Walls kathryn (37 risultati)

Condizione: Good. Good condition. Volume 337. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: New. Shrink wrapped! Volume 337.

hardcover. Condizione: Fine. no dust jacket as issued, in original shrinkwrap, English edition, volume 337 No dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Hardcover. Condizione: New. 558pp. Laminated boards. Illustrated. Medieval and Renaissance Texts and Studies Volume 337. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: Very Good.

Hardcover. Condizione: Fine. No Dust Jacket. Clean, crisp and unmarked. Glossy pictorial boards. xxiv, 558pp. Size: 8vo - 8" - 9" Tall.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Printed Boards. 558 pp. Tightly bound. Corners not bumped Text is free of markings. No ownership markings. (Medieval and Renaissance Texts and Studies).

Hardcover. Condizione: Used-Very Good. Cloth, no dj. Minor shelf-wear.

Hardcover. Condizione: Very Good. Edited by Kathryn Walls with Marguerite Stobo. First editin thus. Pencil underlining and marginalia throughout, else very good in glossy illustrated boards. No dust jacket.; 558 pages.

paperback. Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condizione: Very Good. Well kept copy, solid and unmarked, light wear. Fast Shipping - Safe and Secure Bubble Mailer.

Condizione: New.

Hardcover. Condizione: Fine. Medieval and Renaissance Texts and Studies; 1.7 x 9.3 x 6.2 Inches; 558 pages.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. In this study, Kathryn Walls challenges the standard identification of Una with the post-Reformation English Church, arguing that she is, rather, Augustine's City of God - the invisible Church, whose membership is known only to God. Una's story (its Tudor resonances notwithstanding) therefore embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. It also allegorises the redemptive process that sustains the true Church. Una is fallible in canto I. Subsequently, however, she comes to embody divine perfection. Her transformation depends upon the intervention of the lion as Christ. Convinced of the consistency and coherence of Spenser's allegory, Walls offers fresh interpretations of Abessa (as Synagoga), of the fauns and satyrs (the Gentiles), and of Una's dwarf (adiaphoric forms of worship). She also reinterprets Spenser's marriage metaphor, clarifying the significance of Red Cross as Una's spouse in the final canto.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. In this study, Kathryn Walls challenges the standard identification of Una with the post-Reformation English Church, arguing that she is, rather, Augustine's City of God - the invisible Church, whose membership is known only to God. Una's story (its Tudor resonances notwithstanding) therefore embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. It also allegorises the redemptive process that sustains the true Church. Una is fallible in canto I. Subsequently, however, she comes to embody divine perfection. Her transformation depends upon the intervention of the lion as Christ. Convinced of the consistency and coherence of Spenser's allegory, Walls offers fresh interpretations of Abessa (as Synagoga), of the fauns and satyrs (the Gentiles), and of Una's dwarf (adiaphoric forms of worship). She also reinterprets Spenser's marriage metaphor, clarifying the significance of Red Cross as Una's spouse in the final canto.…

Hardcover. First Edition. Octavo, x, xiii, 238 pages. In Very Good condition. Bound in the publisher's light greenish beige cloth bearing dark green lettering. Boards have slight wear including faint sunning with mild tilt to the spine. Text block has very slight wear including minor soiling to the edges. Illustrated. First edition. NOTE: Shelved in Locked Annex, Column AA. 1411021. FP New Rockville Stock.…

Condizione: New. 2021. Paperback. . . . . .

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Very Good. No Dust Jacket. First edition. Hardcover. Pages are clean and tight throughout. No dust jacket. T. Used.

Paperback. Condizione: Brand New. 238 pages. 8.25x5.25x0.75 inches. In Stock.

Hardcover. Condizione: As New. 1st Edition. Just removed from publisher's shrinkwrap. 8vo. xiii, 238 pp. Illus.; notes; biblio., index. Ships fast with tracking.

Hardcover. Condizione: Near Fine. 1st Edition. xiii 238pp hardback, laminated printed boards, near fine.

Paperback. Condizione: New. In this study, Kathryn Walls challenges the standard identification of Una with the post-Reformation English Church, arguing that she is, rather, Augustine's City of God - the invisible Church, whose membership is known only to God. Una's story (its Tudor resonances notwithstanding) therefore embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. It also allegorises the redemptive process that sustains the true Church. Una is fallible in canto I. Subsequently, however, she comes to embody divine perfection. Her transformation depends upon the intervention of the lion as Christ. Convinced of the consistency and coherence of Spenser's allegory, Walls offers fresh interpretations of Abessa (as Synagoga), of the fauns and satyrs (the Gentiles), and of Una's dwarf (adiaphoric forms of worship). She also reinterprets Spenser's marriage metaphor, clarifying the significance of Red Cross as Una's spouse in the final canto.…

Paperback. Condizione: New. In this study, Kathryn Walls challenges the standard identification of Una with the post-Reformation English Church, arguing that she is, rather, Augustine's City of God - the invisible Church, whose membership is known only to God. Una's story (its Tudor resonances notwithstanding) therefore embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. It also allegorises the redemptive process that sustains the true Church. Una is fallible in canto I. Subsequently, however, she comes to embody divine perfection. Her transformation depends upon the intervention of the lion as Christ. Convinced of the consistency and coherence of Spenser's allegory, Walls offers fresh interpretations of Abessa (as Synagoga), of the fauns and satyrs (the Gentiles), and of Una's dwarf (adiaphoric forms of worship). She also reinterprets Spenser's marriage metaphor, clarifying the significance of Red Cross as Una's spouse in the final canto.…