varian elayne (38 risultati)

Soft cover. Condizione: Very Good. 47 cool B&W photos--many unusual, like mail boxes and doorways. No marks in text. No inscriptions etc. Not a library book. Ships today in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, providing good books at reasonable prices on the same spot since 1991. A's; very thin, tall, gray spine).

Softcover staple bound catalog, 32 pages, very good condition, no internal marks.

Paperback. Condizione: Very Good. Text is written in German.; 252 pages.

Condizione sovraccoperta: dj. First Edition. First edition and first printing. Hardcover. 126 pages. Exhibition catalog for a show that ran November 9, 2019 through May 9, 2021. Features a preface by Jessica Morgan, the text of Elayne Varian's 1969 interview of Bochner, and an essay by Alexis Lowry. Includes numerous color and black and white illustrations. A clean and tight near fine copy with a small abrasion to the front free endpaper and in a very near fine dust jacket.

Paperback. Condizione: Fine. 1st. [8] pages, illustrations; 22 x 28 cm. Exhibition held November 9 to December 3, 1983. A fine copy . Size: 8vo.

Stapled Card Catalogue. Condizione: Good. Condizione sovraccoperta: No. First. Unpaginated. b&w illustrations. Covers are shelf-worn.

Soft cover. Condizione: Very Good. October 14 through 30, 1970 at Finch College; January 19 through February 28, 1971 at Galleries, Cranbrook Academy of Art. Flat with a good binding. Slight edge wear and tanning. Front cover is dog-ear creased. No markings. See photos for condition and inclusion.

Softcover, 48 pages, very good condition; light wear to top of spine; no internal marks. Foreign shipping may be extra.

Softcover staple bound, 32 pages, good condition, moderate yellowing and small stains to covers with small tear at top of spine; no internal marks.

Softcover. Condizione: VG. White and BW illus. stapled wraps. 16 pp. 24 bw plates. Issued in conjunction with a 1973-1974 exhibition. With an intrdocution by Elayne H. Varian and essay by Robert H. Luck. The exhibition checklist cites 86 pieces and 24 are pictured here. Uncommon.

Condizione: Good. good condition with moderate general wear.

paperback. Condizione: Fine. PAPERBACK - Very minimal cover wear - clean unmarked text - tight binding.

Paperback. Condizione: Good. Ex-Library in protective cardboard library binding with all the usual markings, possible attachments, and library wear.

Paperback. Condizione: Very Good. Wraps are lightly age-toned, stapled binding, internally clean. 6 pages, includes 4 B&W photos, Includes an introduction by Elayn Varian, 4 full-page photos, and a catalogue of the photos in the exhibition, comprised of "Woman Series I and II" and "Man Series"ii.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. Condizione: Very Good. Oblong Qto., 48 pages, 56 catalogue entries, illustrated including colour plates. A Very Good copy.

Soft cover. Condizione: Very Good. No Jacket. Unpaginated; 24 pages. Foxing to top edge of title page. Mild wear to covers, particular at to of front cover.

Softcover Stapled. Condizione: Very Good. No Jacket. Show catalog. Foxing to top edges and corners.

SOFTCOVER. Condizione: Near FINE. 1st Edition. Large 4to. in photo illustrated stiff glossy card covers, unpaginated, approx. 32pp on stiff art paper, numerous b/w illustrations, bibliography, etc. . [CONDITION: A well preserved near FINE clean and tight unmarked copy (pages slightly tanned, few spots of slight shelf rub to cover edges) ] . . . . . . . . . . . . . To see more of our books on Architecture type DbbARCH in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

146 pp.; 30.5 x 22.8 cm.; glue bound; black-and-white & color; edition size 50,000; unsigned and unnumbered; offset-printed; January - February 1970 issue of Art in America, edited by Jean Lipman, with a feature called "Into the Seventies." Contents include: "Editorial: Art in America Yesterday and Tomorrow;" "Episodes From the Sixties," by Hilton Kramer; "Symptoms of the Seventies," by Jay Jacobs; "New Dealing," by Elayne H. Varian; "Public Art and Private Gallery," by James Wines; "Money for Money's Sake," by Jean Lipman; "Rediscovery: William O. Golding;" "New Talent - The Computer," by Stan VanDerBeek; "At Home With Art: The Samuel Rautbord House;" "Presenting Charles Close," by Cindy Nemser; "Francis Bacon at Sixty," by John Russell; "Paris: The Lettrist Movement," by Carol Cutler; "Vancouver: Scene and Unscene," by Peter Selz with Alvin Balkind; "Boston's Centenary Acquistions;" "Letters to the Editor;" "The State of Taste: Culturettes," by Russell Lynes; "Readers' Choice: Monet's La Terrasse," by Douglas Dillon; "New York Gallery Notes: The New Decade.at Dawn," by Grace Glueck; "Forum: The Vanishing Indian," by Rosalind Constable; "Graphics '70: Paul Jenkins," presented by Donald H. Karshan and "Books: Ambitious Projects," by Jay Jacobs. Cover: Robert Indiana. Includes "Phenomena Tide Finder," a 1969 full color original offset lithograph by Paul Jenkins printed by the Triton Press, bound into the magazine, and published in an edition of 50,000. Good. Yellowing of covers, light edgewear, and slight curl to publication. 3.5 cm. blue pen mark on recto. Contents clean and unmarked.

