toche jean (27 risultati)

Softcover, 80 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

broché Bristol illustré. Condizione: Bon État. 290 pages en format 10.5 - 27 cm - nombreux plans et dessins.

Paperback. Condizione: Very Good. Waiter! There is a terrorist in my soup! by Jean Toche, a very pointed critique of the Bush administration and the war in Iraq. 20 pages, paper with stiff cover. 8 1/4" x 5 3/4". Very good condition.

Paperback. Condizione: Fine. I Piss On The Arts by Jean Toche is a series of political word pieces, a rant against the deplorable state of the world. 16 pages plus stiff cover, an artist's book. The cover is in the form of a petition on which one can sign their name and address as "I piss on the arts." Room for 32 signatures. 5 7/8" x 7 1/4". Fine condition.

Softcover, 48 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

21.5 x 14cm. Paperback, 30pp. Undated [introductory text dated August 15, 2005, but the one library holding suggests 2008]. Printed on orange paper, with illustrations. A collection of interviews and texts between curator Jon Hendricks (and others), and the artist Jean Toche, the Belgian-American abstract artist and poet involved in New York's radical political art scene. The publisher's statement on rear states: "we always prioritize the interview as a primary source of information and inspiration". Very good condition.

Softcover. Condizione: Gut. 1. 80 S. Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, innen alles in Ordnung. B250612ah74 ISBN: 9783941330276 Sprache: Englisch Gewicht in Gramm: 250.

hardcover. Condizione: Ottimo (Fine). Catalgo di mostra, Milano, Fondazione Mudima, 4-19 marzo 2010. A cura di Manuela Gandini e Gianluca Ranzi. Con uno scritto di Achille Bonito Oliva. Con 12 tavole a colori . 8vo. pp. 48. . Ottimo (Fine). . . . Book.

Couverture souple. Condizione: bon. R260164150: 1975. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 290 pages. Premier plat illustré en couleurs. Nombreux plans en noir et orange. . . . Classification Dewey : 53-Guide.

Couverture souple. Condizione: bon. R150140947: 1975. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 290 pages. . . . Classification Dewey : 53-Guide.

Hardcover. Condizione: New. No Jacket. 1st Edition. First edition 2010, first printing, no additional printings listed. Printed on occasion of the exhibition. Text in English and Italian. Hardcover in pictorial laminated boards with no DJ as issued. Condition new, square tight and crisp book, no edgewear, no markings of any kind, no names no underlinings no highlights no bent page corners, not a reminder. 8vo, 48 pages, illustrated throughout. Uncommon book . ISBN 9788896817032.

Condizione: Good. [Exhibition catalogue]. 8vo. 48 pp. Stiff color illustrated wraps with black lettering and yellow spine. As new. Color plates, including frontis. Includes an introduction by Bob Sikorski and an additional essay by Kristine Stiles. Also includes exhibition checklist. Catalogue created to accompany the exhibition "Jean Toche: Impressions from the Rogue Imperial Bush Presidency", held from September 17 through November 29, 2009 at the The John Hope Franklin Center for Interdisciplinary and International Studies. at Duke University in Durham, N.C. Scarce. From the Collection of the Art Historian Peter Selz.

Couverture souple. Condizione: bon. RO20216796: Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 104 pages augmentées de nombreuses photos en noir et blanc et couleurs dans et hors texte. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES.

71 pp.; 25.5 x 21 cm.; glue bound; loose card[s] in envelope; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Wedge magazine. Edited by Brian Wallis and Phil Mariani. Essays " "Put me on this train!" An interview with Joseph Beuys," by Art Papier; "The Enigma and Melancholy of Nostalgia," by Jonathan Crary; "Time," by Kathy Acker; "License Action (January 17-18, 1981) Who, me? I don't know nothing. (December 15, 1981) Ron Bled to Death (February 17, 1982)," by the Guerrilla Art Action Group with license to burn books insert; "An Interview with Jean-Marie Straub and Daniele Huillet," by Phil Mariani; "Notes on Expression/Repression," by Margia Kramer; "Essays," by Jenny Holzer; "Glory Gut," by Schuldt; "On the Carnivalesque," by Robert Stam; "Song Paintings," by Paul McMahon and Nancy Chunn; "SOMBA," by Oyvind Fahlstrom; "Governing Authority: Robert Longo's Performance Empire," by Brian Wallis "EMPIRE: A Performance Trilogy," by Robert Longo. Reference : No. A.49 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 310, 309. Very Good. Rubbing of covers and yellowing at spine. Light bumping of corners. Contents clean and unmarked. Includes sealed Guerrilla Art Action Group [GAAG] tipped-in envelope with contents.

