thomas struth (603 risultati)

Magazine. Condizione: Very Good Plus. First Edition. [ART]. Ed. Richard Artschwager. Contributors: Arthur Danto, Joyce Carol Oates, Nancy Spector, Ann Temkinn, Richard Flood, Thomas Struth, et al. "Parkett Art Magazine 23, March 1990, Collaboration with Richard Artschwager." Zurich, Frankfurt, New York: Parkett Verlag. Printed in Switzerland, March 1990. First edition. English and German languages. Softcover magazine with pictorial card wrappers and spine. Art criticism texts with black-and-white and full-color images and inserts. 10 x 8 1/4 inches. 26 oz. 154 pp. plus ads. Shelf-wear and minor creasing and indents to wrappers. Fore-edge worn. Text clean. Not the special edition. Very Good Plus. ISBN: 3907509730. ISSN: 0256-0917. "An Artschwager chair is a chair distilled to its platonic essence, all trace of ornamentation edited and pruned away, abridged to the intellectual state of chairhood, part of a kit through which we teach the meanings of 'chair' and 'table.' - Arthur C. Danto.".

paperback. Condizione: Used: Very Good. Very good glossy paper wraps; light rubbing along edges. Binding tight; contents clean and unmarked. Second printing. 144 pages. Clear plastic dust jacket very good over the paper wraps.

46 pp.; 22.8 x 25.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the California Plaza facility of The Museum of Contemporary Art, Los Angeles, July 28 - October 27, 1991. Organized and with essays by Jean-François Chevrier and Ann Goldstein. Artists include Dan Graham, Craigie Horsfield, Larry Johnson, Suzanne Lafont, Hirsch Perlman, Jean-Louis Schoellkopf, Allan Sekula, Cindy Sherman, Thomas Struth, and Patrick Tosani. Includes exhibition checklist, selected exhibition history, and bibliography. Very Good. Light bumping of corners, slight rippling at spine, 6 mm. of soiling to recto. Includes errata sheet. Contents clean and unmarked.

paperback. Condizione: ACCEPTABLE. 143 mostly clean, unmarked, tight pages but there are instances of ink underlining and margin marks, and light tanning on edges; sturdy plastic wrap over paper cover.

Soft Cover. Condizione: Like New. Thomas Struth (Cover Illustration) (illustratore). 336 pp. Clean, fresh copy with very light shelf wear, crisp pages and clean text.

Softcover, 72 pages, in English and Spanish; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: New. Paperback. Publisher overstock, may contain remainder mark on edge.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Light bumps to upper corners of boards, otherwise in very good condition. Light edge-wear to dust jacket. Binding tight and text clean. Oversize book, would require extra postage for international orders.

Soft cover. Condizione: Very good. No jacket. Cover is lightly rubbed and lightly worn along edges. Binding is tight and inside is clean and unmarked.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 144 pages.

Hard cover. Condizione: Very good. Condizione sovraccoperta: Very good. Dark rub/scuff marks on back edge of jacket spine. Cover has a couple white scuffs. Inside pages are clean and unmarked.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Pages bright and clean. Wrappers have very light shelf wear. ; Contents: Hollier, While the city sleeps. Duham, From Magritte to Klossowski: the simulacrum, between painting and narrative. Struth, Photographs from Germany, east. Yampolsky, Voice devoured: Artaud and Borges on dubbing. Kolisnyk, Surrealism, surrepetition: Artaud's doubles. Kaufmann, Life by the letter. 9.0" tall; 106 pages.

