straetmans anna (11 risultati)

Soft cover. Condizione: Very Good. Paperback.

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover. Condizione: new. Hardcover. "The whole work, called art, knows no borders and peoples, but humanity." This is what Franz Marc and Wassily Kandinsky wrote in 1911 in their almanac Der Blaue Reiter (The Blue Rider). This programmatic publication established Der Blaue Reiter (ca. 1911-1914) as one of the first transnational artist circles. Their credo also inspires the Lenbachhaus to consider the work of the participating artists-among them Gabriele Muenter, Alfred Kubin, Maria Marc and Elisabeth Epstein-not only aesthetically and historically, but also in its intellectual, socio-economic, and political context, for the Blue Rider circle advocated a global, equal understanding of art, not only in words, but also through images and deeds. Caught up in the time of the colonial world order before World War I, however, even they did not succeed in implementing an emancipatory practice of art beyond national affiliation and traditional hierarchies and genres. For the Lenbachhaus' current exhibition catalogue, the idea of equal rights for all cultural production, as pursued in the almanac, is nevertheless fundamental.For the first time, the many connections that the Blue Rider made to Japanese woodcuts, Bavarian and Russian folk art, children's drawings, contemporary music, and art from Bali, Gabon, Polynesia, New Caledonia, Sri Lanka, and Mexico are presented in their entirety.The project is funded by the German Federal Cultural Foundation as part of the Museum Global program. It will be followed in the fall of 2021 by a second exhibition, Group Dynamics- Collectives of Modernity, dedicated to groups of artists working worldwide. This catalogue is also published by Hatje Cantz. Art as a collaborative process Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

272 pp.; 23.8 x 17 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 13 - November 15, 2020. Includes texts by Anna Straetmans, Barbara McCullough, Catherine Wood, Elissa Auther, Isabella Rjeille, Kellie Jones, Linda Goode Bryant, Malik Gaines, Marcy S. Philips, Senga Nengudi, and Stephanie Weber. Text in Portuguese. NEW. As Issued, in publisher's shrink-wrap. Due to large size and weight, additional shipping charges will be required for international orders.

Hardcover. Condizione: New. Special order direct from the distributor.

Hardcover. Condizione: Brand New. 320 pages. 10.50x8.00x1.75 inches. In Stock.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 446 Seiten, 605 farbige und s/w Abbildungen, Freirückenbroschur - »Das ganze Werk, Kunst genannt, kennt keine Grenzen und Völker, sondern die Menschheit.« So schrieben es Franz Marc und Wassily Kandinsky 1911 fu?r ihren Almanach Der Blaue Reiter. Dieses programmatische Jahrbuch etablierte den Blauen Reiter (ca. 1911-1914) als einen der ersten transnationalen Ku?nstler*innenkreise. Und dieses Credo inspirierte das Lenbachhaus dazu, das Werk der beteiligten Ku?nstler*innen - unter ihnen Gabriele Mu?nter, Alfred Kubin, Maria Marc und Elisabeth Epstein - nicht nur ästhetisch und historisch, sondern in seinen geistigen, sozio-ökonomischen sowie politischen Zusammenhängen zu betrachten. Denn nicht nur mit Worten, sondern auch mit Bildern und Taten setzte sich der Kreis des Blauen Reiter fu?r ein globales, gleichberechtigtes Kunstverständnis ein. Gefangen in der Zeit der kolonialen Weltordnung vor dem Ersten Weltkrieg, gelang es allerdings auch ihnen nicht, eine emanzipatorische Praxis von Kunst jenseits nationaler Zugehörigkeit sowie tradierter Hierarchien und Gattungen umzusetzen.

weicher Einband. 446 Seiten, 605 farbige und s/w Abbildungen. Gr 8° Br. *sehr gutes Expl.* Publikation anlässlich der beiden Projekte "Gruppendynamik - Der Blaue Reiter" und "Kollektive Der Moderne". Sprache: Deutsch.

4°. 27 x 20,5 cm. 444 Seiten. Original-Klappenbroschur. 1. Auflage. Publikation anlässlich der beiden Projekte "Gruppendynamik - Der Blaue Reiter" und "Kollektive Der Moderne". Mit zahlreichen Abbildungen. Untere Blattecken durchgehend leicht bestoßen, wenig knickspurig, ansonsten sehr gutes Exemplar.