tom purvis (27 risultati)

Hardcover. Condizione: Very Good. Tom Purvis (illustratore). 1st Edition. Large format blue cloth 160pp with 45 illustrations.

Soft cover. Condizione: Fine. 1st Edition. Comic Book. Standard Format and Size. First Printing. Color illustrated covers with black/white interior art. VERY FINE. All corners pointed. Without tears, creases, bumps or chips. Not marked in any way and very clean, bright and glossy. All comics carefully packaged and sent boxed.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. TOM PURVIS (illustratore). 1st Edition. Hardcover published by Victor Gollancz 1st edition 1941, illustrated by Tom Purvis VG in Good+ dust-jacket, some marks to back cover, repaired internally.

Hardcover. Condizione: Fair. No Jacket. 3rd impression. Boards are worn and stained to the inside.Creased.Foxing and tightly bound.15-01-2021. Our orders are shipped using tracked courier delivery services.

Cloth. Condizione: Very Good. No Jacket. Purvis, Tom (illustratore). First Edition. 4to. 160 pp., illus. Edgewear, spine sunned and age-toning to perimeter of lightly worn covers.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. 1st Printing. Hardcover. Book Condition: Very Good. Jacket Condition: Good. Harcourt Brace and Company, New York, NY 1941. First Edition. 1st Printing. 160 pages. Nice Firm Clean copy ! Jacket has edge wear, short tears, missing chips. Size: 8vo 7.75 - 9.75'' tall. Military History::WWII Military History::Aviation Military History::Britain 5973.

hardback, 4to, 160pp, pencilled owner's name on endpaper, contents clean and sound, blue cloth, covers rubbed and spine browning, Good condition / no dustwrapper.

No Binding. Condizione: Very Good. Tom Purvis (illustratore). An interesting portrait, printed in 1950. Mounted/matted and ready to frame. A fine opportunity to purchase an unusual and attractive portrait.

Cloth. No Jacket. Tom Purvis (illustratore). Reprint. Very Good + PP 160, line drawings Size: 4to - over 9¾" - 12" tall.

First Edition. Ode to British resistance during the blitz, with illustrations by Tom Purvis and text by Negley Farson. Name to fep and covers somewhat watermarked beneath the wrapper otherwise Good in frayed dustjacket.

Hardback. Condizione: Very Good. Condizione sovraccoperta: Poor. Purvis, Tom (illustratore). First edition. 1st 1941. Very good condition in a poor dustwrapper. Blue cloth, gilt title to spine. 48 b/w pencil sketches. Dampstains to edges of covers. Tiny wormhole to side of spine. Name plate to front pastedown. Wrapper has very large piece missing to front. Packaged with care and promptly dispatched!

1st edition orig. cloth Very Good lge. octavo 160pp., illusts., An American in London during the Blitz, recounts his experience of the humour, the courage and the endurance of the people. With 48 Illustrations by Tom Purvis drawn at the time. Memorial bookplate on front end paper.

Hardcover. Condizione: Good. 1st Edition. 128 pp. Hardcover, bound in cloth. Moderate shelf-wear, the cover with some mottling, damp spots and scuff marks; foxing to the text, plates unmarked.

Cloth. Condizione: Good/Very Good. Condizione sovraccoperta: Good. Tom Purvis (illustratore). The book is bright and firm with fading to the top edge of the front board. The dj has moderate wear. Size: 4to - over 9¾" - 12" tall.

Blue Cloth. Condizione: Very Good. Tom Purvis Drawings (illustratore). First American Edition. Review Copy with front end paper gift inscription, "Review Copy" dated Jul 3, 1941, stamped on ffep; Age-toned, else textblock is clean and tight; 48 illustrations by Tom Purvis. Bumped head and foot of spine, bumped corners, scuffed and lightly character-soiled boards; Lacks dust jacket; 160p. The London Blitz of World War II, dedicated "To The Last Nazi". Size: 8vo - over 7¾" - 9¾" tall. Hardcover.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Bound in red cloth (no jacket), 128p, illustrations (also in color), 30 cm. Good/very good, light rubbing boards, few brown spots on endpapers, inside very good, clean, unmarked. First edition.

Purvis, Tom (illustratore). NY. Very Good in Very Good dust jacket; Cloth; Harcourt, Brace & Co; 1941; . First American Edition. Farson, Negley. Bomber's Moon London in the Blitzkrieg. NY: Harcourt, Brace & Co, 1941, First American Edition, 160 pages. Yellow illustrated dust wrapper, very good, chipping to spine. Blue cloth boards with silver titles to spine, very good. 48 illustrations by Tom Purvis. Light wear to edges of boards, previous owner name.; 8vo - over 7¾" - 9¾" tall . Very Good in Very Good dust jacket; Cloth; Harcourt, Brace & Co; 1941; First American Edition.

Hardcover. Condizione: Very Good. Text in english, 8vo, clothbound with dust jacket, illustrated, 480 pages, illustrated, very good copy. Hard to find in this conditon. Dust jacket, designed by Tom Purvis, in very good condition.

