Studio museum harlem (29 risultati)

Trade Paperback. Condizione: USED Good.

paperback. Condizione: as new. 8 x 9 1/4" 56 pages. foreword by Kinshasha Holman Conwill & essay by Valerie J. Mercer.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paper. Condizione: Good. Good paper copy ex. cat. 56 no. pp, 1 pp fwd, 2 pp text, illus. throughout almost all in 4/C, short chron. on each artist, lists 45 works. A related bibliography on African-American art.

Condizione: Very Good. 96 pp., Paperback, minor library markings, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Well-preserved copy, clean, solid binding. In unused condition.

Hardcover. Condizione: Good.

Pamphlet. Condizione: Collectible. Ca 1972. 32 pages. Illustrated. Chronology, Catalogue, Bibliography. 9 x 6", printed wrapper. VG.

hardcover. Condizione: Interior is excellent. wrapped in plastic. x library.

Softcover. Glossy illustrated wraps with white lettering. 124 pp. 53 bw and color plates. Examination of major African-American modernist abstract painter. Contributions by Kinshasha Conwill, Ann Gibson, Jorge Veneciano, Lowery Sims, and David Craven. VG. Some wear around the wrapper edges.

Hardcover. Condizione: Good. Good hardcover copy with d/j, Introduction by Mary Schmidt Campbell, essays by David Driskell, David Levering Lewis, and Deborah Willis Ryan, 200 pp, 55 4/C illus, 85 B/W illus. *Ink inscription on first fly leaf.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new new and still in the publisher's protective shrink-wrap. ; 200 pages; Description: 200 p. : ill. (some col. ) ; 30 cm. Includes index. Bibliography: p. 188-19.Subjects: Harlem Renaissance --Exhibitions. African American art --New York (State) --New York --20th century --Exhibitions. 2 Kg. …

Condizione: Good. 4to. 127 pp. Soft cover. Mostly color plates. Signed dedication from Geoff Tuck on first page. Very Good.From the collection of Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1.

Paperback. Condizione: Brand New. illustrated edition. 240 pages. 12.25x9.25x1.00 inches. In Stock.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new new and still in the publisher's protective shrink-wrap. ; 200 pages; Description: 200 p. : ill. (some col. ) ; 30 cm. Includes index. Bibliography: p. 188-19.Subjects: Harlem Renaissance --Exhibitions. African American art --New York (State) --New York --20th century --Exhibitions. 2 Kg. …

hardcover. Condizione: Very Good. Modest wear to jacket, housed in protective mylar cover, clean pages and sound binding.

softcover. Condizione: Collectible; Very Good. First Edition; First Printing. SIGNED by Elliott Reed an the rear cover. ; Numerous full page color plates of works by E. Jane, Naudline Pierre, and Elliott Reed. With an essay by Legacy Russel, who curated the exhibition at MoMA PS1, New York, December 10, 2020 - March 14, 2021. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. Signed.…

First 4to, stiff pictorial wrappers. 176 pp, 85 illustrations (40 in color) plus 72 text figures (1 in color), bibliography. Exhibition December 6, 1992 - April 11, 1993. 0942949080 Very good.

Hardcover. Condizione: New.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: Very Good. Unmarked. Beautifully illustrated. Accompanied a November 17, 1999 - January 17, 2000 exhibition. Artists include Terry Adkins, Willie Birch, David Hammons, Kerry James Marshall, Alison Saar, and others. 98p. Measures 8.5x11 inches.

hardcover. Condizione: new.

Condizione: Good. 4to. 96 pp. Soft cover magazine. Very Good. Color plates throughout. From the Collection of the Art Historian Peter Selz (1919-2019).

Soft cover. Condizione: New. Condition: New. Still wrapped in plastic. International shipping will be extra. Thank you.

Condizione: Good. 4to. 24 pp. Black and white plates. Very Good.From the collection of Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1.

Soft cover. Condizione: Very Good. sQ. 8vo, lettered wrappers, 12pp, b&w photo illus., the first year Photos Reginal McGhee.(VVTV2/1).

Condizione: Very Good. Broadside. Includes individual head shots of the three individuals. 28 x 22 cm. Promotional piece for a series of three programs, one by each of these individuals in November or early December of 1977.

Condizione: Very Good. Two-page exhibition list (probably produced on a photocopier). Accompanying the exhibition list (also probably produced on a photocopier) is a two-page Press Release dated November 14, 1968 and issued by Eleanor Haas on behalf of the Studio Museum. titled. Both items are printed on one side and stapled in upper left corners. 28 cm. The exhibition was organized by Henri Ghent, director of the Brooklyn Museum's Community. 42 works by 21 African American artists are listed as included in the exhibition. The Press Release is titled "Blacks Talk Back to the Whitney Museum and states in part: The Whitney Museum left them out. Not a single black artist is inclued in its current survey of American art of the 1930's . "Our title, of course, refers to Ralph Ellison's superb image for the exclusion of blacks from consciousness by the white establishment," said Mr. Ghent . "They refuse to see us. Small wonder our artists have not been taken seriously.".…