villon jacques 1875 1963 (28 risultati)

First Edition. Near fine paperback copy; edges very slightly dust-dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 104 pages: ill. ; 23 cm. Notes: Text is in Dutch. Subjects: Villon, Jacques 1875-1963 ; Exhibitions. Villon, Jacques 1875-1963. French paintings Villon, Jacques Catalogues. Art history. 3 Kg.

First Edition. Near fine paperback copy; edges very slightly dust-dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 104 pages: ill. ; 23 cm. Notes: Text is in Dutch. Subjects: Villon, Jacques 1875-1963 ; Exhibitions. Villon, Jacques 1875-1963. French paintings Villon, Jacques Catalogues. Art history. 1 Kg.

Sewn as issued, printed wrappers. Fine. New York, The Museum of Modern Art [MoMA], [1953]. 8vo. 24 pp. incl. wrappers. Richly illustrated. With catalogue of the exhibition. (The Museum of Modern Art Bulletin, volume 21, no. 1, fall 1953.).

in-quarto, 62 pp., 25 illustrations, br Catalogue des Suvres exposées, essai de bibliographieTirage limité à mille exemplairesExemplaire sur Vélin d Arches à la formeBon état.

Encuadernación de tapa blanda. . (illustratore). New York. The Museum of Modern Art. Bulletin, Vol. XXI. Nº1. Fall 1953. 25x19 cm. 24 págs. texto a dos columnas. Láms. en b/n. texto en inglés. # arte.

Sewn as issued, printed wrappers, transparent dustjacket. Very fine. Paris, Galerie Charpentier, 1961. 4to. With fully illustrated catalogue subdivided into sections of "peintures", "dessins /aquarelles / gouaches", "gravures", and "livres illustrés de gravures originales". With "Notes biographiques" by Chantal Maisonnier and a "bibliographie sommaire". Lists and reproduces 100 paintings (one in colour), 6 drawings / watercolours, and 11 prints.

(Katalog nr. 219.). Häftad, dek. omslag i färg (aningen nötta). [Oslo 1959.] 4:o. 36 s. Rikt illustrerad. Katalogdel med 80 nr.

25 sections of each 2 inserted loose doublesheets of thick paper 'Vélin Arjomari' (=200 pages in total) with 193 (2 +5) partly numbered pages of texts, autograph- and musical-score facsimiles and 28 mostly colour lithographs; first 4 and last 5 blank sheets included (of which the very first and the very last one is laid under the interior large flaps of the dustjacket). - Loose in cardboard-cover with titled cardboard-dustjacket in a gilt-titled strong half-leatherette folder with marbled panels which again is protected by the publishers stiff cardboard-slipcase with fullsize colour-lithographs by Marcelle Oury on both sides; Folio (ca. 32 x 25 x 6 cm; ca. 3 kg.). *** [FRÜHSOMMER-VERKAUF / EARLY SUMMER-SALE: um über 20% REDUZIERTER PREIS bis Montag, den 29.06.2026 / PRICE-REDUCTION of over 20% until Monday, June 29; vorheriger Preis / previously EUR 650,-] --- FIRST EDITION, ELABORATE ARTIST'S CELEBRATION BY THE WHO-IS-WHO OF FRENCH TWENTIETH-CENTURY ARTISTS IN VARIOUS FIELDS; WITH A TOTAL OF 29 ORIGINAL LITHOGRAPHS, COMPLETE: ''Il a été tiré des cet ouvrage 25 . . . [+] 975 exemplaires sur vélin B. F. K. de Rives . . . [+] 5000 exemplaires sur vélin Arjomari numérotés de 1001 à 6000. . . Exemplaire No 3982''['Justification du tirage on page (6)']. ''La typographie de cet ouvrage est due à L'IMPRIMERIE NATIONALE, Monsieur André Brignole étant Directeur & Paul Lajuncomme responsable de la typographie. La composition aété faite avec le Garamont corps 20 propriété exclusive du grand Établissement d'État sur les presses duquel lìmpression a été achevée le 22 juillet 1965. Les lithographies en couleurs et les dessins en noir ainsi que les manuscrits sortent des presses de Fernand Mourlot. Henri jadoux a été l'ouvrier responsable de l'ouvrage.''[colophone on page (195)]. - A BEAUTIFUL COPY; ALSO IN STOCK 'RAOUL DUFY / Louis CARRÉ: DESSINS ET CROQUIS EXTRAITS DES CARTONS ET CARNETS'(Paris 1944); the artists copy 'hors commerce #I', lengthly inscribed and signed by Dufy to the art-collectors and artist's-patrons ''. . . Madame et au Monsieur Bernard Reis. . .'' on the occasion of their meeting at Louis Carné's house in New York. . .