Hardcover. Quarto. Hardcover. Red cloth with black stamped titles in illustrated jacket. 128 pages illustrations (some color) 30 cm. G+. Jacket has general wear including some larger closed tears and chips and moderate soiling. Book and jacket are stamped multiple times with the in ink and embossing with "Ruopp Art Studios"a firm out of Detroit, MI.

Hardcover. First Edition. 4to. 128 pp. Index of Designers. Numerous illustrations of posters (including a a 16 page section with 26 posters in color. Introduction by Tom Purvis, one of England's best-known and most successful poster artists; edited by F. A. Mercer & W. Gaunt. Red cloth with color printed dustjacket. Near fine in very good dustjacket (small chips; closed tear to upper front cover; small hole to lower spine; some darkening to rear cover & spine). ".a most valuable and convenient work of reference as a record of what has been done and a standard of what can be done." - dustjacket flap. Includes work by McKnight Kauffer, Cassandre, Cappiello, Carlu, Ashley, Austin Cooper, Tom Purvis and many other famous poster artists.

Condizione: Very Good. First Edition. Full red cloth with title to front cover and spine. Minor wear to cloth on boards, but otherwise a nice clean copy with no previous owners' names or other markings. 8.25 x 11.75 in.

Zusammen 1 S. 4to und qu.-8vo. An den Maler, Kunstautor und Sekretär der Society of Graphic Arts Frank L. Emmanuel (18651948). I: Your invitation to join the Society of Graphic Art reached me only this morning I have accepted by wire[.] Such a society is badly needed (The wonder is that it has not been arranged before) and under such auspices it should be assured of great success []" (Br. v. 1. Mai 1920). II: Invitation Received Today many thanks shall be Glad To John [!] []" (Telegrammentwurf; in Bleistift). Purvis studierte an der Camberwell School of Art und entwickelte eine eigene, flächige Farben auf Kosten von Details dominant einsetzende Technik, mit der er insbesondere die Werbelinie der London and North Eastern Railway nachhaltig gestaltete, für die er von 1923 bis 1945 tätig war und mehr als 100 Poster schuf. Nach dem Zweiten Weltkrieg wandte er sich von der Werbegraphik ab und der Portrait- sowie der religiösen Malerei zu.

Tom Purvis (illustratore). Original antique World War One poster - Our Day To Help at the Front our wounded from Home & Overseas - issued by The British Red Cross Society & Order of St John for an event on 21 October 1915. Great artwork by Tom Purvis (1888-1959) showing a group of men in different military uniform from the armed forces looking towards the viewer, one with bandages around his head, another wearing a sling and one wearing an eye patch, in front of a medical Red Cross flag with images of doctors by an ambulance and a rescue boat headed towards a ship on the side. Good condition, restored folds, minor staining, backed on linen. Size: 76x51cm.

Tom Purvis (illustratore). Original vintage poster issued by the Empire Marketing Board EMB to encourage people to help the economy following the Great Depression in America by buying British goods - Buy British from the Empire at Home & Overseas - featuring a dynamic design by the notable British artist Tom Purvis (1888-1959) depicting a silhouette in red and black of a man working with the EMB crown logo and bold text below. The Empire Marketing Board (EMB 1926-1933) was formed to promote intra-Empire trade. Printed for HM Stationery Office by Waterlow and Sons Ltd London Dunstable and Watford. Very good condition, creasing. Size: 51x38cm.

Tom Purvis (illustratore). Original vintage event poster for the BIF British Industries Fair held in London from 18 February to 3 March 1935 Engineering and Hardware section will be held in Birmingham 20-31 May featuring a striking Art Deco design by Tom Purvis (1888-1959) featuring a stylised image of a man in a helmet holding a key with the bold text in red lettering. Excellent condition, backed on linen. Size: 51x38cm.

Manuscript. Condizione: Very Good. TLs on headed notepaper dated June 3, 1935, humorously declining invitation to a sherry party. The feature of this brief witty reply is the signature image in two colours of a red nosed gentleman partaking of a large glass of sherry. Tom Purvis studied at the Camberwell School of Art, he served with the Artists' Rifles in France during WW1. From 1923 he was heavily involved in the creation of art work advertising, especially for LNER. By the late 1930s he was described as the " biggest name in British commercial design." The signature offered here is a good example of Purvis's bold two dimensional style that he was noted for.

Manuscript. Condizione: Very Good. On the verso of the menu the Savage Club cartoonist evidently portrays Tom Purvis in his former guise as a member of the Artists' Rifles in action during WW1 with his paint brush and easel, not his rifle. In the wide margin of the printed image Tom Purvis has added a humorous signed pencil sketch of a cursing British Tommy looking on in shock. Tom Purvis studied at the Camberwell School of Art, he served with the Artists' Rifles in France during WW1. From 1923 he was heavily involved in the creation of art work advertising, especially for LNER. By the late 1930s he was described as the " biggest name in British commercial design.".