4to. pp [24]. Orange typographic wraps. Copiously illustrated in black and white. Spine faded, else clean and solid. Very good.

Stapled wrapper, landscape 28x21.5cm, 32pp. Good condition. General wear. Tanned edges. 1cm tears at head and foot of spine. Library stamp at title page.

Soft cover. Condizione: Good. No Jacket. 47 pages : illustrations ; 22 x 27 cm ; ISBN 9780815006831, 0815006837 ; OCLC 1733131 ; LC N6487C64.M376 1973 ; Artists include: Alfred Leslie, Adolph Gottlieb, Sam Francis, Allan Kapnow, Alex Katz, Karel Appel, James Brooks, Albert Burri, Willem de Kooning, Richard Diebenkorn, Jim Dine, Archie Gorky, Marsden Hartley, Hans Hofmann, Paul Jenkins, Lester Johnson, Morris Louis, Joan Mitchell, Jackson Pollock, Marca Relli, William Scoitt, Julian Stanczak, Antoni Tapies, John Chamberlain, Henry Moore, Louise Nevelson, Claes Oldenburg, Gio Pomodoro, Franz Kline, Christo Javacheff, John Mann, Marino Manni, Marcia Millares, Robert Motherwell, Mark Tobey; [Exhibition organized by] the University of Maryland Dept. of Art, University of Maryland Art Gallery, June 22 through September 30, 1973, the Finch College Museum of Art, October 16 through November 25, 1973, Albright Knox Art Gallery, January 8 through February 10, 1974 ; ex-library, marks, stamps, labels ; G. Book.

Paperback. Condizione: Very Good. Exhibition catalog. Black and white photographs. First edition (paperback). Light foxing/age toning to rear cover, else very good in oversize illustrated stapled wraps.; 16 pages B003YEZ1SA.

Condizione: Good. Exhibition catalogue. 32 pp. Illustrated in color and black and white.

paperback. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Soft cover. Condizione: Fine. 1st Edition. Oblong quarto, un paginated (31 pages, illustrated throughout. Illustrated wrappers. - First edition. Exhibition December 11,1969 ? January 26, 1970. Prepared by Elayne H. Varian with statements by participating artists: Carl Andre, Lynda Benglis, Mel Bochner, William Bollinger, Rafael Ferrer, Barry Flanagan, Eva Hesse, Bruce Nauman, Robert Morris, Robert Ryman, Richard Van Buren, and Lawrence Weiner. ?One of the basic differences between traditional and the new conceptual art is that the conceptual artist is more interested in the idea than in the finished piece. whether the final work of art is constructed by the artist is, with a few exceptions, unimportant to him, but size is, as the piece must relate to the actual space in which it is to exist and specifications for this are determined by the artist. Conceptual art is cerebral, intense with the emphasis on the properties of the material and the idea.? Elayne H. Varian.

Soft cover. Condizione: Near Fine. Oblong quarto, unpaginated, (32 pages), with 20 photographic portraits of the artist, accompanied with a short text. Illustrated wrappers. Light chafing towards spine. Very good. - First edition. Here the rare Finch College catalogue where Rauschenberg is seen in a photograph with ?Short Circuit? (1955), a photograph that plays a major role in the mystery and search around Jasper Johns? stolen flag. For a detailed history of this search, see Greg Allen?s article: American Beauty: Jasper Johns, Robert Rauschenberg, and the Case of the Missing Flag, published in ARTnews, May 10, 2016 The exhibition ?Art in Process. The Visual Development of a Collage? opened on March 9, 1967 at Finch College and circulated until late 1968 to several US colleges and institutions venues. The artists in this exhibition: Marcelo Bonevardi, John Day, Elias Friedensohn, Edward Giobbi, Al Hansen, Ray Johnson, Roy Lichtenstein, Conrad Marca-Relli, Richard Merkin, Richard Miller, Armando Morales, Claes Oldenberg, George Ortman, Alfonso Ossorio, Paul Pollaro, Joe Rafaelle, Robert Rauschenberg.

Condizione: Good. 8vo. [16] pp. Soft Cover. Stapled Wraps. Black and white illustrations throughout. Very Good. Minor shelf wear. Sunning to spin. Interior leave edges yellowed.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condizione: Good. [Exhibition catalogue]. 4to. [16 pp.]. Soft, stapled red glossy wraps with white lettering. Very good with marginal creasing along bottom of spine. Black and white plates. Includes texts by Elayne H. Varian, Peter Selz, Professor Stanislaw Lorentz and Dr. Jerzy Zanozinski.Includes artist C.V. and chronology and exhibition checklist of 62 works. Catalogue created to accompany an exhibition of works by Jan Cybis, opening September 29, 1966 at the Finch College Museum of Art. Scarce.From the Collection of the Art Historian Peter Selz.