van upp virginia (13 risultati)

Vintage studio still photograph from the 2000 re-release of the 1938 film, showing actors Sylvia Sidney and George Raft. Two former convicts meet while working at a department store and fall in love, but their relationship soon sours when one suspects the other of infidelity, leading him to return to a life of crime. 10 x 7 inches. Near Fine. Spicer US Noir.

Condizione: Very Good. Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Condizione: Very Good. Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Condizione: Very Good. Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Condizione: Very Good. Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Condizione: Very Good. Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Vintage studio still photograph from the 1934 film, showing actors Francis Lederer and Joan Bennett. Mimeo snipe on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. During the Revolutionary War, a German soldier serving with the British defects, deciding to settle down with a woman in Connecticut. 10 x 8 inches. Very Good, with with a short closed tear at the center of the photograph, and a tide mark at the bottom right corner.

Script Format, reprint. Condizione: As New. / MISSING PGS. 123-127 / 1945 DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Set of three vintage black-and-white studio still photographs from the set of the 1938 film noir antecedent. Shown respectively are Lang conferring with Silvia Sidney, Lang on the floor setting up an unusual camera angle, and Lang playing a clarinet for baby actor Donald Dodds (who played Silvia Sidney's infant son in the film). Each photo with a printed snipe on the verso, a number annotated and circled in blue pencil (1, 2, 3 respectively), and a stamp crediting Paramount Studios photographer Malcolm Bulloch. 5 x 7 inches. Near Fine. One photo with a faint vertical crease. Spicer, p. 403.

Vintage photograph of producer and screenwriter Virginia Van Upp, circa 1946. With a printed mimeo snipe affixed to the verso, along with the stamp of National Film Archives. Van Upp began her career in Hollywood as a script reader and editor, gradually working her way up to become a screenwriter, agent, and casting director. At 43 she was named Executive Producer of Columbia Pictures, becoming one of the few woman producers in the film industry at the time. She was best known for producing and co-writing "Gilda" (1946). 8 x 10 inches. Very Good plus, lightly and evenly toned.

Vintage reference photograph from the 1937 film, showing stars Carole Lombard, Fred MacMurray, and Charles Butterworth relaxing with director Mitchell Leisen between takes. Provenance stamp and annotations in manuscript ink identifying the subjects on the verso. The second of three adaptations of the Broadway play "Burlesque," following "The Dance of Life" (1928) and preceding "When My Baby Smiles at Me" (1948). The second film collaboration of Lombard and MacMurray with Leisen, after the classic screwball comedy "Hands Across the Table" (1935), and the third of four films to couple Lombard and MacMurray. 10.25 x 8 inches. Near Fine, with some light wear to the corners.

Vintage studio still photograph from the set of the 1938 noir antecedent, showing director Fritz Lang and George Raft on the set. Stamps on the verso crediting photographer C. Kenneth Lobben and Paramount, along with an exclusivity notice. 8 x 10 inches with wide margins. Near Fine. Spicer US Precursor.

Final draft of the film script, dated 29 August 1945, with Virginia Van Upp named as the author on the title page. The opening titles of the film credit the story to E. A. Ellington, the adaptation to Jo Eisinger, and the screenplay by Marion Parsonnet, while Van Upp is listed solely as the producer. The film, starring Rita Hayworth, is one of Hollywood's most sensual film noirs. There are passages of script which are not present in the film. The second meeting between Mundson and Johnny, for example, includes Mundson telling a tale about an Emperor of Rome who "put a tax on all the latrines in Rome" (page 14 of the present script), and this does not appear in the film. Similarly, the first scene that introduces Gilda is longer in the present script (including Gilda wondering "Maybe Mr. Farrel doesn't like to take orders from women", and Mundson's response, "We'll take your orders from now on - both Johnny and I. Won't we, Johnny?") (page 28 of the present script). The film was in production from 4 September to 10 December 1945 and premiered on 14 March 1946. The film has been selected for preservation in the US National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". This copy includes a small number of annotations ("a rainy aft[ernoon]", "use for return", etc., together with some marks in red pencil). Mimeographed typescript, 157 leaves (280 x 204 mm), additional sheet numbered "38-A", pp. 43, 44, 104, 105, 113-15, 118, 120, 130, 135, 138-40 and 151 marked "Revised Page" (on yellow paper), pp. 121, 122, and "123, 124, 125, 126, 127" marked "2nd Rev Page" (on blue paper), pp. 98 and 118A marked "Added Page", printed on rectos only. Original green wrappers, front wrapper lettered in black with additional ink stamps ("File Copy", "Central Files. Vault Copy", etc.), two split pins. Housed in a custom green cloth folding box. Front wrapper, title page, and first page of script detached with some loss and tears, a few adhesive tape repairs: a very good copy.