Sylvia valentine (12 risultati)

Condizione: Very Good. Very Good Condition. Five star seller - Buy with confidence.

Softcover. Condizione: Bon. Ancien livre de bibliothèque avec équipements. Edition 2007. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2007. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Paperback. Condizione: New. BRAND NEW, Perfect Shape, No Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: new.

Soft cover. Condizione: Very Good. 1st Edition. First edition, second printing. Appears unread.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 112 Seiten, 25 x 30 cm, mit vielen farbigen Abbildungen.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. First edition. Spine faded,and faint strip of fading along top back edge, but otherwise in new-looking condition, apparently unread. Scarce. There is no indication of which of the two authors has written each poem. It is, Sylvia Townsend Warner writes, 'an experiment in the presentation of poetry'.…

Hardcover. Condizione: Very Good. First Edition. Hardback. No Dust Jacket. 8vo. [218 x 145 x 25 mm]. [3]ff, 155pp. Original publisher's khaki cloth, printed blue paper label at spine. Neat note on fep 'RSA Spitea from Norman Lupton 1934.' With neat note loosely inserted on small piece of paper 'On behalf of Norman Lupton esq.,' Norman Darnton Lupton (1875Ð1953) was a prominent British art collector, engineer, and watercolor enthusiast. Along with his sister, Agnes Lupton, he amassed a world-class collection of 18th- and 19th-century British drawings and watercolors, The Luptons resided at Hyde Crook, Dorset, Norman, his sister and STW were prominent members of mid-20th-century Dorset cultural and intellectual circles, Warner was a visitor to Lupton's home. Her personal diaries and writings feature detailed, vivid descriptions of her visits to Hyde Crook, where she admired Norman LuptonÕs exceptional watercolor collection and documented the distinct architectural and social atmosphere of the house. Slight rubbing extremities very slightly toned otherwise very good with clean text.…

Hardcover. Condizione: Very Good. First UK edition. First UK Edition. 8vo. [218 x 145 x 25 mm]. [3]ff, 155pp. Bound in the publisher's khaki cloth, printed blue paper label tipped-in at the back. In the original printed green dust-wrapper (short tears at the head with small losses). London: Chatto and Windus, 1934. A very good clean copy, with just a little spotting around the edges. The label intended for the spine (and a spare) remain unattached and are tipped-in at the back. The dust-wrapper has not been price clipped. It was originally priced at 6s and Stephen Clark paid 2s 6d for this copy at Wells in 1957. This first UK edition was preceded by the first US edition of 1933, but both are rare, and this one comes with a key at the end assigning authorship to the individual poems. 54 were by Warner and 55 by her lover and long term partner Ackland. ODNB notes it did little to enhance their careers but "it constituted an interesting experiment in presentation, along the lines of Wordsworth's and Coleridge's jointly published Lyrical Ballads. In the melding together of the two writers' work [.] Warner and Ackland made a gesture against "the frame of mind which judges a poem by looking to see who wrote it". [.] At the same time anonymity afforded them considerable licence, and the collection is remarkable for its love poems, many of which were so sexually explicit as to pass contemporary reviewers without comment".…

Condizione: Very Good+. Condizione sovraccoperta: Good-. 153pp, first American edition, 1933, unmarked, price-clipped dustjacket is edgeworn, faded about edges and spine whoch has loss at head and tail.