vanderzee james (9 risultati)

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. Moderate loosening to binding. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Acceptable. Secure packaging for safe delivery.

Condizione: sehr gut. Sprache: deutsch Paperback ,unmarkiertes Restexemplar.

Soft cover. Condizione: Very Good. 1st Edition. Large softcover with light to moderate general wear. 1st softcover edition. 192pp. Photos. Small corner crease upper front cover. No names or names. Photography.

Condizione sovraccoperta: dj. First Edition. First edition and first printing. Hardcover. 192 pages. Monograph on African American photographer James VanDerZee who spent decades photographing in Harlem. Features a foreword by Alan Fern, an essay by Deborah Willis-Braithwaite and biographical essay by Rodger C. Birt. Includes 187 duotone illustrations, the second to last is a terrific photograph of a young Jean-Michel Basquiat. A fine copy in black cloth boards and in a very near fine dust jacket. A very nice copy of one of the better books on VanDerZee.

Hardcover. Condizione: Near Fine. 1st Edition. Michael Rosenfeld Gallery: 2002. Hardcover with an attached paper dust jacket. First edition. Book and jacket are both in near fine condition. Comes in the publishers cardboard box.

First Edition. Very good in very good jacket. Inscribed by Van Der Zee below the printed dedication: "-and to Zachary T.V. on his 1976 Birthday, Igive these photographs. J.V.D.Z (and Sam, too). P/S See especially p. 147 fro two of the B.L.O.W. hosts" The referenced photograph is a portrait of two women in hats. Numerous examples of the photographer's work. Book.

Soft cover. Condizione: Very Good. Square quarto, 20pp, black and white phtographic reproductions in pictorial wrappers, staple-bound (crimps and minor toning and wear, else very good).

Condizione: Fair. Original photograph (8" x 10"), warm-toned gelatin silver print. Signed in the negative (vertically): "NYC / VanDerZee / 1937." On verso two impressions of Van der Zee's G.G.G. Photo Studio stamp in red ink. Damage to photo emulsion near face; significant scrape on vest area, corners of the photograph worn particularly on the lower left. Formerly framed (matte line visible). With real faults as described, and priced accordingly. ORIGINAL PHOTOGRAPHIC PORTRAIT OF A THOUGHTFUL, WELL-DRESSED AFRICAN-AMERICAN MAN BY JAMES VAN DER ZEE, EASILY THE MOST IMPORTANT PHOTOGRAPHER OF THE HARLEM RENAISSANCE. WE HAVE BEEN UNABLE TO LOCATE ANOTHER EXAMPLE OF THIS IMAGE. While elegant, handsome, and very distinctive, the subject of this soft-edged portrait remains unidentified as is so often the case in Van der Zee's oeuvre. Unusually, our sitter is wearing glasses and his arms are positioned on what may be a musical instrument case. Whereas the gelatin silver print is damaged, it is unquestionably by Van der Zee and was printed in his famed G.G.G. [Gaynella Greenlee Guarantee] Photo Studio at 2077 Seventh Ave (now Adam Clayton Powell Blvd) at 124th St. According to the finding aid of NYPL's Van Der Zee Photograph Collection, this was the location of the G.G.G. Studio in the 1930s. Van der Zee (1886-1983) was "a stalwart documentarian of Black life in Harlem. Assiduously committed to Harlem?s striving and successful denizens over the course of 60 years, his pictures teem with possibility, their subjects shimmering with glamour. During the 1920s and '30s, when the neighborhood?s intellectual, cultural, and creative life was soaring, Van Der Zee cultivated a visual vocabulary of grandeur that ultimately came to represent the Harlem Renaissance." (Oluremi C. Onabanjo, Associate Curator, Department of Photography, MoMA, 2021). "During the 1920s and 1930s, [Van der Zee] produced hundreds of photographs recording Harlem's growing middle class. Its residents entrusted the visual documentation of their weddings, funerals, celebrities, and social life to his carefully composed images. VanDerZee knew the neighborhood and its inhabitants, and shared their dreams and aspirations for self-determination and racial pride." (Smithsonian, African American Masters: Highlights from the Smithsonian American Art Museum, 2003). AN OUTSTANDING VAN DER ZEE PHOTOGRAPHIC PORTRAIT OF WHICH NO OTHER PRINTS HAVE BEEN FOUND.