vaughan malcolm (61 risultati)

Hardcover. Condizione: Good. No jacket. Cover has moderate wear. Pages are clean.

Paperback. Condizione: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Paperback. Condizione: Very Good. May, 1928, pp. 17-21, BW Photos, Extracted from orig vol, thus appears as a tall pamphlet, Folio (9.5 x 13 Inches), VG.

Condizione: Good. Good condition. No Dust Jacket A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Paper. Condizione: Good. Article in International Studio associated with The Connoisseur, May 1928, Vol. XC, No. 372, pages 17 - 21, 6 B/W illus.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

SingleIssueMagazine. Condizione: Very Good. Vol. 43, No. 127. Photo cover. Edited by John Carnell. Includes "Twice Bitten" by Donald Malcolm; "Live Test" by Peter Vaughan; "Pet name for a World" by Gordon Walters; "Till Life Do Us Part" by Robert Presslie; "Dawn's Left Hand" (pt. 2 of 3) by Lan Wright. Features: "Guest Editorial" by James White; "The Literary Line-Up"; Survey Report of 1962" by John Carnell. Wraps partially re-glued; tears at spine ends glue-mended; tanning. Book.

paperback. Condizione: Very Good. Orders shipped daily from the UK. Professional seller.

Condizione: New. In.

Condizione: Good. Good condition. (sheet music, opera, songbook) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

SingleIssueMagazine. Condizione: Very Good. Vol. 43, No. 127. Photo cover. Edited by John Carnell. Includes "Twice Bitten" by Donald Malcolm; "Live Test" by Peter Vaughan; "Pet name for a World" by Gordon Walters; "Till Life Do Us Part" by Robert Presslie; "Dawn's Left Hand" (pt. 2 of 3) by Lan Wright. Features: "Guest Editorial" by James White; "The Literary Line-Up"; Survey Report of 1962" by John Carnell. Edge and corner wear, particularly spine; tanning; marks on contents page, mostly erased; date-stamp on rear. Book.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: clipped. First ed., first printing; 4to; 76 p., plus index and bibliography, clean and unmarked; former owner's small book plate on front paste down; many reproductions, including 16 color plates, one tipped-in; boards fine, well-protected by pictorial d.j. that is somewhat smudged and has some edge wear.

Soft cover. Condizione: Fine. 1st Edition. 1 score ; 23 cm. Principally for mixed voices ISBN 9780193532229, 9780193532212, 0193532212, 0193532220 LCCN m 61002394 LC M2065 .C237 196 OCLC 1468418762 green and white paper wrappers ; SATB accompanied & unaccompanied ; Edited and arranged by Reginald Jacques and David Willcocks Table of Contents: A boy was born/ Britten -- A Christmas Carol/ Kodaly -- A great and mighty wonder/ Kodaly -- A merry Christmas/ Warrell -- A virgin most pure/ Wood -- Adeste fideles/ Willcocks -- And there were shepherds/ Bach/Willcocks -- Angels/ from the realms of glory/ Jacques -- As with gladness men of old/ Kocher/Willcocks -- Away in a manger/ Kirkpatrick/Willcocks -- Away in a manger/ Jacques -- Blessed be that maid Mary/ Willcocks -- The Blessed son of God/ Vaughan Willams -- The Boar's head carol/ Poston -- Carol/ with lullaby/ Tate -- Coventry Carol/ Anon -- Coventry Carol/ Shaw -- Ding dong! merrily on high/ Wood -- The first nowell/ Willcocks -- Gallery carol/ Jacques -- Gloucestershire wassail/ Vaughan Williams -- God rest you merry/ gentlemen/ Willcocks -- Good King Wenceslas/ Jacques -- Hark! the herald angels sing/ Mendelssohn/Willcocks -- The holly and the ivy/ Jacques -- I saw three ships/ Willcocks -- I saw three ships/ Jacques -- In dulci jubilo/ Pearsall/Jacques -- Infant holy/ infant lowly/ Willcocks -- It came upon the midnight clear/ Sullivan -- King Jesus hath a garden/ Wood -- The linden tree carol/ Jacques -- Lute-book lullaby/ Ballet/Shaw -- No sad thought his soul affright/ Vaughan Williams -- O come/ all ye faithful/ Willcocks -- O little one sweet/ Bach -- O little town of Bethlehem/ Vaughan Williams/Armstrong -- O men from the fields/ Cooke -- Once in royal David's city/ Gauntlett/Mann -- Past three a clock/ Wood -- Rejoice and be merry/ Jacques -- Rocking/ Willcocks -- See amid the winter's snow/ Goss/Willcocks -- The Shepherd's farewell/ Berlioz -- Sussex Carol/ Willcocks -- The three kings/ Cornelius/Atkins -- Torches/ Joubert -- Unto us is born a son/ Willcocks -- Up! good Christen folk/ and listen/ Woodward -- We've been a while a-wandering/ Vaughan Williams -- What cheer?/ Walton -- When Christ was born/ Jacques -- While shepherds watched their flocks/ Ravenscroft -- While the shepherds were watching/ Armstrong Gibbs -- Zither Carol/ Sargent ; Reginald Jacques was born in 1894 in Ashby-de-la-Zouch, Leicestershire and studied at Queen's College, Oxford, where he later became organist and director of music in 1926. Reginald Jacques was also conductor of the Oxford Orchestra Society from 1930 to 1936. From 1931 to 1960 he was conductor of The Bach Choir in London. In 1936 he founded his own Jacques Orchestra, which he conducted until 1960. In 1954 he was made Commander of the Order of the British Empire. He died in 1969. John Rutter was born in London in 1945 and studied music at Clare College, Cambridge. His compositions embrace choral, orchestral, and instrumental music, and he has edited or co-edited various choral anthologies, including four Carols for Choirs volumes with Sir David Willcocks and the Oxford Choral Classics series. From 1975 to 1979 he was Director of Music at Clare College, and in 1981 he formed his own choir, the Cambridge Singers. He now divides his time between composition and conducting and is sought after as a guest conductor for the world's leading choirs and orchestras. Born in 1919, David Willcocks began his musical career as a chorister at Westminster Abbey, later winning scholarships to Clifton College and King's College, Cambridge. Following war service, he was elected Fellow of King's College, and later became Organist of Salisbury & Worcester Cathedrals, conducting the Three Choirs Festival whilst at Worcester. Willcocks returned to King's College, Cambridge as Director of Music from 1957-1974, with the first collection of his arrangements in the Carols for Choirs series publishing in 1961. He was Director of Music at the Royal College of Music from 1974-1984, died 2015 ; FINE. Book.

