vojtech lahoda (59 risultati)

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Square 8vo. Original black and white lettered pictorial laminated boards (Fine), no dustwrapper. Pp. 167, illus with coloured plates (no inscriptions; Czech text).

paperback. Condizione: Very Good. 1990 Prague City Gallery. Fine condition clean and unread, no marks. Cover is clean and strong, spine is smooth and not creased.

Soft cover. Condizione: Very Good. 4Vo 243Pp. Impeccablepaperback.

Hardcover. Condizione: Fine. Leichte Rillen / Abschurfungen / Risse / Knicke. Jan Autengruber (1887-1920) studoval na Vysoke skole umeleckoprumyslove v Praze a na Akademii vytvarnych umeni v Mnichove. V letech 1907-1913 zil v Mnichove, v roce 1910 podnikl cyklistickou cestu do Parize a mezi lety 1913-1915 pobyval v Italii. Behem prvni svetove valky narukoval, ale brzy byl uvolnen. Po roce 1918 pracoval v jiznich Cechach a Praze, kde onemocnel spanelskou chripkou, ktera se zhorsila na zapal plic, coz vedlo k jeho umrti v prazske nemocnici. Publikace zkouma dosud nezname aspekty jeho dila. V Mnichove se venoval portretum, aktum, kopirovani starych mistru a zatisim s maskami. Na konci prvniho desetileti se jeho styl uvolnil a zduraznil vyraz a svezest malirskeho gesta. V Italii, zejmena v Taormine, se jeho technika vyvinula z chvejiveho rukopisu barevnych fleku do expresivni a dynamicke formy. Uvedomil si, ze virtuozita musi ustoupit radikalnimu vyrazu. V jeho kresbach se objevuji biblicke motivy, jako Ukrizovani a Svaty Sebestian, ktere dosahuji vrcholu radikalni expresivni formy, cimz se radi po bok vyznamnych umelcu jako Lovis Corinth a Max Beckmann.

85 Seiten, kartoniert mit Umschlagklappen, Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

paperback. Condizione: near fine. Foreword by Jaroslav Fatka. Extensively illustrated. 280pp., tall 8vo, plain white wrappers with pictorial dust wrappers. Prague: Prague City Galleries, (1990). A near fine copy of this scarce catalog.

Softcover. Condizione: Fair. Riss grosser als 1 cm. Katalog expozice ceskeho vytvarneho umeni z obdobi 1900-1990 ze sbirek Galerie hl.m.Prahy.

Soft cover. Condizione: As New. 1st Edition. As new. Published by Alvar Aalto Museum, Finland, 2003, 96 pages, large softcover in thick wraps, 12.75" by 9.25". Published for a Finnish exhibition of Sudek's commercial photography of the 1920's, with 54 photos.

Condizione: neu. OKart., 631 Seiten mit zahlr. Abb., 4° (19,5 x 26,5 cm), neu. hardback, 631 pp. with many illustrations in colour, 4to, brand-new copy. "The book presents awide spectrum of scientific research, viewed from the perspective of the centenary of the First World War, the "Great War of White Men" and supposedly the "war to end all wars", which from the resulting postcolonial and multicultural viewpoints irreversibly altered not only Europe but the entire world. It addresses the tension between local ethnic or esoteric traditions, and cosmopolitan rhetoric in political and aesthetic narratives while the global map, especially the Old Continent, fundamentally changed. Newly formed states established their identity not only through the traditional visual arts, but more profoundly in new building works, contemporary design, filmmaking and photography, and popular culture, including functional typography, transformative modes of social communication and the general conditions of everyday life, accelerating the processes of emancipation of the "imagined communities" and intensifying the discourses of marginalized "others". Exploring grounded studies of previously unknown archival materials and deploying the latest methodological approaches of the humanities, the book also presents complex strategies of dissemination, translation and the instrumentalization of modern visual language, e.g. in propaganda, especially in the so-called "peripheral" regions. Particular emphasis is placed on the role of the international avant-garde network in the creation and transfer of aesthetic and sociopolitical ideas in modern magazines and new media, as well as in the examination of how the understanding of (supra)nationality and the pre- or post-WWI avant-garde was affected by historiography and the limits of universality, specifically from the 1950s until the present day." Book Language/s: English.

1. Auflage, OBrosch., 319 Seiten mit zahlr. Abb., 8° (16,5 x 23,5 cm), Buch ist neu. Book Language/s: English.

Paperback. Condizione: Near fine in wraps. First Edition. 17 x 21cm 96pp near fine paperback with Czechoslavakian and English text together with colour reproductions.

Softcover, 86 pages; in English and Czech; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

4°, Hardcover/Pappeinband. Condizione: Gut. 205 S., zahlr. Abb. Gebraucht: SU. leicht berieben, ansonsten sehr guter Zustand. Sprache: Deutsch Gewicht in Gramm: 500.

