Velde hildegard (46 risultati)

Condizione: Fine. 155 pp., Hardcover, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

TEXT IN DUTCH. Super octavo hardcover (NF); significant archival repair to wrapper; all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.…

TEXT IN DUTCH, octavo, illus heavy card boards, 119pp, illus, fine.

Condizione: New.

Condizione: Very Good.

Hardcover. Condizione: Brand New. 1st edition. 176 pages. 11.34x8.58x0.79 inches. In Stock.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: New. 1st Edition. Qto., 400 pages, lavishly illustrated with colour plates. A New copy.

Condizione: New.

Softcover, 72pp., 30x24cm., ills. in z/w., *Als nieuw. ISBN 9789076704814. 0 g.

Paperback, 72 pages, Texte en Francais, Nouveau, 300 x 240 x 6 mm, illustrations n/b. ISBN 9789076704838. Book Description Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. On a inventori aujourd'hui plus de 3000 uvres graphiques faites d'apr s les originaux du ma tre. Il est int ressant de voir que ces graveurs ne r sist rent finalement pas la tentation d'apporter une touche personnelle leurs cr ations. " Jan Huyghebaert et Andr Bergen " Son influence sur l'histoire de l'art fut telle, qu'on a peine croire qu'il pourrait jamais en tre autrement. " -L autoportrait -La Famille Rubens -La Cath drale d'Anvers -L glise des J suites Anvers -D'autres collections anversoises .89 gravures d'apr s RUBENS : titre, graveur, description technique, analyse, bibliographie -La Gloire de Rubens par le noir et blanc (13 figures) .Bibliographie .Termes techniques Avant-propos Publi l'occasion de l'exposition pr sent e par le Rockoxhuis d'Anvers de juin septembre 2004. Broch , couverture illustr e (Autoportrait avec Isabella Brant, c. 1609) 450 g.…

Paperback. Condizione: Good. Dutch.

Hardcover. Condizione: Brand New. 01 edition. 400 pages. 11.50x9.75x1.89 inches. In Stock.

8°. 189,(1) S., mit zahlreichen, teils farbbigen Abbildungen. Orig.-Karton. Ausstellungskatalog der Bibliothek des Antwerpener Bürgermeisters und Kunstsammlers Nicolaas Rockox (1560-1640) - im Titel das nette Wortspiel "Rockox Haus - vollge"bucht". - Einband etwas berieben; Ecken und Kanten etwas berieben und bestoßen.…

Condizione: New. The story of Flemish portraiture told through masterpieces from an important private collection, most of which have never before been published.&Uumlber den AutorKatharina Van Cauteren, chief of staff of The Phoebus Foundation, Antw.

Condizione: Very Good.

Antwerpen, Kanselarij Phoebus Foundation, 2019. 63 blz. Gekl.ills. Slappe kaft. Fraai. "Phoebus Focus III". [167990].

Paperback. Condizione: Very Good. Not present. Eigendomsmerk. Naamstempel op titelblad Dutch Tentoonstellingscatalogus bij een expo in Rockoxhuis (Antwerpen, juni?september 2004) over de gravures en reproductiegrafiek van Peter Paul Rubens tussen 1650 en 1800. Bevat essays van Van de Velde, Depauw en Devisscher, met analyses van technieken, iconografie en reproducenten, geïllustreerd met zwart-wit afbeeldingen van originele platen en reproducties.…

[Antwerpen, Kanselarij Phoebus Foundation vzw, 2018]. 63 pp. Col. & b./w. ills. Softcover. (Phoerus Focus III).

Condizione: New.

Softcover/Paperback. Condizione: Very Good. In zeer goede staat. Ongelezen. Paperback. Rijkelijk geà llustreerd.

