toche jean (31 risultati)

Softcover, 80 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Condizione: Bon. Edition 1975. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 1975. Ammareal gives back up to 15% of this item's net price to charity organizations.

broché Bristol illustré. Condizione: Bon État. 290 pages en format 10.5 - 27 cm - nombreux plans et dessins.

Paperback. Condizione: Very Good. Waiter! There is a terrorist in my soup! by Jean Toche, a very pointed critique of the Bush administration and the war in Iraq. 20 pages, paper with stiff cover. 8 1/4" x 5 3/4". Very good condition.

Paperback. Condizione: Fine. I Piss On The Arts by Jean Toche is a series of political word pieces, a rant against the deplorable state of the world. 16 pages plus stiff cover, an artist's book. The cover is in the form of a petition on which one can sign their name and address as "I piss on the arts." Room for 32 signatures. 5 7/8" x 7 1/4". Fine condition.

Softcover, 48 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Erste Auflage. 21 x 15 cm. 16 unpaginierte S. OKarton. Sehr gutes Exemplar. 43. Heft der Edition Hundertmark. Text in Englisch / Text English. Sprache: englisch.

Auflage: 400 Exemplare. 21 x 15 cm. 16 unpaginierte S. OKarton. Tadellos frisches Exemplar. Heft 45 der Edition Hundertmark. Text in Englisch / Text English. Sprache: englisch.

Softcover. Condizione: Gut. 1. 80 S. Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, innen alles in Ordnung. B250612ah74 ISBN: 9783941330276 Sprache: Englisch Gewicht in Gramm: 250.

Taschenbuch. Condizione: Gut. 1. 80 S. Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, Schnitt/Papier nachgedunkelt, innen alles in Ordnung; Good copy, light signs of previous use, cover/dust jacket shows some rubbing/wear, edges/text pages show yellowing/darkening, interior in good condition. C240315am14 ISBN: 9783941330276 Sprache: Englisch Gewicht in Gramm: 250.

hardcover. Condizione: Ottimo (Fine). Catalgo di mostra, Milano, Fondazione Mudima, 4-19 marzo 2010. A cura di Manuela Gandini e Gianluca Ranzi. Con uno scritto di Achille Bonito Oliva. Con 12 tavole a colori . 8vo. pp. 48. . Ottimo (Fine). . . . Book.

Couverture souple. Condizione: bon. R150140947: 1975. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 290 pages. . . . Classification Dewey : 53-Guide.

Couverture souple. Condizione: bon. R260164150: 1975. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 290 pages. Premier plat illustré en couleurs. Nombreux plans en noir et orange. . . . Classification Dewey : 53-Guide.

Hardcover. Condizione: New. No Jacket. 1st Edition. First edition 2010, first printing, no additional printings listed. Printed on occasion of the exhibition. Text in English and Italian. Hardcover in pictorial laminated boards with no DJ as issued. Condition new, square tight and crisp book, no edgewear, no markings of any kind, no names no underlinings no highlights no bent page corners, not a reminder. 8vo, 48 pages, illustrated throughout. Uncommon book . ISBN 9788896817032.

Condizione: Good. [Exhibition catalogue]. 8vo. 48 pp. Stiff color illustrated wraps with black lettering and yellow spine. As new. Color plates, including frontis. Includes an introduction by Bob Sikorski and an additional essay by Kristine Stiles. Also includes exhibition checklist. Catalogue created to accompany the exhibition "Jean Toche: Impressions from the Rogue Imperial Bush Presidency", held from September 17 through November 29, 2009 at the The John Hope Franklin Center for Interdisciplinary and International Studies. at Duke University in Durham, N.C. Scarce. From the Collection of the Art Historian Peter Selz.

Softcover. Condizione: Bon. Edition 1999. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 1999. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture souple. Condizione: bon. RO20216796: Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 104 pages augmentées de nombreuses photos en noir et blanc et couleurs dans et hors texte. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES.

