tong darlene (12 risultati)

Soft cover. Condizione: Very Good. Very Good paperback. Overall an attractive copy. No markings to th text. Numerous photographs. Former owner's name to the inner front cover, otherwise a clean copy. 500 pp.

Paperback. Condizione: Good. 500 pgs. Inscribed by editor Carl Loeffler on half-title. Includes a personal letter form acclaimed modern artist Paul McCarthy to inscribee. Tome is lightly rubbed along extremities. Dampstains effecting page edge of preliminary leaves. Interior pages show occasional marginalia, text and images are otherwise clean throughout. Binding is solid. Scarce association piece.

Softcover, 500 pages, good condition: a few light creases to spine and light rubbing and edgewear to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Brand New. revised updated subsequent edition. 531 pages. 8.50x5.50x1.25 inches. In Stock.

Soft Cover. Condizione: VG. First Edition. 8vo. original printed paper wraps (rubbed and slightly creased, small nick to top edge, leaf edges speckled, occ. marks); pp. xii, 500 (last colophon), with illustrations. A very good copy.

Contemporary Art Press, San Francisco 1980. xii, 500 pp. Paperback. Illustrated. Good condition.

PAPERBACK. Condizione: New. 093181801X New.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

72 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1984 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "Beta Reports;" "Television Art;" "We Made Home TV," by Lynnette Taylor; "TV Art in New York;" photo essay by Jaime Davidovich; "Art That Gets 53 Miles Per Gallon: Ashley and Sanborn on Perfect Lives," by Mark Dery; "Sanborn and Winkler: The Making of Perfect Lives," by Lynnette Taylor: "Peter Gordon," interview with Mark Rubin; "Seven Templates: The Video Structure of Perfect Lives," by Lynnette Taylor; "Television Art and the Video Conference," by Carl E. Loeffler; "Learning the Language with Anderson and Winkler: Sharkey's Day - A New Video," by Lynnette Taylor; "The Robotic Revolution," by Willoughby Sharp; "Action Notes," by Darlene Tong; "San Francisco Funderground, Cabaret Performance 1979-1982," by Irwin Irwin "Operat Blanc: A Neoist Musical Tragedy," by Frank Stephanus. Very Good. Light rubbing and bumping of cover edges. Contents clean and unmarked and pages are tight to the spine.

Condizione: Good. [Exhibition catalogue]. 8vo. 21 pp. Soft, stapled gray and black and white photographic wraps with blue and black lettering. As new. Black and white plates. Includes a foreword and acknowledgments by exhibition curators Sarah Solocheck Walters and Mark John, an essay by Sally Stein, an interview with the exhibited artist John Gutmann and an afterward accompanying bibliography by Darlene Tong. Also includes an exhibition checklist. Catalogue created to accompany the exhibition "John Gutmann: Parallels in Focus", held from February 23 through March 20, 1997 at the San Francisco State University Art Department Gallery in San Francisco, CA. Scarce.

EA, 500 S., OKart., Namensstempel auf Vorsatz, gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Condizione: Good. [Exhibition catalogue]. 8vo. 21 pp. Soft, stapled gray and black and white photographic wraps with blue and black lettering. As new. Black and white plates. Includes a foreword and acknowledgments by exhibition curators Sarah Solocheck Walters and Mark John, an essay by Sally Stein, an interview with the exhibited artist John Gutmann and an afterward accompanying bibliography by Darlene Tong. Also includes an exhibition checklist. Catalogue created to accompany the exhibition "John Gutmann: Parallels in Focus", held from February 23 through March 20, 1997 at the San Francisco State University Art Department Gallery in San Francisco, CA. Scarce. From the Collection of the Art Historian Peter Selz (1919-2019).