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Practices of Projection: Histories and Technologies
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
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Paperback. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Practices of Projection : Histories and Technologies
Da: GreatBookPrices, Columbia, MD, U.S.A.
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EUR 37,88
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Practices of Projection : Histories and Technologies
Da: GreatBookPrices, Columbia, MD, U.S.A.
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EUR 38,09
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Practices of Projection
Lingua: Inglese
Editore: Oxford University Press Inc, US, 2020
ISBN 10: 0190934123 ISBN 13: 9780190934125
Da: Rarewaves.com USA, London, LONDO, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. To many, the technological aspects of projection often go unnoticed, only brought to attention during moments of crisis or malfunction. For example, when a movie theater projector falters, the audience suddenly looks toward the back of the theater to see a sign of mechanical failure. The history of cinema similarly shows that the attention to projection has been most focused when the whole medium is hanging in suspension. During Hollywood's economic consolidation in the '30s, projection defined the ways that sync-sound technologies could be deployed within the medium. Most recently, the digitization of cinema repeated this process as technology was reworked to facilitate mobility. These examples show how projection continually speaks to the rearrangement of media technology. Projection therefore needs to be examined as a pivotal element in the future of visual media's technological transition.In Practices of Projection: Histories and Technologies, volume editors Gabriel Menotti and Virginia Crisp address the cultural and technological significance of projection. Throughout the volume, chapters reiterate that projection cannot, and must not, be reduced to its cinematic functions alone. Borrowing media theorist Siegfried Zielinksi's definition, Menotti and Crisp refer to projection as the "heterogeneous array of artefacts, technical systems, and particularly visual praxes of experimentation and of culture." From this, readers can understand the performative character of the moving image and the labor of the different actors involved in the utterance of the film text. Projection is not the same everywhere, nor equal all the time. Its systems are in permanent interaction with environmental circumstances, neighboring structures, local cultures, and social economies. Thus the idea of projection as a universal, fully autonomous operation cannot hold. Each occurrence of projection adds nuance to a wider understanding of film screening technologies.
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Practices of Projection: Histories and Technologies
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Practices of Projection : Histories and Technologies
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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EUR 37,04
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Practices of Projection : Histories and Technologies
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Film Distribution in the Digital Age: Pirates and Professionals
Da: JuddSt.Pancras, London, Regno Unito
Membro dell'associazione: PBFA
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EUR 33,43
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Practices of Projection (Paperback)
Lingua: Inglese
Editore: Oxford University Press Inc, New York, 2020
ISBN 10: 0190934123 ISBN 13: 9780190934125
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: new. Paperback. To many, the technological aspects of projection often go unnoticed, only brought to attention during moments of crisis or malfunction. For example, when a movie theater projector falters, the audience suddenly looks toward the back of the theater to see a sign of mechanical failure. The history of cinema similarly shows that the attention to projection has been most focused when the whole medium is hanging in suspension. During Hollywood's economic consolidation inthe '30s, projection defined the ways that sync-sound technologies could be deployed within the medium. Most recently, the digitization of cinema repeated this process as technology was reworked tofacilitate mobility. These examples show how projection continually speaks to the rearrangement of media technology. Projection therefore needs to be examined as a pivotal element in the future of visual media's technological transition.In Practices of Projection: Histories and Technologies, volume editors Gabriel Menotti and Virginia Crisp address the cultural and technological significance of projection. Throughout the volume, chapters reiterate that projection cannot, andmust not, be reduced to its cinematic functions alone. Borrowing media theorist Siegfried Zielinksi's definition, Menotti and Crisp refer to projection as the "heterogeneous array of artefacts, technicalsystems, and particularly visual praxes of experimentation and of culture." From this, readers can understand the performative character of the moving image and the labor of the different actors involved in the utterance of the film text. Projection is not the same everywhere, nor equal all the time. Its systems are in permanent interaction with environmental circumstances, neighboring structures, local cultures, and social economies. Thus the idea of projection as a universal, fully autonomousoperation cannot hold. Each occurrence of projection adds nuance to a wider understanding of film screening technologies. In Practices of Projection: Histories and Technologies, volume editors Gabriel Menotti and Virginia Crisp address the cultural and technological significance of projection. Throughout the volume, chapters reiterate that projection cannot, and must not, be reduced to its cinematic functions alone. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Besides the Screen
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Aggiungi al carrelloCondizione: New. Editor(s): Crisp, Virginia; Menotti Gonring, Gabriel; Jasper, R. C. Num Pages: 215 pages, biography. BIC Classification: AB; APF; JFD. Category: (G) General (US: Trade). Dimension: 216 x 140. Weight in Grams: 295. . 2014. Paperback. . . . .
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EUR 60,48
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Aggiungi al carrelloCondizione: New. Editor(s): Crisp, Virginia; Menotti Gonring, Gabriel; Jasper, R. C. Num Pages: 215 pages, biography. BIC Classification: AB; APF; JFD. Category: (G) General (US: Trade). Dimension: 216 x 140. Weight in Grams: 295. . 2014. Paperback. . . . . Books ship from the US and Ireland.
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Practices Of Projection
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Practices of Projection: Histories and Technologies
Da: Turgid Tomes, Nashville, TN, U.S.A.
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Prima edizione
hardcover. Condizione: Very Good. First Edition. Oxford University Press, 2020. Hard cover, first edition. VG condition with no dust jacket, as issued.