Softcover. Condizione: Very good. First Edition. Unpaginated, ca. 200 pp, extensively illustrated with photos and facsimiles. Mild creasing to spine; binding sound, text clean. Publisher's description of the 2011 reprint edition: "The book serves as the primary text to the significant work of the activist artist group GAAG (Jon Hendricks, Poppy Johnson, Silvianna, Joanne Stamerra, Virginia Toche and Jean Toche), both as a document of the group 's ideological and logistical concerns, and more broadly as a historical record for 52 of the many political art actions they carried out through the late Sixties and early Seventies. Guided by their belief that art and culture had been corrupted by profit and private interest, GAAG formed in October 1969 as a platform for social struggle. Their work asked how artists could work effectively towards meaningful change, most often through direct provocation and confrontation symbolic, non-violent actions staged in protest and ridicule of the ethical failures by the art and media establishments, as well as the US government. Their activities defied the brutal, close-minded workings of an artistic/political system that traded in dirty money, served the elite, established a trivial cultural canon, and perpetuated bloody wars abroad. GAAG: The Guerrilla Art Action Group, 1969-1976: A Selection collects the manifestos, letters and press communiqués issued by the group (to Nixon, Hoover, The Secretary of Defense, Museum officials, and others). Their missives are printed as facsimiles, alongside other print material, including handwritten expenses, and related documents, that stand as statements of purpose and protest. Photographers Ka Kwong Hui, Joanne Stamerra, Jan Van Raay and others were often on hand as many of the actions unfolded, offering a remarkable and candid visual history to the group s activities and confrontations GAAG: The Guerrilla Art Action Group, 1969-1976: A Selection is a tremendous resource on the important work of the group, providing insight into social action and political art activities with lasting implications. The book stands both as a historical documentation as well as a model for contemporary and future critique and practice.".

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.

Charlotte Moorman, elev(11)enth annual new york avant garde festival at shea stadium, N.Y. Graphic Process Co. Inc. and Kay Offset Printing Service Inc., New York, 1974. 1pp. Fold-out posted printed in kaleidoscopic colours overtop repeated aerial images of Shea stadium. 720 x 560 mm unfolded; 282 x 182mm folded. Poster of festival presented by Charlotte Moorman on 16th November, 1974. Poster includes list of donors and list of participating artists, including John Cage, Mieko Shiomi, Ay-O, Carolee Schneemann, Yoko Ono, Nam June Paik, Jean Toche, Paul Sharits, Allen Ginsberg and many others. Condition: Near Fine.

In-8-carre, 24 cm, 160pp, illustr. et photos, conception graphique et couverture illustree par Jean Toche, Nb-0211,

One leaf printed recto only, 8 1/2 x 11 in. The open letter handbill is dated November 16, 1974. Folded twice for mailing else fine.

[1] pp.; 35.5 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided flyer / poster published in protest of the proposed 1979 / 1980 United States Criminal Code Reforms Acts. Flyer dated February 8, 1980. Fair. Bottom 1/4 of flyer is soiled and wrinkled with a .5 mm puncture hole. Moderate overall handling marks and some overall dusting. See image for detailed condition assessment.

[6] pp.; 21.4 x 13.8 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Four page pamphlet with a one page loose leaf insert of three texts and two photographs : "Manifesto for a Theater of the Preposterous" by Al Hansen ; "Vienna Institute for Direct Art" by Al Hansen ; "Manifesto #1 for a Theater of Human Destruction" by Jean Toche and two black and white photographs of performances by Otto Muehl, photography by Hoffenreich. Published by ECCE HOMO in 1967, New York City, in collaboration with "Exclusive Agent in Europe for: TOCHE / Galerie LE ZODIAQUE." Very Good. Light handling wear otherwise clean and unmarked.

