talwar kay (22 risultati)

Hardcover. Condizione: New. Nathdwara, located in the Aravalli hills of Rajasthan, is home to shrinathji, a fifteenth-century manifestation of the child God Krishna holding up Mount govardhan. Since the establishment of the haveli (temple mansion) in 1671, artists have flocked to the sacred town to adorn the walls where shrinathji dwells with painted cloth hangings as well as to provide painted icons for the pilgrimage trade. At one time there were hundreds of artists in the service of shrinathji. This catalogue explores Anil relia's comprehensive collection of Nathdwara paintings and sketches, celebrating the wide-ranging talents of various artists. The painters are creators of icons and storytellers of Krishna exploits. Krishna lives in their everyday lives permeating their thoughts and guiding their brushes. At the same time, they record important events in temple history and portraits of the people who participated in these affairs. The paintings that document festivals adhere to a traditional hieratic style, but the artist displays a Freer hand in telling the exploits of Krishna. A prominent artist showcased in this collection is ghasiram hardev Sharma, a master draughtsman with a penchant for naturalism. He influenced a whole generation of twentieth-century artists and is still held in high esteem.

Condizione: New. pp. 268.

Condizione: New. pp. 268.

Hardcover. Condizione: New. ISBN:9789389136722,268pp.

Condizione: New. pp. 268.

Hardcover. Condizione: Acceptable. Volume III. The book is in good condition considering its age, with a sturdy binding. The dust jacket shows noticeable wear, including edge tears and creases, but remains intact. The pages are clean with no inscriptions or library markings. This copy is well-preserved for its publication year of 1979. Worn with edge tears and creases.

Condizione: New. pp. 225 + [iii] Illus. (Col.), Map.

HARDCOVER. Condizione: Very Good. Condizione sovraccoperta: Poor. 1st edition. 166pp plus b/w plates, tipped-in color plates throughout, quarto, hc w/tattered jacket, tight binding, front cover is mildly bowed along the right edge, clean throughout, clean boards with mild wear, tipped-in color plates throughout, jacket is in poor condition with tape and open tears. Historic Textiles of India at the Calico Museum.

Condizione: New. pp. 225 + [iii], Map.

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: New. ISBN:9788190593502 N.A.

Hardbound. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. The collection of the Calico Museum of Textiles (founded 1948) contains India's, and probably the world's, finest collection of historic Indian textiles. This third volume, of a set of four covering various categories of textiles in the collection, includes full technical and aesthetic descriptions of relevant pieces in the collection, relating them collectively and aesthetically to their historic context. Binding tight, interior pages lightly tanned, still clean and bright. DJ chipped, worn and scratched - now protected in Mylar cover. xvi, 166 pp., 12 tipped in col. plates in text, followed by 114 b&w plates. Size: 29 x 23 cm.

Hardcover. Condizione: Brand New. 268 pages. 11.50x9.00x0.87 inches. In Stock.

Hardcover. Condizione: New. 0.

Maps, 12 colour tipped-in plates, black and white photographic plates, 166pp, appendices, glossary, bibliography, concordance, index. Third volume in the Historic Textiles at the Calico Museum, Ahmedabad series. 28.5 x 21.5cm. Dustjacket a little chipped and worn at extremeties, edges very lightly foxed, a very good hardback copy. Includes chapters on: Temple Hangings of the Vallabhacharya Sampradaya; Jain Patas; Phadas and Panchangas of Western India; Orissa Patachitras; Cloth Paintings of Nepal; Other Regional Styles of Painting on Cloth. Appendices: Major Images of the Vallabhacharya Sampradaya; Principal Garments Worn by the Deities of the Vallbhacharya Sampradaya.

Hardcover. Condizione: New. Contents: I. Temple Hangings of the Vallabhacharya Sampradaya, II. Jain Patas, III. Phadas and Panchangas of Western India, IV. Orissa Patachitras, V. Cloth Paintings of Nepal, VI. Other Regional Styles of Painting on Cloth. Hard bound with paper Jacket, 166 pages text with 130 black and white plates and 12 colour plates.

Condizione: New. pp. 166.

Condizione: Nr Fine / Nr Fine. 1st Edition. 225, [3] pp (including Index). Illustrated in color. 13" x 9-7/8" Maroon cloth binding with gilt stamping. Color pictorial eps. Blue pictorial dust jacket.

Condizione: New. pp. 166.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. xvii, 166pp + 115 b&w plates, coloured plates to text. Volume three of the Historic Textiles of India at the Calico Museum. Wrapper is superficial edge wear, volume is clean and firm. 1.8kg.

Hardbound. Condizione: As New. New. Contents 1. Collectors note and acknowledgements. 2. A realm of the senses celebrating Shrinathji/B.N. Goswamy. 3. Pichhwais for the child God devotional hangings from Nathdwara and North India/Kalyan Krishna and Kay Talwar. i. Catalogue Nathdwara and North Indian Pichhwais/TAPI Research Team. 4. Pichhwais for Krishna the beloved devotional hangings from the Deccan and South India/Kalyan Krishna and Kay Talwar. i. Catalogue Deccani and South Indian Pichhwais/TAPI Research Team. 5. The aesthetics of diversity catalogue of variations in embroidery brocade Tinsel Print Lace and Machine Print/TAPI Research Team. 6. The appeal of the miniature catalogue of paintings on cloth paper and glass/TAPI Research Team. 7. Appendix early vernacular accounts/Karuna Goswamy. 8. Glossary. Bibliography. In Adoration of Krishna Pichhwais of Shrinathji unveils the wondrous world of Pichhwais the devotional textiles that hang behind the image of Krishna as Shrinathji worshipped by followers of Pushti Marg (the Path of Grace) in India. Represented here are masterpieces from Praful and Shilpa Shah's TAPI (Textiles and Art of the People of India) collection of Surat regarded as one of the most significant repositories of India's textile art. Never before has this subject been treated in such depth the book covers the background of the sect the place of these temple hangings in ritual practice and the vast range of mediums and techniques involved in Pichhwai production from the painted Pichhwais of Nathdwara and North India through the artistic gilded prints of the Deccan and the complex kalamkari dye patterned pieces of the Coromandel coast. Also represented is a rare 17 century commemorative Zardozi Pichhwai and examples of embroidery in silk Pichhwais in brocade tinsel prints and finally machine printed fabrics and lace from foreign shores the range is encompassing. In addition there are miniature paintings on paper on glass and even pasted on wood all of them associated with the Vallabhacharya sect. With each type lavishly illustrated in colour the book is a visual and aesthetic delight. An evocative introduction by Prof. B.N. Goswamy leads on to articles on the two main centres of Pichhwai making by textile scholars Dr. Kalyan Krishna and Kay Talwar. The entries cataloguing the collection and describing each Pichhwai the result of painstaking effort by the TAPI research team constitute a mine of information. A unique feature of the book is a selection of stories translated from early vernacular accounts of the sect by Prof. Karuna Goswamy. In Adoration of Krishna is an invaluable resource for designers art historians and anyone interested in the decorative arts of Indian textiles in the context of the spiritual lives of thousands of people in this part of the world. 228 pp.

Ahmedabad, 1979. XV,166 pp. 114 plts. Boards,d/j.