stingel rudolf (35 risultati)

56 pp.; 25.8 x 18.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Portland Institute for Contemporary Art, OR, September 4 - November 2, 2002. Traveled to Western Gallery, Western Washington University, Bellingham, Washington, January 6 - March 1, 2003; Dalhousie Art Gallery, Dalhousie University, Halifax, Nova Scotia, March 20 - May 11, 2003; Oakville Galleries, Ontario, Canada, June 14 - August 17, 2003 and Oakville Galleries at Centennial Square, June 21 - August 17, 2023 and Freedman Gallery, Albright College Center for the Arts, Reading, PA, February 6 - March 28, 2004. Curated and with an essay by Stuart Horodner. Artists include Francis Alÿs, Eleanor Antin, Janine Antoni, Paul Ramírez Jones, Mawry Baden, Jim Campbell, Janet Cardiff, George Bures Miller, Hamish Fulton, Sharon Harper, Martin Kersels, Toni Marioni, Matthew McCaslin, François Morelli, Douglas Ross, Nancy Spero, Rudolf Stingel, and Richard Wentworth. Includes artist biographies and exhibition checklist. Good / Very Good. Light wear of covers including light bumping of corners at spine, bowing of covers, yellowing, and light rubbing. 1 cm. of surface bubbling to verso. Inscribed by previous owners on end papers in black ink. Light yellowing of page edges. Contents otherwise clean and unmarked.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Brand New. illustrated edition. 300 pages. 10.00x8.25x0.75 inches. In Stock.

Condizione: good. Andy Warhol; Jean-Michel Basquiat; Sean Scully; Gerhard Richter; Robert Longo; Rudolf Stingel (illustratore). A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. An excellent copy of this richly illustrated catalog published on the occasion of Stingel's 2025 Gagosian London exhibition. Chiefly contains color reproductions of the paintings, along with a short text by German sculptor and photographer, Thomas Demand. Hardcover, 48pgs, binding solid and square. Interior crisp and clean. Cloth covered boards solid. Glossy pictorial dust jacket in excellent condition, shows some scratching and scuffing visible under bright light and minorly shelf worn along the bottom edge by the base of the spine. Overall a very attractive catalog.

Hardcover. Condizione: New. 1st Edition. 38pp. The paintings are now in the Pinault collection.

First Edition. First edition and first printing. Hardcover. Exhibition catalog for a show that ran March 4 through April 16, 2011. Features text by Francesco Bonami. Includes numerous color illustrations with several gatefolds and a checklist. A fine copy in illustrated boards. No dust jacket as issued.

Hardcover without dustjacket as issued; 84 pages, very good condition; light scuffs to covers; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. Cover is scratched, internally Fine. 81 pages : illustrations (some colour) ; 35 x 31 cm. Published on the occasion of the exhibition of the same name held at Gagosian Gallery, New York, NY, March 4-April 16, 2011.

Hardcover with dustjacket; 246 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. 1st Edition. Monograph published to coincide Stingel's retrospective at the Museum of Contemporary Art, Chicago; Texts by Francesco Bonami, Chrissie Iles, and Reiner Zettl; Published by Yale University Press, 2007; Condition: Very Good (VG).

