Ulrik volgsten (61 risultati)

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  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1845450981 / 9781845450984

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    Soft cover. Condizione: Very Good. VERY GOOD softcover, no marks in text, uncreased spine, clean covers. Book.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1845450981 / 9781845450984

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    paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1845450981 / 9781845450984

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    paperback. Condizione: Very Good.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1845450981 / 9781845450984

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    paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

  • Lingua: Inglese

    Editore: Berghahn Books, 2006

    1845450981 / 9781845450984

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    Broschiert. Condizione: Gut. Auflage: 1. 376 Seiten Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber und kann entsprechende Merkmale aufweisen (Rückenschild, Instituts-Stempel.). In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 535.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1845450981 / 9781845450984

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  • Lingua: Inglese

    Editore: Berghahn Books, GB, 2005

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    Paperback. Condizione: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1845450981 / 9781845450984

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    Soft cover. Condizione: Very Good. 1st Edition. VG+ BUT SOME UNDERLINING OF TEXT.

  • Lingua: Inglese

    Editore: Berghahn Books, GB, 2005

    1845450981 / 9781845450984

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    Paperback. Condizione: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1845450981 / 9781845450984

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  • Lingua: Inglese

    Editore: Berghahn Books, Oxford, 2005

    1845450981 / 9781845450984

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    Paperback. Condizione: new. Paperback. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of musics behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only musics diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality. ".a timely book that.sets a standard for a new field of study and therefore deserves to be read widely.[the volume's] contributions contain fascinating material for further study." A International Institute for Asian Studies Newsletter "Steven Brown and Ulrik Volgsten haveput together a valuable collection of essays on a consistently interesting theme. The book constitutes an important resource for the future development of this theme." A Music Perception ".fascinating and challenging.this book, illustrates the diversity, the depth and the potential of the field of the sociology of music. As much as these texts enlighten, they also highlight the vastness of the research yet to be conducted. However, this book is far more than just a compilation of papers presented at a conference, they are relevant discussions to anybody who turns on the radio, purchases or downloads a record or even sings a lullaby." A Leonardo Digital Reviews Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality. Steven Brown is a researcher in cognitive neuroscience in the Department of Psychology at Simon Fraser University in Vancouver, Canada. He received his doctorate at Columbia University in New York, and has done research at the Pasteur Institute in Paris, the Karolinska Institute in Stockholm, and the University of Texas Health Science Center in San Antonio. His research deals with the neural basis of human communication, including the arts. Ulrik Volgsten is a research fellow in the Department of Culture, Aesthetics and Media at GAteborg University in Sweden. He received his doctorate in the Department of Musicology at Stockholm University, and has published papers on both musical and philosophical topics. Volgsten's multidisciplinary research mainly focuses on human communication in different Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1845450981 / 9781845450984

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    Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1845450981 / 9781845450984

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    Paperback. Condizione: Brand New. 376 pages. 8.75x6.00x0.75 inches. In Stock.

  • Lingua: Inglese

    Editore: Berghahn Books, GB, 2005

    1845450981 / 9781845450984

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    Paperback. Condizione: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1845450981 / 9781845450984

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    Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

  • Lingua: Inglese

    Editore: Berghahn Books, Oxford, 2005

    1845450981 / 9781845450984

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    Paperback. Condizione: new. Paperback. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of musics behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only musics diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality. ".a timely book that.sets a standard for a new field of study and therefore deserves to be read widely.[the volume's] contributions contain fascinating material for further study." A International Institute for Asian Studies Newsletter "Steven Brown and Ulrik Volgsten haveput together a valuable collection of essays on a consistently interesting theme. The book constitutes an important resource for the future development of this theme." A Music Perception ".fascinating and challenging.this book, illustrates the diversity, the depth and the potential of the field of the sociology of music. As much as these texts enlighten, they also highlight the vastness of the research yet to be conducted. However, this book is far more than just a compilation of papers presented at a conference, they are relevant discussions to anybody who turns on the radio, purchases or downloads a record or even sings a lullaby." A Leonardo Digital Reviews Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality. Steven Brown is a researcher in cognitive neuroscience in the Department of Psychology at Simon Fraser University in Vancouver, Canada. He received his doctorate at Columbia University in New York, and has done research at the Pasteur Institute in Paris, the Karolinska Institute in Stockholm, and the University of Texas Health Science Center in San Antonio. His research deals with the neural basis of human communication, including the arts. Ulrik Volgsten is a research fellow in the Department of Culture, Aesthetics and Media at GAteborg University in Sweden. He received his doctorate in the Department of Musicology at Stockholm University, and has published papers on both musical and philosophical topics. Volgsten's multidisciplinary research mainly focuses on human communication in different Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1571814892 / 9781571814890

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    hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

  • Lingua: Inglese

    Editore: Berghahn Books, GB, 2005

    1845450981 / 9781845450984

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    Paperback. Condizione: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

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    Paperback. Condizione: New.

  • Lingua: Inglese

    Editore: Berghahn Books, 2005

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    hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

  • Lingua: Inglese

    Editore: Berghahn Books, Incorporated, 2005

    1571814892 / 9781571814890

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    Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • Lingua: Inglese

    Editore: Berghahn Books, Incorporated, US, 2006

    1571814892 / 9781571814890

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    Hardback. Condizione: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

  • Lingua: Inglese

    Editore: Palgrave Macmillan, 2025

    3031982606 / 9783031982606

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  • Lingua: Inglese

    Editore: Palgrave Macmillan, 2025

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  • Lingua: Inglese

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  • Lingua: Inglese

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  • Lingua: Inglese

    Editore: Berghahn Books, Incorporated, US, 2006

    1571814892 / 9781571814890

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    Hardback. Condizione: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

  • Lingua: Inglese

    Editore: Palgrave Macmillan, 2025

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    Condizione: New. 2025. hardcover. . . . . .

  • Lingua: Inglese

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  • Lingua: Inglese

    Editore: Berghahn Books, 2005

    1571814892 / 9781571814890

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    Hardcover. Condizione: Brand New. 376 pages. 9.00x6.25x0.80 inches. In Stock.