71 pp.; 25.5 x 21 cm.; glue bound; loose card[s] in envelope; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Wedge magazine. Edited by Brian Wallis and Phil Mariani. Essays " "Put me on this train!" An interview with Joseph Beuys," by Art Papier; "The Enigma and Melancholy of Nostalgia," by Jonathan Crary; "Time," by Kathy Acker; "License Action (January 17-18, 1981) Who, me? I don't know nothing. (December 15, 1981) Ron Bled to Death (February 17, 1982)," by the Guerrilla Art Action Group with license to burn books insert; "An Interview with Jean-Marie Straub and Daniele Huillet," by Phil Mariani; "Notes on Expression/Repression," by Margia Kramer; "Essays," by Jenny Holzer; "Glory Gut," by Schuldt; "On the Carnivalesque," by Robert Stam; "Song Paintings," by Paul McMahon and Nancy Chunn; "SOMBA," by Oyvind Fahlstrom; "Governing Authority: Robert Longo's Performance Empire," by Brian Wallis "EMPIRE: A Performance Trilogy," by Robert Longo. Reference : No. A.49 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 310, 309. Very Good. Rubbing of covers and yellowing at spine. Light bumping of corners. Contents clean and unmarked. Includes sealed Guerrilla Art Action Group [GAAG] tipped-in envelope with contents.

Softcover. Condizione: Very good. First Edition. Unpaginated, ca. 200 pp, extensively illustrated with photos and facsimiles. Mild creasing to spine; binding sound, text clean. Publisher's description of the 2011 reprint edition: "The book serves as the primary text to the significant work of the activist artist group GAAG (Jon Hendricks, Poppy Johnson, Silvianna, Joanne Stamerra, Virginia Toche and Jean Toche), both as a document of the group 's ideological and logistical concerns, and more broadly as a historical record for 52 of the many political art actions they carried out through the late Sixties and early Seventies. Guided by their belief that art and culture had been corrupted by profit and private interest, GAAG formed in October 1969 as a platform for social struggle. Their work asked how artists could work effectively towards meaningful change, most often through direct provocation and confrontation symbolic, non-violent actions staged in protest and ridicule of the ethical failures by the art and media establishments, as well as the US government. Their activities defied the brutal, close-minded workings of an artistic/political system that traded in dirty money, served the elite, established a trivial cultural canon, and perpetuated bloody wars abroad. GAAG: The Guerrilla Art Action Group, 1969-1976: A Selection collects the manifestos, letters and press communiqués issued by the group (to Nixon, Hoover, The Secretary of Defense, Museum officials, and others). Their missives are printed as facsimiles, alongside other print material, including handwritten expenses, and related documents, that stand as statements of purpose and protest. Photographers Ka Kwong Hui, Joanne Stamerra, Jan Van Raay and others were often on hand as many of the actions unfolded, offering a remarkable and candid visual history to the group s activities and confrontations GAAG: The Guerrilla Art Action Group, 1969-1976: A Selection is a tremendous resource on the important work of the group, providing insight into social action and political art activities with lasting implications. The book stands both as a historical documentation as well as a model for contemporary and future critique and practice.".

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.

142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.

Soft cover. Condizione: Fine. 1st Edition. 18 pages, stapled wraps, 10 1/8" by 8.25". Bilingual text in English and French. Impossibly rare exhibition catalog for Belgian radical artist Jean Toche, by then residing in New York, where in 1968 he held his seminal "I Accuse" installation and performance at the Judson Memorial Church in Greenwich Village, right before his founding of the Guerrilla Art Action Group. The catalog features proclamations and manifesto statements, tributes from artists Nam June Paik and Ralph Ortiz, and descriptions and photos of a light-powered installation. Very scarce - OCLC records only one copy worldwide, at Northwestern. In excellent condition save for minor edgewear. PLEASE NOTE EXTRA POSTAGE WILL BE REQUIRED FOR INTERNATIONAL SHIPMENT.

Charlotte Moorman, elev(11)enth annual new york avant garde festival at shea stadium, N.Y. Graphic Process Co. Inc. and Kay Offset Printing Service Inc., New York, 1974. 1pp. Fold-out posted printed in kaleidoscopic colours overtop repeated aerial images of Shea stadium. 720 x 560 mm unfolded; 282 x 182mm folded. Poster of festival presented by Charlotte Moorman on 16th November, 1974. Poster includes list of donors and list of participating artists, including John Cage, Mieko Shiomi, Ay-O, Carolee Schneemann, Yoko Ono, Nam June Paik, Jean Toche, Paul Sharits, Allen Ginsberg and many others. Condition: Near Fine.

In-8-carre, 24 cm, 160pp, illustr. et photos, conception graphique et couverture illustree par Jean Toche, Nb-0211,

[1] pp.; 35.5 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided flyer / poster published in protest of the proposed 1979 / 1980 United States Criminal Code Reforms Acts. Flyer dated February 8, 1980. Fair. Bottom 1/4 of flyer is soiled and wrinkled with a .5 mm puncture hole. Moderate overall handling marks and some overall dusting. See image for detailed condition assessment.

