Lingua: Inglese
Editore: Colby College Museum of Art; Prestel, Waterville, MA and New York, 2015
ISBN 10: 3791354353 ISBN 13: 9783791354354
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: NEW. Condizione sovraccoperta: NEW. 1st. Cloth, 207 pages, colour illustrations; 29 cm. Published on the occasion of the exhibition Brand-New & Terrific: Alex Katz in the 1950s, organized by Colby College Museum of Art, July 11 to October 18, 2015. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Coming of age as an artist in the 1950s, Alex Katz set out to reinvent representational painting by applying lessons learned from postwar abstraction. Initially, he struggled to find an audience, destroying hundreds of canvases. This book is the first survey of the artwork from this momentous decade, one in which Katz began to paint outdoors, innovated with collages, invented the cutout, and met Ada del Moro, his wife and muse. The authors consider how he and his peers borrowed from one another, leaning on photography and mining both nineteenth-century portraiture and other creative arts, and examine his conceptual investment in serial imagery. The result is a fascinating study of a young artist laying the groundwork for an astonishingly successful career, and a fresh look at the aesthetic exchanges among painters in and around the New York School." - Publisher. *** CONTENTS: A Representational World in our Time, by Diana Tuite; Manual of Style, by Katy Siegel; Ahead of Your Mind, by Riachrd Shiff; Reduplication and "the Double", by Eva Diaz; Chronology. Size: 4to. Collectible.
Lingua: Inglese
Editore: Prestel Publishing July 2015, 2015
ISBN 10: 3791354353 ISBN 13: 9783791354354
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condizione: New. Celebrating an experimental decade in the career of Alex Katz, this book introduces audiences to a relatively unknown body of his work. Coming of age as an artist in the 1950s, Alex Katz set out to reinvent representational painting in the wake of Abstract Expressionism. At first, Katz struggled to find an audience, destroying hundreds of canvases. This book surveys the artwork that survived from this momentous decade, one in which he first painted outdoors, innovated with collages, and met Ada del Moro, his wife and muse. The essays in this book contextualize Katz's painting, consider how he and his peers looked at one another, mined 19th-century portraiture, and borrowed from television, advertising, and cinema. The result is a fascinating study of a young artist laying the groundwork for an astonishingly successful career. Fans of Katz will be inspired by the radicality of his early work, and those being introduced to the artist will be struck by its freshness and relevance. Celebrating an experimental decade in the career of Alex Katz, this book introduces audiences to a relatively unknown body of his work. Fans of Katz will be inspired by the radicality of his early work, and those being introduced to the artist will be struck by its freshness and relevance.
EUR 35,71
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. Paperback.Width: 22 cm. Height: 28cm. 120 pages. English text.
Editore: Charles S. Francis, New York, 1828
Da: J. Wyatt Books, Ottawa, ON, Canada
Prima edizione
EUR 509,60
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Poor. First Edition. Hardcover; 171 pages in poor condition. Tan leather binding with gilt bands and titles on spine. Covers, especially edges, are lightly soiled. Considerable rubbing to edges. Top left corner (from front) is bent. Dark smudges around edges. Prev. owner's signature on fep (from 1837). Light water damage throughout, upper right corner. The pages are also lightly foxed. Besides issues already mentioned, the pages are quite bright and very readable. POOR. Book.
Editore: Charles S. Francis, New York, 1828
Da: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
Hardcover. Condizione: fair. 8vo. xii,14-171pp. Modern quarter cloth over contemporary paper-covered boards. Staining, rubbing and scuffing to boards. Wear to corners and edges. Fore-and bottom page edges untrimmed as issued. Bookplate of "Atherton Hall" to inside of front board. Signature of previous owner on front-and rear endpaper. Sporadic foxing and rippling throughout. "Compendium of Operative Midwifery: or, The Manual and Instrumental Operations of Preternatural Labours reduced to the greatest Simplicity: preceded by an investigation of the Mechanism of Natural Labour." Translated from the French by Julius Hatin. Binding in fair, interior in good condition. Rare, important work. First published in France in 1827 under the title: "La manoeuvre de tous les accouchements contre nature.".