The 50th anniversary of the atomic bomb, developed at the Los Alamos Laboratory and first detonated in the southern New Mexico desert on July 16, 1943, inspired artists Meridel Rubenstein, Woody and Steina Vasulka, and Ellen Zweig to probe the ironic juxtaposition of two very different elements of American society. 'Critical Mass,' a multimedia installation, examines the unusual meeting of J. Robert Oppenheimer and other Manhattan Project scientists with the American Indians of San Ildefonso Pueblo, whose land adjoins Los Alamos, New Mexico. Their worlds fused at 'the house at Otowi Bridge,' Edith Warner's Rio Grande riverside home where both groups patronized a small restaurant she operated during the 1940s." Born in Detroit, Michigan, in 1948, Rubenstein received her bachelor's degree in social science, with a film-making emphasis, from Sarah Lawrence College, and a Master's and M.F.A. degree from the University of New Mexico. She is the recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Pollock-Krasner Foundation, and has taught photography at San Francisco State University and the Institute of American Indian Arts. The New Mexico Museum of Art, the San Francisco Museum of Modern Art, and Smithsonian American Art Museum are among the institutions with her works in their collections. She currently lives and works in Santa Fe. Rubenstein inscribed our copy to its original owner, Arizona collector Arnold Horwitch. We could find no record of this item being offered or sold at auction.

Ars Electronica, New Mexico, 1992, 240 Seiten, mit einigen Abbildungen, Spiralbuch---- Text in Englisch - 602 Gramm.