Hardcover, 280 x 210 mm, 176 pages, throughout illustraties, ENG edition, *new. ISBN 9789085868293. Paintings featuring harpsichords, virginals and organs offer us a glimpse of gorgeous interiors, amorous scenes and finely-dressed ladies - and the occasional young man too - at the keyboard. Keyboard instruments can also be the key to decoding an allegory, myth or hidden message in a painting. Other exhibits include painted harpsichord and virginal lids as well as original instruments. Loans from the National Gallery in London, the Rijksmuseum in Amsterdam, the Suermondt-Ludwigmuseum in Aachen and many other museums and collectors offer a delight for eyes and ears. The music room at the Snyders&Rockox House evokes the Jewish-Portuguese Duarte family, who came to Antwerp in the 16th century to flee the Inquisition. They were drawn by the commercial opportunities offered by the city, where they lived in a patrician residence on the Meir, the most important street. Besides an exceptional collection of paintings by leading Italian and above all Flemish masters, from Titian and Tintoretto to Quinten Massys, Peter Paul Rubens and Anthony Van Dyck, the family also owned five harpsichords and virginals. Duarte did not have to look far to find them, as Antwerp was one of the leading centres for the construction of these instruments and two if not more important harpsichord builders belonged to the businessman's circle of acquaintances. The first references to harpsichord builders in Antwerp date from the beginning of the 16th century. It was between 1560 and 1660, however, that the city was known as the undisputed world capital of harpsichord production. Every year, Antwerp workshops turned out hundreds of harpsichords and virginals. Contemporaries praised the instruments for the richness of their sound and their reliability. The members of the Ruckers-Couchet family were especially renowned for their exceptionally high-quality instruments. Hans Ruckers, his sons Joannes and Andreas and his grandson Joannes Couchet did for instrument-making what Peter Paul Rubens was doing for painting and Christophe Plantin for printing. The Ruckers-Couchet family was not alone: names like Marten van der Biest, Joos Karest, Cornelis and Simon Hagaerts, Joris Britsen and many others also stood for excellent quality. Antwerp harpsichords and virginals did not only sell very well locally, they were sought-after throughout Europe and even far beyond until well into the eighteenth century. A substantial proportion of Antwerp's harpsichord output, like that of its paintings and ornamental furniture, was destined for the international market. The city also developed a strong tradition in the building of domestic and church organs. Dozens of organ builders were active in the 16th century alone, including the Moors and Brebos families. The Ruckers-Couchet family worked with organs too: Joannes Ruckers, for instance, was responsible for a while for maintaining the organ at Antwerp Cathedral. The rise of the Antwerp keyboard builders was accompanied by a flourishing music printing industry (Antwerp was not the first or the only centre of music publication, but it was certainly one of the most important) and an emerging bourgeois culture in which music too played a part. The original instruments are a lasting testimony to musical life in Antwerp, as are the paintings that explore them as their subject matter. Frans Floris, Jacob Jordaens, Maerten de Vos, de familie Francken, Jan Miense Molenaer, Jan Steen, Gerard Dou, Gabri l Metsu en Jacob Ochtervelt 0 g.…

HB, 280 x 210 mm, 176 pagina's, illustraties in,kleur. NL edition. nieuw. ISBN 9789085868309. In Museum Vleeshuis maak je kennis met klavecimbels en virginalen, met unieke, beschilderde klavecimbeldeksels, en met Anthony Van Dycks portret van klaviervirtuoos Henricus Liberti. Mario Sarrechia, Bart Rodyns en Korneel Bernolet zorgen met nieuwe opnames op klavecimbel, virginaal en orgel, voor de gepaste soundtrack. In het Snijders&Rockoxhuis kan je schilderijen van onder meer Frans Floris, Jacob Jordaens, Maerten de Vos, de familie Francken, Jan Miense Molenaer, Jan Steen, Gerard Dou, Gabri l Metsu en Jacob Ochtervelt ontdekken. Al deze schilderijen hebben n ding gemeen: ze tonen orgels, klavecimbels en virginalen, vaak van Antwerpse makelij. Enkele klavierinstrumenten uit de collectie van Museum Vleeshuis vullen de tentoonstelling aan. 0 g.…

Condizione: gut. BLIND DATE, The Bold and The Beautiful in Flemish Portraits In deutscher Sprache. pages.

Condizione: gut. KEYBOARD INSTRUMENTS Virginals, harpsichords and organs in paintings of the 16th and 17th centuries. In deutscher Sprache. pages.