HARDCOVER. Condizione: As New. 1st Edition. Large Folio size (approx 31 x 35 cm / 12 x 14 inches) in colour printed thick boards, 81pp on thick art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Encuadernación de tapa blanda. Condizione: Muy bien. Condizione sovraccoperta: Muy bien. Despite the broad spectrum of jumping off points chosen by the artists in this issue of Parkett, they all share a recalcitrance that draws its energy from an involvement with uncertainty. There are some who describe Trisha Donnelly's art as "hermetic" and Rudolf Stingel's gestures in the space of art as "systematically confounding." In contrast, Carsten Höller's "Laboratory of Doubt" goes out into the world to spread doubt out of loudspeakers mounted on the roof of a car. But uncertainty need not be uncanny. A look at the coverinto and out of a room throbbing with contradictory connotationssuggests the exact opposite: liberation and festiveness. The artists explore potentials. In a flipbook tucked away in the pages of this issue, Trisha Donnelly offers readers the possibility to expand their perception. Carsten Höller's Edition for Parkett is a distorted image in the form of a sterling silver pendant that proves, on closer inspection, to be the anamorphosis of a car key. It is, in fact, the key to Höller's laboratory on wheels. The artist rewards all those who recognize the decoded picture of the key in the cylinder with exclusively immaterial access to his laboratory. Cay Sophie Rabinowitz describes Rudolf Stingel's new self-portraits as "a body of work quite literally about being uncertain, an attempt to explore artistic self-doubt psychologically and graphically". Seen in this light, the heightened feeling of self-worth inherent in Stingel's Edition for Parkett, a golden ring with his monogram, might be interpreted as a foil to self-doubt. Wearers of this piece of jewelry become party to the intoxicating ambivalence of accentuating or obliterating identity. Speaking about the gaps that inevitably appear in normality, Bruce Hainley writes, "Perhaps artists make something only to confront what cannot be understood", while Beatrix Ruf describes the parallel realities that fill these in-betweens as "tempting the spirit". Above all, the artists in this issue of Parkett show us that we cannot rely on anything, except perhaps on the ability of art to burgeon in the most hidden places and to emerge as the product of complete normality. This volume also features an Insert project by Beth Coleman and Howard Goldkrand. Table of Content Grazia Toderi Infinite Entertrainment by Sergio Risaliti Gerard Byrne: Once More, Without Feeling by Caoimhin Mac Giolla Léith Carsten Höller Would the Real Carten Höller Please Stand up? by Jessica Morgan Uncommon Senses by Jennifer Allen Carsten Höller and the Baudoin Experiment by Chantal Mouffe Trisha Donnelly Electricity by Laura Hoptman Over and Out by Bruce Hainley Schwa by Beatrix Ruf Rudolf Stingel Portrait of the Artist as a Self-Portrait by Cay Sophie Rabinowitz Medium and Membrane by Jörg Heiser Autobiography of a Painting by Francesco Bonami Beth Coleman & Howard Goldkrand, Insert You Clod You, I'll Show You! Thinking About Erik Steinbrecher by Claudia Spinelli Christopher Williams by Christian Rattemeyer Happy Hour, Ernst F. Burckhardt, Max Ernst, Max Bill, Sigfried Giedion, Alvar Aalto and Corso-Dancing in Zürich, Les Infos du Paradis by Christoph Bignens Back to Life, Cumulus from America by Ali Subotnick Short Telling, Cumulus from Europe by Tirdad Zolghadr.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. First printing. A very fine (as-new) copy in a very fine (as-new) jacket. A clean, unmarked copy, in an unclipped jacket. Comes with archival-quality jacket protector.

Hardcover. Condizione: Fine. 1st Edition. 1st Printing. Signed. 81 pages. Published in 2011. Exhibition Catalog. One of the most austerely beautiful books on the art and achievement of Rudolf Stingel. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The production values are outstanding in every respect: Oversize-volume format. A very tall book. Pictorial hard boards, which show variant self-portraits (of the exceedingly handsome artist), in color (front) and black-and-white (back), with black titles on the spine, as issued. Art and text by Rudolf Stingel. Essay by Francesco Bonami, one of the leading global experts on the artist. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the eponymous exhibition held at the Gagosian Gallery New York in 2011. Presents "Rudolf Stingel". One of the cult-artists of our time, commanding millions of dollars at exhibition and auction. "Celebrated for his exploration of the process of painting and the very idea of painting itself. Combines Minimalist, Conceptual, and Performative practices to create unexpected spaces. Employing a palette of a wide range of materials, Stingel reflects upon fundamental questions facing painting today: Authenticity, meaning, hierarchy, and context. By transforming the materiality, process, and perception of paintings, Stingel's work alters the viewer's perception of - and physical encounter with - the artwork, and invites the viewer to participate in or collaborate in a new and deeper understanding and appreciation of art" (Francesco Bonami). An absolute "must-have" title for Rudolf Stingel collectors. This copy is very boldly and beautifully signed in black pen-marker on the title page by Rudolf Stingel. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary art classic, highly collectible as such. As far as we know, this is the only such signed copy of the Exhibition Catalog available online and is in fine condition: Clean, crisp, and bright. Please note: Rudolf Stingel is a much-sought-after artist, fetching millions of dollars for his work. This is surely an accessible and lovely alternative. A rare signed copy thus. Lavishly illustrated with color and black-and-white lates and foldouts. A fine collectible copy. ISBN 3791345818. Signed by Author.

Hardcover in fuzzy orange boards without dustjacket as issued; 380 pages, very good condition; light edgewear to covers; with some scuffs to letters on spine and small bump to lower right corner of cover; no internal marks. Foreign shipping may be extra.

