walter judd graham (25 risultati)

Condizione: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included.

Hardcover. Condizione: Good. Satisfaction 100% guaranteed.

Hardcover. Condizione: Good. No dust jacket. Cover and edges may have some wear.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Cream-colored boards and spine with brown lettering. Bright white pages and end papers. Square and tight. Very nice copy. No remainder marks. A nice gift for a botanist, who is a fan of J.R.R. (John Ronald Reuel) Tolkien.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: New. The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution. The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned in Tolkien's legendarium; for each of these plants the treatment will include: 1) common and scientific name, along with an indication of the family to which the plant belongs, 2) a brief quote from one of Tolkien's works in which the plant is referenced, 3) a discussion of the significance of the plant in the context of Tolkien's legendarium, 4) the etymology relating to both English common name and the scientific name, and where relevant, the name in one or more of the languages of Middle-earth, 5) a brief statement of the plant's distribution and ecology (along with mention of major species), 6) economic uses, both traditional and current, and 7) an easy-to-understand description of the plant. The book provides guidelines to the use of plant descriptions, and the few technical terms used are carefully defined. Many plants are illustrated by original artwork, in the style of a woodcut print. The description along with an identification key, when used with the illustrations, allow easy identification of each plant, adding to the reader's understanding and appreciation of Tolkien's works. A glossary of descriptive terms is also included.

Hardback. Condizione: New. The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution. The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned in Tolkien's legendarium; for each of these plants the treatment will include: 1) common and scientific name, along with an indication of the family to which the plant belongs, 2) a brief quote from one of Tolkien's works in which the plant is referenced, 3) a discussion of the significance of the plant in the context of Tolkien's legendarium, 4) the etymology relating to both English common name and the scientific name, and where relevant, the name in one or more of the languages of Middle-earth, 5) a brief statement of the plant's distribution and ecology (along with mention of major species), 6) economic uses, both traditional and current, and 7) an easy-to-understand description of the plant. The book provides guidelines to the use of plant descriptions, and the few technical terms used are carefully defined. Many plants are illustrated by original artwork, in the style of a woodcut print. The description along with an identification key, when used with the illustrations, allow easy identification of each plant, adding to the reader's understanding and appreciation of Tolkien's works. A glossary of descriptive terms is also included.

Condizione: New. In.

hardcover. Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 406 pages. 9.50x6.50x1.25 inches. In Stock.

Hardcover. Condizione: Brand New. 406 pages. 9.50x6.50x1.25 inches. In Stock.

Hardcover. Condizione: Brand New. 406 pages. 9.50x6.50x1.25 inches. In Stock.

Hardback. Condizione: New. The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution. The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned in Tolkien's legendarium; for each of these plants the treatment will include: 1) common and scientific name, along with an indication of the family to which the plant belongs, 2) a brief quote from one of Tolkien's works in which the plant is referenced, 3) a discussion of the significance of the plant in the context of Tolkien's legendarium, 4) the etymology relating to both English common name and the scientific name, and where relevant, the name in one or more of the languages of Middle-earth, 5) a brief statement of the plant's distribution and ecology (along with mention of major species), 6) economic uses, both traditional and current, and 7) an easy-to-understand description of the plant. The book provides guidelines to the use of plant descriptions, and the few technical terms used are carefully defined. Many plants are illustrated by original artwork, in the style of a woodcut print. The description along with an identification key, when used with the illustrations, allow easy identification of each plant, adding to the reader's understanding and appreciation of Tolkien's works. A glossary of descriptive terms is also included.

Gebunden. Condizione: New. In this book, Walter Judd and Grant Judd give detailed species accounts of every plant found in Tolkien s universe, complete with the etymology of the plant s name, a discussion of its significance within Tolkien s work, a description of the plant s distrib.

Hardback. Condizione: New. The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution. The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned in Tolkien's legendarium; for each of these plants the treatment will include: 1) common and scientific name, along with an indication of the family to which the plant belongs, 2) a brief quote from one of Tolkien's works in which the plant is referenced, 3) a discussion of the significance of the plant in the context of Tolkien's legendarium, 4) the etymology relating to both English common name and the scientific name, and where relevant, the name in one or more of the languages of Middle-earth, 5) a brief statement of the plant's distribution and ecology (along with mention of major species), 6) economic uses, both traditional and current, and 7) an easy-to-understand description of the plant. The book provides guidelines to the use of plant descriptions, and the few technical terms used are carefully defined. Many plants are illustrated by original artwork, in the style of a woodcut print. The description along with an identification key, when used with the illustrations, allow easy identification of each plant, adding to the reader's understanding and appreciation of Tolkien's works. A glossary of descriptive terms is also included.

Soft cover. Condizione: Near Fine. 1st Edition. Near Fine staple-bound paperback. Overall a bright and attractive copy. No signs of wear or aging. Illustrated throughout, with 3 fold-out plates.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Third printing. Tall octavo. Bound in white boards with printed title, in a complete d/jacket. Appears unread. Illustrations in text. xv,406pp.

Soft cover. Condizione: Very Good. 1st Edition. Excellent overall condition of this rare issue of Design Quarterly. Lightly bumped at bottom corner of the back extending from the back cover in several pages but not disrupting the content, including the fold out pieces by Tony Shafrazi. Now in custom cut mylar. Includes work by Le Corbusier, Robert Grovrenor, Robert Rauschenberg, Frank Stella, Dan Flavin, Donald Judd, Marcel Duchamp, Claes Oldenburg, Robert Morris, Tony Shafrazi, Richard Hamilton, Joe Goode, Ed Ruscha, Lucas Samaras, Eduardo Paolazzo, Bob Graham and Walter De Maria.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.

Condizione: Very Good. FORM FOLLOWS FICTION Design Quarterly 73 ed. Christopher Finch Walker Art Center, Minneapolis, 1969 Original edition. Slim quarto. Saddle stitched thick printed wrappers. 3 fold-outs Very good condition.