Magazine. The August 19, 2007, issue of the Sunday New York Times Magazine, with: The Politics of God by Mark Lilla with photographs by Thomas Struth; William Gibson interviewed by Deborah Solomon; the conclusion of Ian Rankin's serial novel, Doors Open; chapter 20 of Megan Kelso's graphic novel, Watergate Sue; a profile of the writer Horton Foote by Alex Witchel with a portrait by Birthe Piontek; a review of a 1997 rape and murder in Norfolk involving four Navy men who confessed, but now say those confessions were false, by Alan Berlow; has George Steinbrenner taken the fun out of losing? by James Traub; William Safire, On Language; Stephen Mihm on dubious credit and the country's founding; and much more. Staple-bound magazine; 58 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine with light signs of handling/storage. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Ephemera. This is not a book. The original press packet issued to media organizations in advance of the opening of a major exhibition titled "German Art Now" and held at the Saint Louis Art Museum, Saint Louis, MO, October 18, 2003 - January 11, 2004. The artists represented in the show were Georg Baselitz, Bernd and Hilla Becher, Joseph Beuys, Andreas Gursky, Candida Hofer, Jorg Immendorff, Anselm Kiefer, Markus Lupertz, A.R. Penck, Sigmar Polke, Gerhard Richter, Thomas Ruff, and Thomas Struth. Includes: A high-quality photographic print with images suitable for copying for print of works by Gursky, Richter, and Struth; 6 pages of information about the show; a 2-page checklist for 41 works; and a pamphlet released at a later date announcing a symposium held in conjunction with the exhibition. 9 sheets of 8.5x11-inch paper, printed one side; all Fine. 1 8x10 photograph with a tiny tear to one edge and a light stress crease along one edge. 1 c-fold pamphlet; 6 pages; 2 color and 1 b&w illustrations; 4 x 9 inches; mailed with light indications of such. Also includes the SL Art Museum Magazine Oct - Dec 2003; mailed with the last two pages torn. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Magazine. First edition. Very Good+ magazine with a mailing label to the front, light stress marks at the spine, and light signs of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The April 25, 2011, issue of The New Yorker magazine, with: a story on fracking and oil extraction in North Dakota, photographed by Thomas Struth; fiction by Thomas McGuane; Burkhard Bilger profiling the brain researcher David Eagleman; the life of Malcolm X; fashion; and much more. Cover by Maira Kalman. Staple-bound; 90 pages; color and b&w illustrations throughout; 8 x 10.75 inches.

Soft cover. Condizione: Very Good. 1st Edition. Softcover, with dust jacket. 116 pages. 11.25 x 11.75 in. Moderate surface wear/scratches to dj, light corner wear.

hardcover. Condizione: Fine copy in fine dust jacket. Profusely illustrated (illustratore). 1st. 4to, 183 pp.

Hardcover. Condizione: Good. no dj, some wear, still nice! - may have remainder mark or previous owner's name Oversized.

Trade Paperback. Condizione: New. A retrospective exhibition of Thomas Struth at the Cycladic Art Museum in Athens, Greece, is accompanied by a comprehensive catalog assembling Struth's classic photographs in a smart little publication serving as a basic book on his work, 'the essential Struth' so to speak, with his most beautiful 'Museum photographs', a number of his famous portraits, his breathtaking architecture studies and the dream-like nature studies of his 'Paradises'.

First edition. Hardcover. 132 pages. Text in English and German. Includes 302 illustrations with 194 in color from these photographers: Nobuyoshi Araki, Anna & Bernhard Blume, Balthasar Burkhard, Peter Fischli & David Weiss, Gunther Forg, Andreas Gursky, Candida Hofer, Axel Hutte, Martin Liebscher, Inge Rambow, Thomas Ruff, Jorg Sasse, Beat Streuli, and Thomas Struth. A fine and tight copy in a fine dust jacket.

Condizione: New.

