Turgut hulya (11 risultati)

Soft cover. Condizione: As New. 8vo, card covers, 232pp. Sealed and immaculate.

Soft cover. Condizione: Very Good. Very good condition soft cover, some wear to cover and spine, internally clean and tidy with unmarked pages, in a good readable condition.

Soft cover. Condizione: New. TURGUT, HULYA - PETER KELLETT (Edited by) Cultural and spatial diversity in the urban environment. Istanbul: YEM Yayin, 2001. 4to., 159 p., color ills. In English. Paperback. New ISBN: 9758599046 CATALOG: Architecture & Urban studies KEYWORDS: Architecture City Planning Urbanization Environment Ecology.…

Soft cover. Condizione: New. TURGUT, HULYA - PETER KELLETT (Edited by) Traditional environments in a new millennium. Defining principles and professional practice. June 20-23 2002, Amasya Turkey. Istanbul: IAPS-CSBE Culture and Space in Built Environment Network, 2002. 4to., 565 p., b/w ills. In English. Paperback. New ISBN: 9755852816 CATALOG: Architecture & Urban studies KEYWORDS: Architecture City Planning Urbanization Environment Ecology.…

Soft cover. Condizione: New. TURGUT, HULYA - MELTEM AKSOY (Compiled by) Cem Kultur Evi mimari proje yarismasi. Istanbul: Cem Vakfi, 1996. 4to., 104 p., color and b/w ills. Paperback. New ISBN: CATALOG: Architecture & Urban studies KEYWORDS: Architecture Alevism.

Taschenbuch. Condizione: Sehr gut. Gebraucht - Sehr gut SG - leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt, Versand Büchersendung - In recent decades significant financial and professional resources have been invested in urban regeneration, housing renovation, and the revitalization of old neighborhoods, with considerable impacts on the social, physical, and economic structure of cities and their inhabitants. The first objective of this volume is to present the key issues related to these changes, which were discussed at an international symposium of experts organized by the International Association for People-Environment Studies and CSBE Network in Istanbul. The second objective is to show how concepts and methods in the field of people-environment studies can be successfully applied to study complex questions related to the revitalization of the built environment, both at the small scale of specific buildings and at the larger scale of neighborhoods. The contributions in this volume are centered around the following main themes: . Key issues concerning heritage and cultural identity . The institutional, economic, and political contexts of revitalization . Implementation and how to address the key challenges This volume will be useful to researchers, graduate students, teachers, and professional practitioners in housing design and construction, the maintenance and upgrading of existing buildings and urban areas, conservation management, and the broad field of housing studies. The book is pertinent to people trained in environmental psychology, social policy studies, architecture, urban design, urban sociology, human geography, and building and landscape conservation. …

Taschenbuch. Condizione: Sehr gut. Gebraucht - Sehr gut SG - Ungelesenes Mängelexemplar mit leichten Lagerspuren, , Sofortversand - In recent decades significant financial and professional resources have been invested in urban regeneration, housing renovation, and the revitalization of old neighborhoods, with considerable impacts on the social, physical, and economic structure of cities and their inhabitants. The first objective of this volume is to present the key issues related to these changes, which were discussed at an international symposium of experts organized by the International Association for People-Environment Studies and CSBE Network in Istanbul. The second objective is to show how concepts and methods in the field of people-environment studies can be successfully applied to study complex questions related to the revitalization of the built environment, both at the small scale of specific buildings and at the larger scale of neighborhoods. The contributions in this volume are centered around the following main themes: . Key issues concerning heritage and cultural identity . The institutional, economic, and political contexts of revitalization . Implementation and how to address the key challenges This volume will be useful to researchers, graduate students, teachers, and professional practitioners in housing design and construction, the maintenance and upgrading of existing buildings and urban areas, conservation management, and the broad field of housing studies. The book is pertinent to people trained in environmental psychology, social policy studies, architecture, urban design, urban sociology, human geography, and building and landscape conservation.…