Condizione sovraccoperta: dj. First Edition. First edition and first printing. Hardcover. 246 pages. Published in conjunction a traveling exhibition. Features essays by Chrissie Iles and Reiner Zettl. Includes numerous color and black and white illustrations, biographical information, a selected bibliography, list of works in public collections, and a list of lenders to the exhibition. A fine copy in cloth boards and in a very near fine dust jacket. Signed and inscribed by Stingle on the half title page and with laid in handwritten postcard from the deputy director of the Museum of Contemporary Art presenting this copy to a couple of collectors who loaned art to the exhibition. A very nicely printed monograph with a terrific provenance. Signed.

Hardback. Condizione: Very good. First Edition. 27 x 34cm 378pp very good hardback exhibition catalogue, orange boards, very slight smudge over the 'R' on board. Packed with colour reproductions showing the variety of the Italian artist's work. Stingel was born in Merano, Italy. His work engages the audience in dialogue about their perception of art and uses conceptual painting and installations to explore the process of creation. Using readily available materials such as styrofoam, carpet, and cast polyurethane, Stingel creates art based upon an underlying conceptual framework and challenges contemporary notions about painting. The surfaces of his two-dimensional works are characteristically carved out, imprinted or indented, visibly evidencing the artist's alteration of industrial matter.A very heavy book, may need extra postage.

Hardcover. Condizione: Fine. 1st Edition. Hardcover with dust jacket, [202]p, illustrations, 34 cm. Fine in a fine dj, clean, crisp, no internal marks. Gagosian Gallery: "This book documents a series of eight exhibitions by Rudolf Stingel presented consecutively between October 2015 and January 2017 at Gagosian, Park & 75, New York, and conceived as a single monumental show. Exploring the subjects of time, memory, and perception, the exhibited works included oil paintings with spectral impressions of Chintamani carpets, photorealist portraits on paper of a longtime friend paired with ornate gold paintings of wallpaper patterns, and compositions inspired by the murals at the Carlyle Hotel s Bemelmans Bar.".

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. This is a fine hardcover copy with a fine mylar wrapper with no wear at all. Limited edition of 1000 copies. Gagosian Gallery: "This book documents a series of eight exhibitions by Rudolf Stingel presented consecutively between October 2015 and January 2017 at Gagosian, Park & 75, New York, and conceived as a single monumental show." Illustrated with black & white photographs and tipped in color plates. 14" high X 10" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

hardcover. Condizione: Neu. Neu Neuware, Restauflage, auf Lager - Mit einem kühnen Eingriff hat der Künstler Rudolf Stingel den einzigartigen Bau der Neuen Nationalgalerie transformiert. Die gesamte Bodenfläche der große Museumshalle ließ er mit einem Teppich überziehen, dessen Ornament auf einen indischen 'Agra'-Teppich zurückging. Sinnliche Opulenz und orientalische Muster überformten damit die von Mies van der Rohe so streng angelegte Architektur. Das Buch dokumentiert diese Intervention und ist, wie die Installation selbst, als ausgreifendes Überformat angelegt. Ein Künstlerbuch also, das auch vier neuen Gemälde des Künstlers vorstellt, die ebenfalls als stark raumbezogene Arbeiten zu begreifen sind. Rudolf Stingel has transformed the unique building of the Neue Nationalgalerie with a bold intervention; covering the entire floor of the large museum hall with a carpet, the pattern of which stems from an original nineteenth century Indian Agra rug. Sensual opulence and oriental patterns reshape Mies van der Rohe¿s strictly structured architecture. The book documents this intervention and is, like the installation itself, set out in an oversized format: an artists¿ book that also introduces four new paintings that are also to be understood as spatially oriented works.

Fol. , gebundene Ausgabe, 378 Seiten, Das Buch ist in einem sehr guten Zustand, lediglich die untere Kante ist minimal bestoßen. 9783775745864 Sprache: Englisch Gewicht in Gramm: 3375.

Hardcover without dustjacket as issued; 120 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. 125 pages. Published in conjunction an exhibition that ran March 23 through July 1, 2001 at the Museo di Arte Moderno. Text in English and Italian. Features text contributions by Gabriella Belli, Francesco Bonami, and Giovanna Nicoletti. Includes numerous color illustrations, a checklist and list of previous exhibitions. A near fine copy in French style wrappers with some very minor wear. Internally a clean copy.

Hardcover without dustjacket as issued, 50 pages; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition and first printing. Oblong hardcover. 48 pages. Catalog of an exhibition held at Casa Malaparte, July 8, 2017. Includes numerous color illustrations. A fine copy in gray cloth boards. No dust jacket as issued.