farbige Abb., 38 S. Orig. Karton kl. Läsuren,

No Binding. Condizione: Near Fine. 1 Audio CD, Cat # CDMFP 6289. Made in the EU. The plastic case is intact. The artwork is complete. The disk may have minor marks. Sent within 24 hours. Ref: C1787.

First 4to, cloth. 78 pp, 76 illustrations (16 in color), bibliography. Freitag 2278; Lucas, p. 140. Most of the illustrations are from photographs of the paintings by André Kertesz. Very good except for endpaper and flyleaf discoloration and a slight bowing of the front cover; in a dj with edge tears and paper losses along the top edge.

broschürt. Obr., kl., 8°, 38s., in gutem Zustand, [SAP12], Deu 400g.

Paperback. Condizione: New. A biography of Philip and a study of the emergence of the Burgundian state under his aegis in the years 1384-1404, paying particular attention to his crucial aquisition of Flanders. There is comprehensive analysis of how Philip'sgovernment worked.Boydell and Brewer does a major service by the simultaneous reissue of Richard Vaughan's studies of the Valois Dukes of Burgundy. Four distinguished scholars add extra value by contributing an introductory chapter for each ducal reign, surveying its historiography since the original publication. The story, which Vaughan tells with verve, has its full share of dramatic turns[:] this is much more, though, than simply a narrative history; Vaughan's meticulousexplorations of the administrative and financial structures that underpinned ducal authority, and of the court and its culture, are integral to his exposition [.] His achievement remains monumental. There are no comparable, modern, in-depth studies of these four larger-than-life players on the late medieval European stage, in English or in any other language. They are, besides, eminently readable. Maurice Keen, TIMES LITERARY SUPPLEMENT Whenin 1363 the duke of Burgundy died without an heir, the duchy returned to the French crown. John II's decision to give it to his fourth son, Philip, had some logic behind it, given the independence of the inhabitants; but in so doing he created the basis for a power which was to threaten France's own existence in the following century, and which was to become one of the most influential and glittering courts of Europe. Much of this was due to the characterof Philip the Bold; by marrying the daughter of the count of Flanders, he inherited the wealth of the great Flemish towns in 1384, and the union of the two great fiefdoms to the north and east of France under one ruler meant thatthe resources of the duke of Burgundy were as great as those of the kingdom itself. From 1392 onwards, he was at loggerheads with the regent of France, his brother Louis, duke of Orleans, and this schism was to prove fatal to thekingdom, weakening the administration and leading to the French defeat by Henry V in 1415. Richard Vaughan describes the process by which Philip fashioned this new power, in particular his administrative techniques; but he also gives due weight to the splendours of the new court, in the sphere of the arts, and records the history of its one disastrous failure, the crusade of Nicopolis in 1396. He also offers a portrait of Philip himself, energetic, ambitious and shrewd, the driving force behind the new duchy and its rapid rise to an influential place among the courts of Europe.