Hardcover. Condizione: New. SANER, TURGUT - SEBNEM ERYAVUZ - HULYA BILGI Motif from the Sadberk Hanim Museum Collection = Sadberk Hanim Muzesi Koleksiyonundan motif. Istanbul: Sadberk Hanim Muzesi, 2020. 4to., 474 p., color ills. In Turkish and English. Original binding. New 2700 ISBN: 9786059606165 CATALOG: Turkish & Islamic arts KEYWORDS: History of art Turkish art Islamic art Ottoman art Traditional arts In 2020, its 40th anniversary, Sadberk Hanim Museum is justly proud of its position as Turkey's first private museum and aware of the responsibility that this entails. This significant anniversary is being celebrated by an inspiring exhibition and accompanying catalogue. The exhibition and publication project in this instance does not present a specific group of objects in the museum collections. Under the title 'Motif,' the panoramic diversity of every category is represented by bringing together historical motifs from different cultures that have encountered one another in very different regions. Up till now all of the museum's exhibitions have focused on strong aspects of the museum's collections. However, our anniversary project links objects together through their motifs, displaying the exceptional range of our relatively small yet outstanding museum. Motifs are the mainstays of works of art. The motifs of a novel, a story, a symphony or a folksong carry the work forward and bring it to life. The Latin word motivus encompasses several meanings: to set in motion, movement and flow. This project displays the historical depth, flow and cultural movement of the beautiful motifs on works of art in Sadberk Hanim Museum, both in the Archaeological Section and the Turkish-Islamic Section. In antiquity spinning motifs were used on coins that passed from hand to hand, while lamps illuminated cornucopias, vine branches and bunches of grapes that represented abundance and fertility. Garlands and acanthus motifs were introduced to Ottoman art. The rose (rh?don) featured on the coins of ancient Rhodes still conveys meaningful messages to us. Legendary creatures instilled fear but also gave protection; human figures on coins represented gods and rulers. The ancient lotus and palmette motif was applied to tile decoration by Ottoman artists. Motifs travelled back and forth along the caravan roads; much as today, for example, they wander the world on our clothes and bags. In the past motifs were passed down from master to apprentice and from older to younger generations, while now they gain new identities in the creative hands of designers. Our aim is to increase knowledge, arouse curiosity and share the beauty of 466 selected objects from the Sadberk Hanim Museum collection. These artefacts, each with a powerfully expressive aesthetic, represent nearly 500 motifs. Looking at these it becomes clear how closely connected Turkey is to both East and West, with Anatolia at its centre. The motifs have been divided into five main concepts, arranged from the general to the specific: Perception of the world and the universe ('Life and Power'); scenes of nature and the world of plants ('Nature'); images of human beings and animals in art ('Figurative Decoration'); expression in art of the principles governing a large and majestic system ('Order and Harmony'); and the ways in which people shape their surroundings ('Space'). One of the most important achievements of the project has been to give visibility to hundreds of motifs that might ordinarily escape attention. We invite visitors of every age and every occupation to establish an intellectual tie with what these historical motifs have to tell, and present a new visual palette and opportunity for intellectual exercise in relation to the world of art and forms. We developed this project in order to share the story of motifs with both art history and contemporary art circles, and to set the scene for a fresh look at many subjects, such as 'rules, inspiration and evocation in creativity'. Drawing attent.…