Condizione: Good. Large folio. 37 x 52.2cm. Original wraps. Very good. Decorative Textile chemise and black board slipcase. Some light foxing.[7], 10-148, [1] p. : ill. (part col.) ; 53 cm.At head of title: 1921."Achevé d'imprimer le tome premier d'Architectures à 500 exemplaires"--Colophon.No more published.Illustrations signed: R. de la Fresnaye; Jacques Villon sc.; Paul Vera sc.; lithography by Marchizet, Paris.Title printed in red and black.OCLC Number / Unique Identifier:458325019.Note(s) : Les planches (gravures sur bois, gravures en taille-douce et lithographie) de Paul Véra, Roger de la Fresnaye, André Mare, Louis Süe, Marie Laurencin, Jean-Émile Laboureur, Dunoyer de Segonzac, et alii comptent dans la pagination. - Tiré à 500 ex. numérotés de 1 à 500 sur papier vélin pur fil des Papeteries Navarre,

Soft cover. Condizione: Fine. No Jacket. 1st Edition. . [Partial limitation statement]: L'oeuvre poetique de Robert Ganzo illustree de huit [8] eaux-fortes originales [original etchings], dont deux en coleurs [2 are printed in color], de Jacques Villon a ete acheve d'imprimer pour le compte de Marcel Sautier, libraire editeur a Paris, par le maitre imprimeur Jean Paul Vibert le 15 Janvier 1957 pour le texte, et par Georges Leblanc pour le taille douce. L'ouvrage compose en Caslon de corps 16 a ete tire a 185 exemplaires [copies] repartis comme suit: [-] 150 exemplaires sur velin pur fil du Marais [watermarked paper] numerotes de 36 a 185 [this copy is one of the 150] [-] Tous ces exemplaires sont signes par le poete et l'artiste. Exemplaire numero 141 [signed]: Jacques Villon Robert Ganzo. 7 ¾ in. x 11 in. Paper covers with printed title; half-title; the frontispice portrait of the author is a Jacques Villon etching; title-page. [14] pp., pp. 15-[129] + contents page + signed limitation page. Illustrated with 8 Jacques Villon etchings to illustrate the poems, two of which are printed in pastel colors (p.[62] & p. [75]). These illustrations are made using these techniques: color etching, straight etching, & etching plus aquatint. The text is in French. Loose signatures (pages) within a light tan/pink paper wrapper, with the titling in black on the front cover, with the publisher's gray cloth-covered chemise with the titling in red on the spine, and the matching gray cloth-covered slipcase; the spine of the chemise, and the edges of the slipcase show very light, age-related tanning; tiny split to the front paper cover at the lower left-hand corner, light creasing to the frontispiece tissue guard. Scarce artist's book. Venezuelan born poet and artist Robert Ganzo, settled in Belgium at a young age, and was influenced by Surrealism; Jacques Villon, who was Marcel Duchamp's brother, was a Cubist painter and graphic artist, who was famous for his color etchings. The Artist and the Book 1860-1960, gives these references for items illustrated by Villon (pp. 210-214): Callier, Documents, no. 9, p. 26 (to 1953); Bibliotheque Nationale, Jacques Villon catalogue (to 1958, arranged by date); Auberty and Perussaux (to 1949, arranged by medium). Contents: Titles of the poems]: Orenoque; Lespugue; Riviere; Domaine; Langage; Colere; Resurgences. (French text). Weight: 3 lbs. Postage may be extra on this item. Signed by Illustrator(s).

PARIS. LOUIS CARRE. 1954. IN-8 BROCHE (19,5 X 29 X 1,5 CENTIMETRES ENVIRON) DE 64 PAGES, COUVERTURE CREME REMPLIEE ILLUSTREE D'UNE GRANDE COMPOSITION CUBISTE EN NOIR, TITRE IMPRIME EN ROUGE. ILLUSTRE DE 25 REPRODUCTIONS, LA PLUPART HORS TEXTE. AVEC UNE PREFACE DE JEAN ADHEMAR, UN CATALOGUE DES OEUVRES EXPOSEES, UN ESSAI DE BIBLIOGRAPHIE ET UNE TABLE DES PLANCHES. BEAU CATALOGUE EDITE A L'OCCASION DE L'EXPOSITION A LA GALERIE LOUIS CARRE DU 4 MARS AU 10 AVRIL 1954 ET IMPRIME PAR COULOUMA, DUVAL ET MOURLOT FRERES. TIRAGE LIMITE A 1000 EXEMPLAIRES SUR VELIN D'ARCHES A LA FORME. QUELQUES ROUSSEURS EPARSES, SINON BEL EXEMPLAIRE.

Condizione: Good. Color lithograph on wove paper. 28 x 22.5 cm (sheet). Signed in the plate. Edition of 1800. Very Good.

Condizione: Good. Color lithograph on wove paper. 28 x 22.5 cm (sheet). Signed in the plate. Edition of 1800. Very Good.