Hardcover. Condizione: Good. Condizione sovraccoperta: No Dustjacket. First Edition. ISBN . B0007DS804 Hardback. No statement of later printing on copyright page. Minor foxing to spine and boards; slight foxing to page edges; slight wear to corners and edges; slight browning and dustsoiling throughout; otherwise tight, sound and unmarked in Good condition. Price-clipped dustjacket with water stain on front outside edge; minor dustsoiling over all; slight foxing on back; black felt marker spot on front flap; Fair to Good condition. No Signature.

Vol. 12, No. 2, 1990: 73-141 PP. Contains article P. 103 to 108 with 5 figures. Soft cover, illustrated front. Very good. 24 x 16.3. Lightning Colomne: " A Short Instruction in the Art of Navigation", and use of 53 instruments.

Hardcover. Condizione: Very Good. Large hardcover in very good condition with very good minus dust jacket.

Condizione: Poor. Volume 16. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9024731542.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Good+. Illustrated by Derain (illustratore). First Edition; First Printing. Beige cloth boards clean and square, with age toning to edges. Very Good +. Protected, price clipped, dustjacket, image sharp, missing chips in back, not affecting image, general age toning. Good +. Book is firm in binding, b&w and color photographs of Derain's work, 76 pages + Bibliography. Free of any markings, not ex-library. ; B&W and Color Illustrations; 4to 11" - 13" tall; 76 pages.

Paperback. Condizione: New. A biography of Philip and a study of the emergence of the Burgundian state under his aegis in the years 1384-1404, paying particular attention to his crucial aquisition of Flanders. There is comprehensive analysis of how Philip'sgovernment worked.Boydell and Brewer does a major service by the simultaneous reissue of Richard Vaughan's studies of the Valois Dukes of Burgundy. Four distinguished scholars add extra value by contributing an introductory chapter for each ducal reign, surveying its historiography since the original publication. The story, which Vaughan tells with verve, has its full share of dramatic turns[:] this is much more, though, than simply a narrative history; Vaughan's meticulousexplorations of the administrative and financial structures that underpinned ducal authority, and of the court and its culture, are integral to his exposition [.] His achievement remains monumental. There are no comparable, modern, in-depth studies of these four larger-than-life players on the late medieval European stage, in English or in any other language. They are, besides, eminently readable. Maurice Keen, TIMES LITERARY SUPPLEMENT Whenin 1363 the duke of Burgundy died without an heir, the duchy returned to the French crown. John II's decision to give it to his fourth son, Philip, had some logic behind it, given the independence of the inhabitants; but in so doing he created the basis for a power which was to threaten France's own existence in the following century, and which was to become one of the most influential and glittering courts of Europe. Much of this was due to the characterof Philip the Bold; by marrying the daughter of the count of Flanders, he inherited the wealth of the great Flemish towns in 1384, and the union of the two great fiefdoms to the north and east of France under one ruler meant thatthe resources of the duke of Burgundy were as great as those of the kingdom itself. From 1392 onwards, he was at loggerheads with the regent of France, his brother Louis, duke of Orleans, and this schism was to prove fatal to thekingdom, weakening the administration and leading to the French defeat by Henry V in 1415. Richard Vaughan describes the process by which Philip fashioned this new power, in particular his administrative techniques; but he also gives due weight to the splendours of the new court, in the sphere of the arts, and records the history of its one disastrous failure, the crusade of Nicopolis in 1396. He also offers a portrait of Philip himself, energetic, ambitious and shrewd, the driving force behind the new duchy and its rapid rise to an influential place among the courts of Europe.

Taschenbuch. Condizione: Gut. 40 Seiten 47302x Sprache: Deutsch Gewicht in Gramm: 59.

Taschenbuch. Condizione: Gut. 40 Seiten Einband leicht vergilbt 3929 Sprache: Deutsch Gewicht in Gramm: 59.

Taschenbuch. Condizione: Gut. 40 Seiten Einband hinten leicht gebrÃunt 50749 Sprache: Deutsch Gewicht in Gramm: 59.

Softcover Gut. Seiten 38 / Sprache: Deutsch Gewicht in Gramm: 250.

Condizione: Good. Good condition. No Dust Jacket (artist, andre derain) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condizione: New.