Theo crosby editor (10 risultati)
Altre immaginiLingua: Inglese
Editore: The Whitefriars Press (Printers), London, 1959
- Brossura
Da: Garden City Books, Herts, Regno UnitoGarden City Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 12,02
EUR 23,34 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. 1959 card covered exhibition catalogue from the exhibition held at the Walker Art Gallery Liverpool 10th Dec1958-17th January 1959 and then the Building Centre London 3rd February - 6th March 1959.Ex pencil price mark inside cover otherwise clean interior with all pages tight in binding, covers… generally clean if a little faded.
LIVING BY DESIGN. THE PARTNERS OF PENTAGRAM
CROSBY, Theo; FLETCHER, Alan; FORBES, Colin; GRANGE, Kenneth, HERRON, Ron; KURLANSKY, Mervyn; McCONNELL, John. GORB, Peter (editor)
Lingua: Inglese
Editore: Lund Humphries Whitney Library of Design, London New York, 1978
- Brossura
- Prima edizione
Da: Douglas Books, Tunbridge Wells, Regno UnitoDouglas Books
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Quasi ottimo
EUR 33,66
EUR 25,67 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Soft cover. Condizione: Near Fine. 1st Edition. Glossy soft-back with white sp. lettering and integral wraparounds, would be fine but for small rub to bottom of spine. 300 pp., un-numbered illustrations of various kinds throughout, many coloured including numerous full page plates; light pencil inscription to front end-paper 'Gi…vem to me by Theo/ Brian (?), illegiable surname June 1979) plus faint pencil prive which proved impossible to fully erase. 20,5cm x20 cm landscape format.
Editore: Art and Architecture, Forest Row, 1989
- Brossura
Da: Andmeister Books, London, Regno UnitoAndmeister Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 16,83
EUR 23,57 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. No Jacket. Another Edition. Numerous illustrations. Some marks on back cover. Book.
Editore: Walker Art Gallery, 1959
- Brossura
- Prima edizione
Da: Strawberry Hill Books, Rotherfield, East Sussex, Regno UnitoStrawberry Hill Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Quasi ottimo
EUR 30,05
EUR 11,67 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Near Fine. No Dust Jacket. 1st Edition. 1st printing. Binding a little grubby.
Editore: Studio International, London, 1968
- Brossura
Da: William Allen Word & Image, London, Regno UnitoWilliam Allen Word & Image
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Buono
EUR 21,64
EUR 25,09 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. Book. 307 x 241 mm. Roy Lichtenstein cover. Includes review by Theo Crosby of "To Le Corbusier despite enchantment" , Richard Hamilton article on Roy Lichtenstein. Condition Good. Water damage, some staining to cover & on some pages near spine & occasional page a little loose. No tears or writing. Gl…ue still largely intact.
Editore: R C A, London,, 1992
- Brossura
- Prima edizione
Da: Burwood Books, Wickham Market, Regno UnitoBurwood Books
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: PBFA
Condizione: Usato - Molto buono
EUR 72,12
EUR 26,26 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. First Edition. Wraps. Dimensions 210mm x 210mm.pp. Limited Edition of 750 copies. Introduction by Theo Crosby, RA. Contributors include: Peter Hodson, Robert Chitham, Robert Adam, David Kingsley, professor Theo Crosby, professor Glynn Williams, Michael Wigginton, Alistair Robertson. Students' wo…rk represented in black-and-white drawings and photographs: James Hart, Sarah Cheeseman,Mijall Guiterrez, El Lissitay, Howard Carter, Hing Chan, Thalia Laird, Jason Flanagan, Jill Duncan, Howard Bates, Eve Taylor, Pauline McCoy, Derek Tsang, David Adjaye, mark Christy, Julian Taylor, Guila Adams. Original publisher's wraps in dark brown, lettered beige with a quote on the front cover.:" to look to learn Ð if you listen carefully." Very good. Spine slightly rubbed.
Editore: Whitefriars Press, UK, 1958
- Brossura
- Prima edizione
Da: Marcus Campbell Art Books, London, Regno UnitoMarcus Campbell Art Books
Contatta il venditoreVenditore con 4 stelleCondizione: Usato
EUR 240,41
EUR 22,17 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloCard covers. Condizione: Very good in wraps. First Edition. 14 x 18cm very good card-covered publcation featuring photographs by Nigel Henderson, Nathan Rosenberg plus others. A magazine devoted to print and to the synthesis of the arts.This issue features notes for a lecture given by Eduardo Paolozzi at the ICA in 1958. .
Editore: Whitefriars Press Ltd., London., 1958
- Brossura
- Foto
Da: Sims Reed Ltd ABA ILAB, London, Regno UnitoSims Reed Ltd ABA ILAB
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 360,61
EUR 22,17 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrello8vo. Original printed wrappers, rear cover detached, otherwise good. Between 1953 and 1962, while establishing his own architectural practice, Theo Crosby acted as Technical Editor of Architectural Design magazine, which was seeking to bring a more youthful, vital and progressive approach to the subject than the previously domin…ant Architectural Review. Whilst at Architectural Design, Crosby attached himself to the Institute of Contemporary Arts (ICA) in London, attended meetings of the Independent Group there, and was particularly impressed by the group's discussions of the impact of mass communication and information theory on architecture and design. It was Crosby who suggested, and steered to completion, what would be the Independent Group's swansong - the watershed exhibition This Is Tomorrow at London's Whitechapel Gallery. In Architectural Design Crosby wrote that the exhibition was "evidence of attempts towards a new sort of order, a way towards that integration of the arts that must come if our culture is not merely to survive, but come truly to life". Whilst Crosby is renowned for his work at AD and later the architectural practice of Pentagram, he was also to edit the little-known arts magazine Uppercase. . "UPPERCASE is a journal of the graphic arts; it will deal with the whole field of visual communication, and if some of the connections are tenuous, then the reader must bridge the gap with his own experience and imagination . In UPPERCASE we will try to find a correlation between the arts, and attempt to relate them specifically to print. The method will generally be to take a mass of material from an artist and present a typographical equivalent; each issue will thus be an experiment in type within the same overall format." (From Crosby's preface to this, the first issue). Understandably it is the work of the Independant Group artists which feature in the pages of UPPERCASE. In the first issue, the lead content is on Eduardo Paolozzi (about 30 pages of notes, illustrations and photographs). Also includes contributions by artists David Piper, Magda Cordell and John McHale.