Condizione: Good. Color lithograph on wove paper. 28 x 45 cm (sheet). Signed in the plate. Edition of 1800. Very Good, the usual center fold, book stitch holes in top and bottom of margins.

Condizione: Good. Color lithograph on gray wove paper. 33 x 25 cm (sheet). Signed in the plate. Printed by Mourlot, Paris. Very Good.

Condizione: Good. Color lithograph on Marais paper. 28 x 22 cm (sheet). Signed and dated in the plate. Edition of 1800. Very Good, slight sheet toning in the margins.

AFFICHE ORIGINALE LITHOGRAPHIEE EN COULEURS, SOUS VERRE, ENCADREMENT D'EPOQUE BAGUETTE DOREE (50 X 62 X 1,5 CENTIMETRES ENVIRON). BON ETAT.

Condizione: Good. Color lithograph printed by Mourlot. 65.5 x 51 cm. Slight wrinkles on edges.

Condizione: Good. Photo by N. Mandel. 12 x 17 cm. Signed,and dated verso.Expertise by Alain Nicolas et Pierre Gheno (Experts près la cour d'Appel de Paris)Librairie Les Neuf Muses 41, quai des Grands-Augustins 75006.

Puntasecca e acquatinta, mm. 240x178 alla battuta + marg. bianchi. Lastra firmata in basso a destra 'Jacques Villon 04'. L'incisione, utilizzata come annuncio pubblicitario promozionale per Sagot a Parigi, raffigura una madre e la figlia sedute. Villon realizzò acquetinte e puntesecche di forte suggestione ed eleganza che risentirono in parte dell'esperienza cromatica dei Fauves. Successivamente approdò al cubismo. Ottima conservaz.

Acquaforte e acquatinta, mm. 190x148 alla battuta, pp. 4. All'interno a stampa il menu del 3 giugno al 'Restaurant Laurue'. L'incisione è utilizzata come menu decorativo. Villon realizzò acquetinte e puntesecche di forte suggestione ed eleganza che risentirono in parte dell'esperienza cromatica dei Fauves. Successivamente approdò al cubismo. Ottima conservaz.

unbound. Condizione: very good. A.L.S. with second signature on addressed panel, 8vo. 1 page, Puteaux, June 20th 1949, in French (partly translated), to a French art dealer in Paris: "If several engravings have been sold at Lausanne . and if possible . when you retrieve payment . would you please take out three thousand francs and send them to: Mrs. Veve: at Villa Genriana, Montana. She is a friend of mine who is being treated there. Thanking you for your assistance." Fine condition. French artist known for his paintings and etchings done in the Impressionist, Fauvist and Cubist styles. He was the elder brother of Marcel Duchamp.

None. Condizione: Fine. VILLON, JACQUES (illustratore). completed state. VILLON, JACQUES (b.1875-d.1963), DANSEUSE AU MOULIN ROUGE. Also known as Gaston Duchamp, was a French Cubist and abstract painter and printmaker. Born: July 31, 1875, Damville, Mesnils-sur-Iton, France Died: June 9, 1963, Puteaux, France Siblings: Raymond Duchamp-Villon, Suzanne Duchamp, Marcel Duchamp 1899. Lithograph in four colors (yellow, orange, blue and black) Ginestet and & Pouillon E 31, completed state. Signed in the stone and with the blindstamp Only issue, published as a supplement to l'Estampe et l'Affiche by Andre Mellerio . Fine impression with fresh colors. On Pale cream Japon paper. 292 x 227mm, 11 1/2 x 8 7/8. FRAMED.

Condizione: Good. Folio. 28.5 x 38.2 cm. Sheets loose as issued in printed covers, and light blue paper covered chemise and slipcase. With 44 color lithographs, some full page. One of 245 numbered copies from the total edition of 269. Printed by Mourlot on Arches. Fine except for one small rubbed spot inside cover of chemise and light rubbing on edges of slipcase. . Ginestet & Pouillon, Jacques Villon, Les Estampes, E. 555-577. Luc Monod, Manuel de l'amateur de livres illustrés modernes, no. 11330; OCLC number 743081054:L'introduction de Paul Valéry est intitulée : Variations sur les Bucoliques et datée du 20 aou?t 1944. Le texte de la traduction est imprimé en vis-a?-vis du texte latin. A la fin, un texte du Dr A. Roudinesco est intitulé : Bucoliques illustrées.Tirage a? 269 exemplaires sur papier vélin d' Arches + quelques exemplaires nominatifs réservés aux principaux collaborateurs. Ex. n 25.Feuilles. Etui.Description: XXX-126 p. : ill. en coul. ; 39 cm.VILLON.- VALERY (Paul). Les Bucoliques de Virgile. Lithographies originales en couleurs de Jacques Villon. P., Scripta et Picta, 1953, in-folio, en feuilles, couv. bleue titrée or, chemise et étui éditeur. Le texte latin de Virgile est imprimé en regard du texte français de Valéry. Edition originale tirée à 269 ex. num. 1/245 vélin d'Arches comprenant les 44 lithographies originales en couleurs (et 1 cul-de-lampe en noir) de Jacques Villon.