[6] pp.; 21.4 x 13.8 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Four page pamphlet with a one page loose leaf insert of three texts and two photographs : "Manifesto for a Theater of the Preposterous" by Al Hansen ; "Vienna Institute for Direct Art" by Al Hansen ; "Manifesto #1 for a Theater of Human Destruction" by Jean Toche and two black and white photographs of performances by Otto Muehl, photography by Hoffenreich. Published by ECCE HOMO in 1967, New York City, in collaboration with "Exclusive Agent in Europe for: TOCHE / Galerie LE ZODIAQUE." Very Good. Light handling wear otherwise clean and unmarked.

Condizione: Very Good +. Jean Toche, Of Piss @N' Pus 03, published by author, 2003. 280 x 218mm. 24pp. A4 sheets bound (with a plastic clip along the length of the left side). Each of the A4 sheets are signed by Toche in pencil. Dating between March 1 March 25, 2003, printed on different sheets of coloured paper and often feature excerpts from news articles from mainstream media outlets of that day, with commentary from Toche and original typographical design. Toche pays particular attention to then President George W. Bush, the war in Iraq, climate change, and other conflicts around the world. Slight toning to edges of corners and rub to bottom corner internally. Very Good +.

[1] pp.; 78.2 x 17.7 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Sixth Annual New York Festival of the Avant Garde which took the form of a parade down Central Park West in New York City on September 14, 1968, from 7pm to 10pm. Organized by Charlotte Moorman. Artists include Ay-o, Jacque Bekaert, Robert Breer, Robert Burridge, Luis Camnitzer, Philip Corner, Douglas Davis, Ken Dewey, John Giorno, Don Heckman, Al Hansen, Dick Hogle, Takehiko Iimura, Joe Jones, Allan Kaprow, Robin Kenyatta, Kenneth Knowlton, Gilles Larrain, Les Levine, Jackson Mac Low, Max V. Mathews, Tom Molholm, Preston McClanahan, Jim McWilliams, Max Neuhaus, Peter Neumann, Michael Noll, Ralph Ortiz, John Pierce, Dick Preston, Ely Ramen, Steve Rettew, Jean Claude Risset, Carolee Schneemann, Willoughby Sharp, Bob Schuller, Ed Summerlin, Jean Toche, John Van Saun, Joyce Wieland, Kenneth Werner, Emmett Williams and Jud Yalkut. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. Light bumping of corners. Two small thumb tack holes to poster: one near the center of the upper edge and one near center of the bottom edge.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Fair. Folded in eight. Extensive handling wear with overall creasing and crinkling of the page. 6 mm. dog-ear to upper right corner and 12.7 cm. dog-ear to upper left corner. 2 cm. rip at bottom edge of sheet along fold.

[2] pp.; 84.5 x 55.2 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Oversized folded promotional poster for the 8th Annual New York Avant Garde Festival presented by Charlotte Moorman, held at the 69th Regiment Armory, New York, November 19, 1971. Artists included Otto Piene, Eric Siegel, Shirley Clarke, Nam June Paik, Shuya Abe, Frank Lincoln Viner, Douglas Davis, Ralph Hocking, Ken Dominick, Pulsa, Steina and Woody Vasulka, Morton Subotnick, Stefan Tcherepnin, Richard Teitelbaum, Lil Picard, Jud Yalkut, Ed Emshwiller, Stan Vanderbeek, Christo, Yoko Ono, John Lennon, Joe Jones, Robert Watts, Frank Gillette, John Reilly, Rudi Stern, Robert Breer, Ken Dewey, Geoff Hendricks, Ralph Ortiz, Tosun Bayrak, Bici Forbes, Gary Rieveschl, Jackson Mac Low, Philip Corner, Frederic Rzewski, Gregory Battcock, Shigeko Kubota, Joey Skaggs, Al Hansen, Emmett Williams, Jim McWilliams, Joseph Beuys, John Cage, Dick Higgins, Toshi Ichiyanagi, Allan Kaprow, Takehisa Kosugi, Pauline Oliveros, Faith Ringgold, Carolee Schneemann, Aldo Tambellini, Jean Toche, Ben Vautier, Wolf Vostell and many others. Photo by Peter Moore. Very Good. Folded in eight as issued. 2 cm. and 1.5 cm. yellowing on verso from removed tape with additional 7.4 cm. and 2.3 cm areas of yellow soiling. 24.5 cm. area of creasing and bumping along centerfold. Otherwise clean and unmarked.