Hardcover. Condizione: New. Original cloth bdg. Folio. (32 x 25 cm). In English and Turkish. 474 p., color and b/w ills. In 2020, its 40th anniversary, Sadberk Hanim Museum is justly proud of its position as Turkey's first private museum and aware of the responsibility that this entails. This significant anniversary is being celebrated by an inspiring exhibition and accompanying catalogue. The exhibition and publication project in this instance does not present a specific group of objects in the museum collections. Under the title 'Motif,' the panoramic diversity of every category is represented by bringing together historical motifs from different cultures that have encountered one another in very different regions. Up till now all of the museum's exhibitions have focused on strong aspects of the museum's collections. However, our anniversary project links objects together through their motifs, displaying the exceptional range of our relatively small yet outstanding museum. Motifs are the mainstays of works of art. The motifs of a novel, a story, a symphony or a folksong carry the work forward and bring it to life. The Latin word motivus encompasses several meanings: to set in motion, movement and flow. This project displays the historical depth, flow and cultural movement of the beautiful motifs on works of art in Sadberk Hanım Museum, both in the Archaeological Section and the Turkish-Islamic Section. In antiquity spinning motifs were used on coins that passed from hand to hand, while lamps illuminated cornucopias, vine branches and bunches of grapes that represented abundance and fertility. Garlands and acanthus motifs were introduced to Ottoman art. The rose (rhόdon) featured on the coins of ancient Rhodes still conveys meaningful messages to us. Legendary creatures instilled fear but also gave protection; human figures on coins represented gods and rulers. The ancient lotus and palmette motif was applied to tile decoration by Ottoman artists. Motifs travelled back and forth along the caravan roads; much as today, for example, they wander the world on our clothes and bags. In the past motifs were passed down from master to apprentice and from older to younger generations, while now they gain new identities in the creative hands of designers. Our aim is to increase knowledge, arouse curiosity and share the beauty of 466 selected objects from the Sadberk Hanim Museum collection. These artefacts, each with a powerfully expressive aesthetic, represent nearly 500 motifs. Looking at these it becomes clear how closely connected Turkey is to both East and West, with Anatolia at its centre. The motifs have been divided into five main concepts, arranged from the general to the specific: Perception of the world and the universe ("Life and Power"); scenes of nature and the world of plants ("Nature"); images of human beings and animals in art ("Figurative Decoration"); expression in art of the principles governing a large and majestic system ("Order and Harmony"); and the ways in which people shape their surroundings ("Space"). One of the most important achievements of the project has been to give visibility to hundreds of motifs that might ordinarily escape attention. We invite visitors of every age and every occupation to establish an intellectual tie with what these historical motifs have to tell, and present a new visual palette and opportunity for intellectual exercise in relation to the world of art and forms. We developed this project in order to share the story of motifs with both art history and contemporary art circles, and to set the scene for a fresh look at many subjects, such as "rules, inspiration and evocation in creativity". Drawing attention to the possibilities of combining motifs with the visuality of the digital age and to the perfection found in antique works of art and handcrafts has been among our aims.…

Hardcover. Condizione: Very Good. Book measures 32x25.cm. 474pp, illustrated throughout. Bound in original publishers purple cloth, with decorative gilt, white lettering. Boards bumped on corners. Binding in good clean firm condition. Internally, pages clean and bright throughout. A very clean copy, in a bumped, but good solid binding. With the original publishers linen, cloth bag. Bag stained, dust marked. Size: Quarto. …

Condizione: New. In 2020, its 40th anniversary, Sadberk Hanim Museum is justly proud of its position as Turkey's first private museum and aware of the responsibility that this entails. This significant anniversary is being celebrated by an inspiring exhibition and accompanying catalogue. The exhibition and publication project in this instance does not present a specific group of objects in the museum collections. Under the title 'Motif,' the panoramic diversity of every category is represented by bringing together historical motifs from different cultures that have encountered one another in very different regions. Motifs are the mainstays of works of art. The motifs of a novel, a story, a symphony or a folksong carry the work forward and bring it to life. The Latin wordmotivusencompasses several meanings: to set in motion, movement and flow. This project displays the historical depth, flow and cultural movement of the beautiful motifs on works of art in Sadberk Hanim Museum, both in the Archaeological Section and the Turkish-Islamic Section. In antiquity spinning motifs were used on coins that passed from hand to hand, while lamps illuminated cornucopias, vine branches and bunches of grapes that represented abundance and fertility. Garlands and acanthus motifs were introduced to Ottoman art. The motifs have been divided into five main concepts, arranged from the general to the specific: Perception of the world and the universe ('Life and Power'); scenes of nature and the world of plants ('Nature'); images of human beings and animals in art ('Figurative Decoration'); expression in art of the principles governing a large and majestic system ('Order and Harmony'); and the ways in which people shape their surroundings ('Space'). Editors: Translator: 474 pages.…