Condizione: Good. Complete suite of 10 color lithographs in the original lithographed chemise. The lithographs printed on chine are hinged at the top to board support sheets (except for one). Sheet size: 14.5 x 11 in. (38 x 28 cm). The image of 2 vultures is signed in pencil and justified 49/50 with the blind stamp (Lugt 2254) of the publisher: Edmond Sagot (1857-1917). Catalogue raisonné reference: Ginestet & Pouillon, nos. E 212 through 221.Suite complète des 10 lithographies d'après des Aquarelles, impression en couleurssur chine volant montées par le bord supérieur, l'une est libre. La dernière est épreuve signée et numérotée, timbre sec de l'éditeur Sagot (Lugt 2254), légers plis, infimes rousseurs. Présentée sous couverture illustrée recto et verso formant chemise (infimes plis dans les bords).(Ginestet et Pouillon E 212 à 221) Sujet: 190 x 145 mm.Format total: 382 x 282 mm.

No Binding. Condizione: Near Fine. The complete suite, issued in an edition of 50, of 10 lithographs printed in colors (G. & P. E 212 - 221) on pale slate blue chine volant (sheet sizes vary, the smallest 22.5 x 15 cm, the largest 31.3 x 24 cm) hinged on upper versos to the original off-white vélin supports 36 x 27.5 cm, the portfolio covers comprising additional original lithographs printed in colors (text and Vautours recto with white gouache highlighting, Aigle verso) on buff japon 38.2 x 27.7 x 0.7 cm, all signed in the stone; Vautours additionally signed in pencil, numbered 46/50 and impressed with the publisher's blindstamp (L. 2254). The suite, exhibited at the Salon d'Automne 1907, comprises: Femme de profil (G. & P. E 212); Fillette (G. & P. E 213); Femme a l'ombrelle (G. & P. E 214); Femmes au bord de la mer (G. & P. E 215); Jeune serveuse (G. & P. E 216); Femme au café (G. & P. E 217; Soldats (G. & P. E 218); Soldat (G. & P. E 219); Aigle (G. & P. E 220); Vautours (G. & P. E 221). In fine condition overall, full sheets and mounts as issued, the colors unfaded, the sheets with few imperceptible original paper flaws and clear of even the slightest foxing, hinged to the mounts along upper edges verso as issued (rippling and faint staining through rectos), the mounts with hinge remnants in upper corners versos only, loose as issued with the lithographed covers (slight surface soiling and edge crinkling). Now within individual Somerset Velvet folios in a full Bristol card portfolio, in a slipcase covered with olive-tan book cloth and lettered in red on the spine (old but not original; 51.5 x 38.5 cm overall; slight smudging and edge wear to slipcase). The Impressions straddle Villon's Belle Époque beginnings and his emergence into his cubist period. While Ginestet and Pouillon state that the lithographs were made in part from watercolors of 1897, a comparison of illustrations from 1897 (e.g., G. & P. I 35, I 36) with those circa 1907 (e.g., G. & P. I 218, I 222) demonstrates a progression from broad volumetric masses of color to transparent planes suggested by lines and highlighted with selective massings. The translucency, spontaneity and expressionistic abstraction of Vautours, in particular, parallel similar qualities of the contemporaneous Minne drypoint series as precursors of Villon's cubism. Provenance: Edward Powis Jones and Anne Keating Jones. Catalogue reference: Ginestet, Colette de, and Pouillon, Catherine, Jacques Villon: Les estampes et les illustrations. Catalogue raisonné. (Paris: Arts et Métiers Graphiques, 1979), nos. E 212 - 221.

5 p. 1 2 in-8vo. Préface pour le catalogue de l'exposition du graveur Christian d'ESPIC (1901- 1978) à la Galerie Marcel Guiot, en 1956. Ayant évoqué le pêle-mêle artistique qui règne à Paris, Villon décrit son ami, qui vit loin de Paris, comme un enfant des sortilèges. « Très tenté par le merveilleux, il lui a semblé que le métier du grain (trop négligé) cher à Goya, pouvait, en animant le papier, créer des sortilèges. (.) Partagez ses éblouissements. (.) Tirées par lui, chez lui, ses épreuves gardent un charme d'hésitation. Tirées par le maître imprimeur Leblanc, elles affirment leurs noirs, avec une très grande autorité ».

affiche. Paris, 616x450mm, impression lithographique Mourlot.Petit manque au coin inférieur droit. (102994).