Magazine. The July 2002 issue of Photo District News (PDN) magazine (Vol. XXII, No. 7), the award-winning publication for professional photographers, with: a conversation between Paul Jasmin and Melodie McDaniel with his fashion work pictured and Jasmin on Lartigue; a profile of Jim Goldberg and how he became a sought-after fashion photographer, heavily illustrated; a profile of Jake Chessum and a look at a large selection of his celebrity portraits; a book of portraits by Jillian Edelstein tells the story of South Africa's Truth and Reconciliation Commission; articles on Mark Wieland, Ansel Adams and Robert Adams, Thomas Struth, Brad Richman, and others; product news, industry gossip, book reviews, calendar of events, professional services directory, and much more. Edited by Holly Stuart Hughes. Perfect-bound magazine; 112 pages; color and b&w illustrations throughout; 10.25 x 11.5 inches. Condition: Near Fine with light signs of handling/storage. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Tapa dura. Condizione: Bien. Primera edición, 2007. Texto en español e inglés. Arte. Libro publicado en Madrid con motivo de la presentación en el Museo Nacional del Prado del proyecto Making Time, realizado por el artista alemán Thomas Struth entre el 6 de febrero y el 25 de marzo de 2007. 116 páginas, con tres desplegables. 30 x 28. Tapa blanda con solapas y sobrecubierta de editorial ilustrada. Como nuevo. Libro.

Condizione: New.

Tapa blanda. Condizione: Nuevo.

4to, 200pp. Colour and black & white illustrations. A near fine paperback copy.

Paperback. Condizione: Good. Condizione sovraccoperta: Good. 1st. (SPN) Preumed 1st edition. No markings, 1/2" tear to the top edge of the front cover and first two leaves, slight bump to botto edge of first three leaves, Good copy in Good dust jacket with 1' tear to the head of the spine extending to the back cover. Wraps with dust jacket, 112pp, colour photos throughout. Thomas Struth's most recent project, "Making Time," was exhibited at the Prado, Madrid, in the winter and spring of 2007, and is now compiled in this handsome catalogue from Turner. Making Time continues Struth's established work on the subject of public art venues, and consists of photographs depicting the Prado's famous collection and its visitors, photographs that were displayed throughout the Prado during his exhibit, as part of the museum's current ambition to open up fresh perspectives on its holdings. Over the course of two years, Struth made more than 400 images in and around the Prado, showing an "inhabited" public space, and highlighting the interactions between the exhibited paintings and their viewers. This volume also marks the first presentation of Struth's earlier work, from the spring of 2005, on Velázquez's great "Las Meninas" (1656), itself a classic study of spectatorship. The result is a multilayered dialogue between Struth, the Prado, its collection and its visitors. (2.6 JM LVR 201/3 Size: 4to - over 9¾ - 12" Tall.

Trade Paperback. Condizione: Used - Very Good. Used copy with some wear to cover. Back and front cover faded.

Hardcover. Condizione: New. The irreconcilable coexistence of two nations determines every aspect of reality. No image exists that overcomes this division. - Ulrich Loock This book brings together sixteen photographs made by Thomas Struth in Israel and the Israeli-occupied West Bank in 2009, 2011 and 2014. Struth continued his practice of creating singular images, each within one of the strictly segregated subject fields he has developed through his career: street photographs, portraits, landscapes and photographs of high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity of the inhabited world, he attempts to represent what he has referred to as âa particle of the conflict of the regionâ, to photograph, fragment by fragment, the conflicted political and social landscape. Ulrich Loock proposes in his essay in the book that this series of images is unified by âstrata of antitheses [which] reveal themselves as a matrix running through the workâ, as Struth attempts to grasp the circumscribed reality of a region where coexistence has failed, a reality that is inaccessible to photography. In some ways, this extraordinary body of work is a departure from Struthâs traditional practice: all exposures are related to one single geographical and political reality, as if Struth found every aspect of his photographic vision in one place, and as though Israel and the West Bank were a geographical container for the scope of the human condition. German photographer Thomas Struth (b. 1954) is internationally recognised for his wide-ranging work, which includes photographs of cities, landscapes, portraits, and architectural interiors. He trained at the Kunstakademie Düsseldorf (1973â"80), and, during that time, he was the first artist in residence at the P.S.1 Studios in Long Island City. From 1993 to 1996 he was the first Professor of Photography at the newly founded Hochschule für Gestaltung, Karlsruhe. He has exhibited all over the world, and a large number of monographs have been published of his oeuvre, including Thomas Struth: Photographs 1978â"2010(2010), and Thomas Struth: Unconscious Places (2012). BEAUTIFUL COPY!!!