stomberg john r (36 risultati)

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

81 pages, illustrated, with an additional essay by Brenda Danilowitz. Fine trade paperback in decorative wrappers (soft cover book)/ no dust jacket.

Paperback. Condizione: Very Good. Stomberg, John (illustratore). Power and Paper: Margaret Bourke-White, Modernity And The Documentary Mode (ISBN 1-881450-09-0) is the catalog for an exhibition of Bourke-White's photographs organized by John R. Stomberg. Essay by Stomberg, introduction by Kim Sichel. 72 pages, paper with stiff cover. High production values. Black and white images. 11" x 9". Very good condition.

Condizione: very_good.

Condizione: Fair. Acceptable condition. Hardcover edition. A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

HARDCOVER. Condizione: As New. Condizione sovraccoperta: As New. Hardcover edition. 101pp, quarto hc in dust jacket. As New condition, still in shrinkwrapper.

HARDCOVER. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Hardcover edition. 101pp, quarto hc in dust jacket. Near Fine condition; boards clean and sharp, tight binding, interior clean. DJ covers sharp and clean, no tears.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Second edition. Softcover. 46 pages. Exhibition catalog for a show that ran September 5 through October 19, 1997 at the Boston University Art Gallery and then traveled to six other locations for additional dates. Essay by John R. Stomberg. Poem by Rosanna Warren. Includes 8 color plates and a number of black and white illustrations. A very good plus copy in wrappers with some minor wear.

paperback. Condizione: Very Good. Very good paperback from a personal collection (NOT ex-library). Spine is uncreased, binding tight and sturdy. Very light shelfwear to corners and ends of spine. Interior is free of previous owner markings. 24 full color plates. Exhibition catalog. Ships same or next day from Dinkytown, Minneapolis, Minnesota.

Hardcover. Condizione: New. (inventory#S90).

Paperback. Condizione: Good. Previous owner's return address label or bookplate present.Light shelf wear. Book was donated to Friends of Omaha Public Library.

Wrappers. Condizione: Near Fine. Slim, 16 pages paperback exhibition catalogue/brochure. Text in English. Mild shelfwear to the edges. Else, the binding is tight, the interior clean and free of markings. Staple-bound with stiff printed paper covers and published on the occasion of the exhibition held from August 30-December 17, 2013. Book.

Soft cover. Condizione: Very Good. Stomberg, John (illustratore).

Softcover. Condizione: NF. Grey pictorial wraps with red lettering; 56 pp. with 44 color plates. Issued in conjunction with a 2004-2005 series of exhibitions of artwork by American artist George Nick (b. 1927). With essays by John R. Stomberg and David Cohen. Includes an extensive chronology with exhibitions history and bibliography. The illustrated catalogue presents 44 pieces in full color.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Illustrated by Reed, Verner (illustratore). Near Fine/Near Fine Condition. Dust jacket in protective Brodart Cover. No marks on the text block. No marks of previous ownership or inscriptions. Amazing black and white photographs throughout. ; B&W Photographs; Height: 11.24 Inches, Length: 8.8 Inches, Weight: 1.45 Pounds, Width: 0.55 ; 96 pages.

Soft cover. Condizione: Very Good. No Jacket. Second edition, 1998 (first published 1997). Softcover. Condition: Very good, with light shelfwear to covers. This catalogue was previously in the collection of the art gallery Offer Waterman and Co. and bears a discreet circular blindstamp to the lower right corner of the title page. 46pp. 8 colour plates and several b/w illustrations. This catalogue was produced to accompany the touring exhibition of work by the British born artist John Walker (b.1939). The exhibition was organised by the Boston University Art Gallery and commenced there from September 5 to October 19, 1997 before touring around the USA to several locations including the Knoedler gallery in New York and the Yale Center for British Art in Connecticut.

Softcover, 64 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: As New. Pbk, square 4to with French-fold wraps, 61pp. lavishly illustr full-page color plates, to accompany the exhibition January 2-May 31, 2020, a new and unread copy, excellent, clean, tight and unmarked, as new.

Paperback. Condizione: VG. Black wraps with BW illustrations and white lettering.16 unnumbered pages. BW illustrations. Catalogue of an exhibition held at Mount Holyoke College Art Museum, Aug. 30-Dec. 17, 2013.