Condizione: Very Good. Jon Hendricks and Jean Toche (eds.), GAAG (The Guerrilla Action Art Group) 1969 1976: A Selection, Printed Matter, New York, 1978. First edition, signed. 217 x 139mm. Unpaginated, roughly 200pp. Cover photo by Jan Van Raay. Additional photographs by Julie Abeles, Eleanor Clemm, Jon Hendricks, Ka Kwong Hui, and Joanne Stamerra. Cover inscribed in pencil, 'For William and Cora, memento mori, New York 1/18/85'. Features statements, manifestos, interviews, essays, performances and protests, letters, and other various broadsides and materials documenting the art actions performed throughout a seminal period of artistic and political unrest. This first edition preceded Primary Information in New York reprinting the book in 2011 in facsimile form, and also in 2026. Condition: 22mm closed tear top left of front cover, and crease horizontally along that line as seen. Minor crease to back cover, general wear and toning to covers. Overall Internally Near Fine, cover Very Good only.

Condizione: Very Good +. Jean Toche, Of Piss @N' Pus 03, published by author, 2003. 280 x 218mm. 24pp. A4 sheets bound (with a plastic clip along the length of the left side). Each of the A4 sheets are signed by Toche in pencil. Dating between March 1 March 25, 2003, printed on different sheets of coloured paper and often feature excerpts from news articles from mainstream media outlets of that day, with commentary from Toche and original typographical design. Toche pays particular attention to then President George W. Bush, the war in Iraq, climate change, and other conflicts around the world. Slight toning to edges of corners and rub to bottom corner internally. Very Good +.

[1] pp.; 78.2 x 17.7 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Sixth Annual New York Festival of the Avant Garde which took the form of a parade down Central Park West in New York City on September 14, 1968, from 7pm to 10pm. Organized by Charlotte Moorman. Artists include Ay-o, Jacque Bekaert, Robert Breer, Robert Burridge, Luis Camnitzer, Philip Corner, Douglas Davis, Ken Dewey, John Giorno, Don Heckman, Al Hansen, Dick Hogle, Takehiko Iimura, Joe Jones, Allan Kaprow, Robin Kenyatta, Kenneth Knowlton, Gilles Larrain, Les Levine, Jackson Mac Low, Max V. Mathews, Tom Molholm, Preston McClanahan, Jim McWilliams, Max Neuhaus, Peter Neumann, Michael Noll, Ralph Ortiz, John Pierce, Dick Preston, Ely Ramen, Steve Rettew, Jean Claude Risset, Carolee Schneemann, Willoughby Sharp, Bob Schuller, Ed Summerlin, Jean Toche, John Van Saun, Joyce Wieland, Kenneth Werner, Emmett Williams and Jud Yalkut. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. Light bumping of corners. Two small thumb tack holes to poster: one near the center of the upper edge and one near center of the bottom edge.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Fair. Folded in eight. Extensive handling wear with overall creasing and crinkling of the page. 6 mm. dog-ear to upper right corner and 12.7 cm. dog-ear to upper left corner. 2 cm. rip at bottom edge of sheet along fold.

Three leaves printed rectos only, 8 1/2 x 11 in. This document was intended to inform interested people about the Freedom of Information Act and the Privacy Act of 1974. It also announces an event "'Blow the Lid Off the FBI' Public Service-Information/Action at Printed Matter, Inc., 7 Lispenard St., NYC Saturday December 6, 1980: 2 to 5 PM." The third leaf is a letter template to be used in requesting files under the Freedom of Information and Privacy Act. The first two leaves are corner-stapled, staple has been removed. Several small marks to page 1 visible in scan. Near fine.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Good. Folded in eight with light edge-wear, a 6 mm. ink mark on recto and 2 cm. area of light yellow soiling.