Altre immaginiTwo Issues of Archigram (No's. 8, and 9)
Cook, Peter (Editor); Warren Chalk; Dennis Crompton; Ron Herron; Mike Webb; David Greene; Geoff Taunton; Gordon Pask; Cedric Price; Tony Rickaby (Cover Design); Geoff Reeve (Cover Design); Theo Crosby
Editore: Archigram 1968-1970, London, United Kingdom, 1968
- Brossura
- Prima edizione
Da: Black's Fine Books & Manuscripts, Toronto, ON, CanadaBlack's Fine Books & Manuscripts
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 2134,09
EUR 13,83 spedizioneSpedito da Canada a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloCard Covers. First Edition, First Printing. An offering of two exceedingly rare issues by the profoundly consequential, avant-garde architectural collective known as Archigram. Formed in the 1960's in London, its members comprised of: Peter Cook, Warren Chalk, Ron Herron, Dennis Crompton, Michael Webb, David Greene, and "hidden…hand" designer Theo Crosby. Archigram - a conglomeration of (Architecture+Telegram) - would go on to become one of the, "most seminal, iconoclastic and influential architectural groups of the modern age. They created some of the 20th century's most iconic images and projects, rethought the relationship of technology, society and architecture, predicted and envisioned the information revolution decades before it came to pass, and reinvented a whole mode of architectural education and therefore produced a seam of architectural thought with truly global impact." Intended as, "a free-form magazine [it] was designed to explore new projects and new thinking which were overturning the strict modernist dictates of the 1960s." [Source: Archigram Archival Project]. Detailed descriptions: Issue No. 8 housed in a "Popular Pak"; ('Milanogram/Milan Triennale/population growth). Yellow 'envelope' folder with pocket; 'cover' image on inside. Contents: eight pages 420mm x 150mm, folded; seventeen sheets, double sided, 210mm x 150mm, and one 300mm x 210mm. Not numbered or ordered, but punchcard codification down the edge of sheets. Sheets inserted in folder. Wallet taped shut and posted to readers. Priced at "5 shillings". || Issue No. 9 sometimes colloquially known as the "Seed Issue" with a "Free Seed Offer", 'Archi-zones' communications and landscapes. Comprising of eleven sheets measuring 400mm x 253mm, stapled on left and folded in half forming 22 'pages'. Various types, weights, colours of paper and range of one, two and three colour printing. Our offering is complete with the packet of 'Night Scented Stock' seeds, and stapled to page 11. /// Light rubbing, occasional chips/creasing along the edges of the packet housing the contents of Issue No. 8 otherwise, the issues remain in near fine condition. Rare in commerce.
Altre immaginiEditore: London The Whitechapel Art Gallery, 1956
- Prima edizione
Da: Shapero Rare Books, London, Regno UnitoShapero Rare Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 3005,08
EUR 17,51 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloFirst edition, one of 1300 copies; (165 x 165 mm, 6½ x 6½ in); illustrated throughout in black and white, design by Edward Wright slight age-toning to leaves; original spiral-bound printed covers, white and burgundy lettering to upper side, light wear to extremities, with an original kraft paper wrapper printed in black, near-…fine; [126]pp. Catalogue for the landmark exhibition, this example with a printed wrapper. Catalogue for the landmark exhibition at the Whitechapel Gallery (9 August - 9 September 1956), which signalled the birth of British Pop Art. 'This is Tomorrow' was organised by architect and writer Theo Crosby, who proposed an exhibition based on a model of collaborative art practice. The 38 participants included architects James Stirling, Alison and Peter Smithson, and Erno Goldfinger; artists Eduardo Paolozzi, Victor Pasmore, Sarah Jackson, Mary Martin, Nigel Henderson, Richard Hamilton and other members of the Independent Group; and architectural critic Reyner Banham formed 12 mixed groups who each worked together towards the production of an installation exploring the 'modern' way of living characterised by mass production, use of novel materials, and the daily maintenance of living space and the built environment. The printed wrapper lists the exhibition's participants and the following statement: 'An exhibition is to take place at the Whitechapel from 9th August to 9th September, 1956 which will result from the direct co-operation of architects, painters, sculptors and others. The object of this exhibition is to explore the common ground between art and architecture and to search for that unity of vision and total sense of environment which alone can make further development possible. This exploration is one of ideas. To enlarge the existing art work to an architectural scale is, of course, meaningless. As a point of departure for further experiment the exhibition should be valuable and controversial, and show a new interpretation of materials and space.' Such an example of collaboration was still unusual at the time but provided a blueprint for a cross-disciplinary collaborative approach in architecture and art; the ripples of influence it created over 60 years ago still resonate today.