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Practices of Projection: Histories and Technologies
Da: Revaluation Books, Exeter, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: Brand New. 286 pages. 9.25x6.25x0.75 inches. In Stock.
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Practices Of Projection
Da: Kennys Bookstore, Olney, MD, U.S.A.
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Film Distribution in the Digital Age: Pirates and Professionals
Da: Phatpocket Limited, Waltham Abbey, HERTS, Regno Unito
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Aggiungi al carrelloCondizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
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Practices of Projection
Lingua: Inglese
Editore: Oxford University Press Inc, US, 2020
ISBN 10: 0190934123 ISBN 13: 9780190934125
Da: Rarewaves.com UK, London, Regno Unito
Valutazione del venditore 5 su 5 stelle
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Aggiungi al carrelloPaperback. Condizione: New. To many, the technological aspects of projection often go unnoticed, only brought to attention during moments of crisis or malfunction. For example, when a movie theater projector falters, the audience suddenly looks toward the back of the theater to see a sign of mechanical failure. The history of cinema similarly shows that the attention to projection has been most focused when the whole medium is hanging in suspension. During Hollywood's economic consolidation in the '30s, projection defined the ways that sync-sound technologies could be deployed within the medium. Most recently, the digitization of cinema repeated this process as technology was reworked to facilitate mobility. These examples show how projection continually speaks to the rearrangement of media technology. Projection therefore needs to be examined as a pivotal element in the future of visual media's technological transition.In Practices of Projection: Histories and Technologies, volume editors Gabriel Menotti and Virginia Crisp address the cultural and technological significance of projection. Throughout the volume, chapters reiterate that projection cannot, and must not, be reduced to its cinematic functions alone. Borrowing media theorist Siegfried Zielinksi's definition, Menotti and Crisp refer to projection as the "heterogeneous array of artefacts, technical systems, and particularly visual praxes of experimentation and of culture." From this, readers can understand the performative character of the moving image and the labor of the different actors involved in the utterance of the film text. Projection is not the same everywhere, nor equal all the time. Its systems are in permanent interaction with environmental circumstances, neighboring structures, local cultures, and social economies. Thus the idea of projection as a universal, fully autonomous operation cannot hold. Each occurrence of projection adds nuance to a wider understanding of film screening technologies.
-
Film Distribution in the Digital Age: Pirates and Professionals
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Film Distribution in the Digital Age: Pirates and Professionals
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Film Distribution in the Digital Age : Pirates and Professionals
Lingua: Inglese
Editore: Palgrave Macmillan 2017-12, 2017
ISBN 10: 1349560782 ISBN 13: 9781349560783
Da: Chiron Media, Wallingford, Regno Unito
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Film Distribution in the Digital Age: Pirates and Professionals
Da: Books Puddle, New York, NY, U.S.A.
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Condizione: New. pp. 224.
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Film Distribution in the Digital Age
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Aggiungi al carrelloCondizione: New. BIC Classification: JFD. Dimension: 216 x 140. . . 2014. Paperback. . . . .
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Film Distribution in the Digital Age: Pirates and Professionals
Da: Books Puddle, New York, NY, U.S.A.
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Condizione: New.
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Film Distribution in the Digital Age: Pirates and Professionals
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Prima edizione
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Aggiungi al carrelloCondizione: New. Film Distribution in the Digital Age critically examines the evolution of the landscape of film distribution in recent years. In doing so, it argues that the interlocking ecosystem(s) of media dissemination must be considered holistically and culturally if we are to truly understand the transnational flows of cultural texts. Num Pages: 206 pages, 3 black & white illustrations, biography. BIC Classification: APF; JFD; KNTC. Category: (P) Professional & Vocational. Dimension: 225 x 144 x 17. Weight in Grams: 400. . 2015. 1st ed. 2015. hardcover. . . . .
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Film Distribution in the Digital Age: Pirates and Professionals
Da: Revaluation Books, Exeter, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: Brand New. 215 pages. 8.50x5.51x0.50 inches. In Stock.
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Film Distribution in the Digital Age: Pirates and Professionals
Da: Revaluation Books, Exeter, Regno Unito
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Aggiungi al carrelloHardcover. Condizione: Brand New. 206 pages. 8.75x6.00x0.75 inches. In Stock.
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Film Distribution in the Digital Age
Da: Kennys Bookstore, Olney, MD, U.S.A.
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Aggiungi al carrelloCondizione: New. BIC Classification: JFD. Dimension: 216 x 140. . . 2014. Paperback. . . . . Books ship from the US and Ireland.
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Film Distribution in the Digital Age: Pirates and Professionals
Da: Kennys Bookstore, Olney, MD, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: New. Film Distribution in the Digital Age critically examines the evolution of the landscape of film distribution in recent years. In doing so, it argues that the interlocking ecosystem(s) of media dissemination must be considered holistically and culturally if we are to truly understand the transnational flows of cultural texts. Num Pages: 206 pages, 3 black & white illustrations, biography. BIC Classification: APF; JFD; KNTC. Category: (P) Professional & Vocational. Dimension: 225 x 144 x 17. Weight in Grams: 400. . 2015. 1st ed. 2015. hardcover. . . . . Books ship from the US and Ireland.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Film Distribution in the Digital Age | Pirates and Professionals | Virginia Crisp | Taschenbuch | ix | Englisch | 2017 | Palgrave Macmillan | EAN 9781349560783 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