Condizione: Sehr gut. Stomberg, John (illustratore). 28cm x 23cm. 72 pages. With 34 plates. Original Softcover. Excellent condition with only minor signs of external wear. Power and Paper presents a rare opportunity to experience the powerful collaboration of art and industry as documented in the photographs of this renowned image-maker. The range of images in the show capture the many forms of power harnessed by the paper company--from loggers wielding axes in the massive first-growth forests and maneuvering huge numbers of logs floating down river; to the huge 250 foot-long Fourdrinier machine in the paper mill that converted the digested pulp into newsprint. The photographs in Power and Paper also demonstrate both of Bourke-White's signature styles. Her early fame, garnered at the beginning of the 1930s, resulted from photographs celebrating industrys beauty, but by the later part of the decade she was better known for her penetrating portrayals of people and their relationship to their work and environment. The exhibition is organized by Boston University Art Gallery and curated by gallery director, John Stomberg. Stomberg states, "The exhibition title has a dual meaning. On one level, it refers directly to the subject of the photographs themselves; they are pictures of paper manufacture and power production at the International Paper and Power Company. But in a less direct way all photography is paper with power; it is the result of adding the perennially mysterious power of an image to a sheet of paper." (University of Maryland, Baltimore County) Includes for example the following chapters: Corporate and Photographic Books by Kim Sichel / Power and Paper: Margaret Bourke-White, Modernity, and the Documentary Mode by John R. Stomberg.

hardcover. Condizione: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: As New. 1st Edition. An as new copy bound in publishers blue boards & cloth binding, no dust wrapper present likely as issued.

Condizione: Good. 4to. 208 pp. Hard Cover. Near Fine. Illustrated paper covered boards. Pages fine. Color and B&W plates throughout. A good primer to the collection with thoughtful essays at the front about what the museum's purpose is in the college and the role that art education intersects with digital culture in the 21st Century.ISBN: 9780989083508 0989083500.Contents: Collecting as possession / Christopher Benfey --The making of a museum : looking backward, looking forward / Wendy Watson --Object-based teaching in the digital age / John R. Stomberg --Meandering multiplicity : envisioning a twenty-first-century creative campus / Steven J. Tepper --The Joseph Allen Skinner Museum / Aaron Miller --Plates : highlights from the collection --List of works illustrated.

Hardcover. Condizione: New. New in shrink wrap.

hardcover. No Jacket. First Edition. South Hadley. 2015. August 2015. Mount Holyoke College Art Museum/University Press of New England. 1st American Edition. Very Good. No Dustjacket as Issued. 9780989083522. 60 color illustrations. 8X x 11X. 128 pages. hardcover. keywords: Art Matisse. DESCRIPTION - An insightful reflection on Henri Matisse's drawings from the perspective of modernist Ellsworth Kelly. Although Ellsworth Kelly and Henri Matisse never met in person, their shared dedication to drawing and the art of seeing often provokes comparison. Inviting Kelly to play the role of curator provides fresh insights to this established dialogue. This stunning catalogue documents two parallel exhibitions presented at the Mount Holyoke College Art Museum, highlighting masterful works on paper by both artists. Admirers of Kelly and Matisse - and all students of art - will applaud this book. Forty-five of [Matisse's drawings] are on display in a ravishing show at the Mount Holyoke College Art Museum. Apart from a chance to see works that even Matisse scholars have barely had a chance to comb over, what gives the show its special, intimate appeal is that the drawings were selected and installed by one of the world's greatest living artists, Ellsworth Kelly. - Sebastien Smee, Boston Globe. inventory #42191 Very Good. No Dustjacket as Issued.

Paperback. Condizione: Very Good. Trade PB. 4to. Published by Mount Holyoke College Art Museum, South Hadley, MA. 2015. 130 pages, including 80 color plates. First Edition/First Printing. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. One of the most acclaimed figures of today's global art world, Ghanaian artist El Anatsui has remained in the limelight since his sensational appearance in the 2007 Venice Biennale. When the Mount Holyoke College Art Museum collaborated with the artist to organize an exhibition of his monumental artwork--including a personal visit to the remote Massachusetts campus--it shocked the contemporary art community. El Anatsui: New Worlds is the product of the college's prolonged engagement with this installation--a lavishly illustrated volume highlighting the responses of twenty members of the community. Drawing on their own training in computer science or philosophy, biology or economics, the contributors examine their creative and intellectual reactions to Anatsui's powerful sculptures, offering the unique lens of their particular discipline. With its stunning design, diverse scholarly perspectives, and featured conversation with the artist, El Anatsui: New Worlds will captivate art lovers and art historians alike. EB; 7.75 X 0.75 X 10.75 inches; 134 pages.