Condizione: neu, OBrosch. (laminiert), 248 Seiten mit farbigen und SW-Abb., 22,5 x 30 cm, neu, originalverpackt. Sprache: englisch || Proceedings of a conference organized by the Institute of Art History Prague and New York University in Prague; Contributors: Timothy O. Benson, Anna Brzyski, Linara Dovydaityte, Eva Forgácz, Irina Genova, Tomasz Gryglewicz, Jeremy Howard, Giedre Jankevi?iute, Eduards Klavin?, Ljiljana Kole?nik, Vojtech Lahoda, Esther Levinger, Christina Lodder, Marian Mazzone, Myroslava M. Mudrak, Katarzyna Murawska-Muthesius, Martina Pachmanová, Damjan Prelov?ek, Ivanka Reberski, Nicholas Sawicki, Deborah Schultz, Andrzej Szczerski, Darko ?imi?i?, Maria Elena Versari, Annika Waenerberg, Anna Wierzbicka, Mathew S. Witkowsky, Isabel Wünsche and András Zwickl. Book Language/s: English.

Soft cover. Condizione: Fine. Edice Detail, Prague, 1994. Softcover, 85 pp. With side-by-side text in Czech and English. Collage work by the Czech avant-garde writer, critic and artist Karel Tiege (1900-1951). All works are from the collection of the Prague Musuem of National Literature. Illustrated in black & white. In fine condition.

Hardcover. Condizione: Fair. Spuren von Feuchtigkeit / Nasse; Leichte Rillen / Abschurfungen / Risse / Knicke; Gebrochener Buchrucken. Bohate ilustrovana publikace priblizuje vyvoj ceskeho kubismu a jeho hlavni protagonisty.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. An examination of the cultural and artistic consequences of post-WWI nationalism in Europe. World War I was a seismic event in Europe whose most concrete ramifications were the sweeping changes made to maps of the continent after 1918. A number of new, independent states were established in the wake of the Armistice, and these tectonic developments found varied expression in the arts, transforming the image of the continent both cartographically and artistically. This new edited collection focuses primarily on how modernism and the avant-garde responded to these geographic changes in Central and Eastern Europe, the Baltic States, and Scandinavia. The contributors explore the clashes between the national, the transnational, and the cosmopolitan as they played out in diverse artistic genres. In many countries across Europe, the struggle for national independencewhich in many cases began in the nineteenth century and culminated only after World War Ihad important cultural and artistic consequences, which are only beginning to be understood. This bookcopublished with Artefactumprovides a crucial new lens to rethink the methodological tools used to understand the complexity and the multiplicity of avant-garde forms in twentieth-century Europe, encouraging scholars to reconstruct global cultural history without tired nationalistic approaches. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: neu, OKart., 184 Seiten mit zahlr. Abbildungen, 4°, neu, originalverpackt. || Original cardboard, 184 pages with numerous illustrations, quarto, brand-new copy, original wrapping. Book Language/s: English, German.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. 2023. Hardcover. . . . . .

Soft Cover. Condizione: Very Good. Text in English and Czech. 86 pp. Minor rubbing to covers; spine end bumped. Teige studied history of art at the Philosophical Faculty of Charles University in Prague He devoted himself to extensive theoretical, publicist, lecturing, editiorial and organizational activities as well as being the leading initiator and representative of Czech avantgarde culture between the wars, primarily in the field of art, literature, architecture, photography, film and theatre. In 1920 he became a co-founder of the artistic group Dev?tsil (1920-1932) and the first chairman of Leva fronta (Left Front) (1929-1935). In 1934 he became a member of the Prague surrealist group, and was its spokesman until 1947. In the field of art theory he was a leading figure in the establishing of the programmes of proletarian art, poetism and constructivism. As an artist, his early paintings and graphics were influenced by cubism. Later on, he devoted himself to typography and book design characterized by constructivism. Within the framework of poetism, he developed the "pictorial poem". From 1934 until his death he worked systematically on the creation of surrealist collages. Karel Teige's most significant publications include Modern Czech Architecture (1924), Film (1925), Construction and Poem (1927), The World Which Laughs (1928), The Smallest Apartment (1932), The Art Fair (1936), a monograph on the artists Jan Zrzavý (1923) and Styrsky and Toyen (1938) which he published together with Vitezslav Nezval. His Manifesto of Poetism (1928) was also issued in collaboration with Nezval. In the 1940s he worked on questions concerning the philosophy of modern art in the book The Developmental Changes in Art, which had to wait until 1967 until it was allowed to be published for the first time.

Condizione: new.

Condizione: New.

hardcover. Condizione: Gut. 321 Seiten; 9788024651217.3 Gewicht in Gramm: 4.

Condizione: NEW.

Hardcover. Condizione: New.

Hardcover. First Edition. 22 x 28cm 212pp hardback in near fine condition with dust jacket. Czechoslavakian text with colour reproductions. Near fine in near fine dustjacket.