Buch. Condizione: Neu. Neuware -Deutscher Text weiter untenFrieda Van Dun is a visionary artist whose work combines vivid color, dynamic forms, and emotional depth. Known for her unique approach to abstraction, Van Dun explores themes of identity, nature, and human connection. This monograph offers a comprehensive look at her compelling career, highlighting key works that reflect her evolving style and profound artistic expression. Through her bold use of materials and textures, Van Dun's art invites viewers into a world of introspection and transformation, establishing her as a significant figure in contemporary art. With text contributions by Hildegard Van de Velde, Ernest Van Buynder, Paul Huvenne etc.Frieda Van Dun ist eine visionäre Künstlerin, deren Werke lebendige Farben, dynamische Formen und emotionale Tiefe miteinander verbinden. Bekannt für ihre einzigartige Herangehensweise an die Abstraktion, erkundet Van Dun Themen wie Identität, Natur und menschliche Verbundenheit. Diese Monografie bietet einen umfassenden Einblick in ihre faszinierende Karriere. Anhand von Schlüsselwerken, die ihren tiefgründigen künstlerischen Ausdruck widerspiegeln, wird die Entwicklung ihres Stils verdeutlicht. Durch die kühne Verwendung von Materialien und Texturen lädt ihre Kunst den Betrachter in eine Welt der Introspektion und Transformation ein. Das macht Frieda Van Dun zu einer bedeutenden Vertreterin der zeitgenössischen Kunst. Mit Textbeiträgen von Hildegard Van de Velde, Ernest Van Buynder, Paul Huvenne usw. 240 pp. Englisch.…

Buch. Condizione: Neu. Neuware -Deutscher Text weiter untenFrieda Van Dun is a visionary artist whose work combines vivid color, dynamic forms, and emotional depth. Known for her unique approach to abstraction, Van Dun explores themes of identity, nature, and human connection. This monograph offers a comprehensive look at her compelling career, highlighting key works that reflect her evolving style and profound artistic expression. Through her bold use of materials and textures, Van Dun's art invites viewers into a world of introspection and transformation, establishing her as a significant figure in contemporary art. With text contributions by Hildegard Van de Velde, Ernest Van Buynder, Paul Huvenne etc.Frieda Van Dun ist eine visionäre Künstlerin, deren Werke lebendige Farben, dynamische Formen und emotionale Tiefe miteinander verbinden. Bekannt für ihre einzigartige Herangehensweise an die Abstraktion, erkundet Van Dun Themen wie Identität, Natur und menschliche Verbundenheit. Diese Monografie bietet einen umfassenden Einblick in ihre faszinierende Karriere. Anhand von Schlüsselwerken, die ihren tiefgründigen künstlerischen Ausdruck widerspiegeln, wird die Entwicklung ihres Stils verdeutlicht. Durch die kühne Verwendung von Materialien und Texturen lädt ihre Kunst den Betrachter in eine Welt der Introspektion und Transformation ein. Das macht Frieda Van Dun zu einer bedeutenden Vertreterin der zeitgenössischen Kunst. Mit Textbeiträgen von Hildegard Van de Velde, Ernest Van Buynder, Paul Huvenne usw. 240 pp. Englisch.…

Antwerpen : Kanselarij Phoebus Foundation vzw , 2018 Softcover, 63pp., 14.5x21cm., talrijke ills. in kleur, in zeer goede staat. Als nieuw. ISBN 9789082829013. Phoebus Focus III: een wetenschappelijke publicatiereeks waarin pareltjes uit de collectie in de schijnwerpers worden geplaatst. Hierbij wordt voor elke nieuwe uitgave een beroep gedaan op kunsthistorici die gespecialiseerd zijn in het betreffende thema, en het verhaal op een boeiende en toegankelijke manier kunnen vertellen. Het eerste boekje uit de reeks verscheen naar aanleiding van de eerste focustentoonstelling in de Keizerskapel, waarbij het triptiekje van Sint-Lukas schildert de Madonna getoond werd. De tweede en derde uitgaven volgden snel, waarbij twee schilderijen besproken worden die vandaag te zien zijn in het nieuwe Snijders&Rockoxhuis in Antwerpen: Keukenstilleven met Christus in het huis van Marta en Maria door Frans Ykens (1601-1693) en Allegorie van de zeven vrije kunsten van Maerten de Vos (1532-1603). Het vierde boekje verscheen vervolgens naar aanleiding van VOSSEN. Expeditie door het land van Reynaert, en handelt - u kon het al raden - over Reynaert de vos. Recent verscheen ook de vijfde uitgave, waarin het Meermonster van Tagua Tagua besproken wordt. Dit schijnbaar vrolijke en komische schilderij blijkt een brede betekenis te hebben: je zou het een geschiedenisboekje kunnen noemen, samengebald in een merkwaardig beeld.…