Waplington nick (209 risultati)

Hardcover missing dustjacket, unpaginated; good condition; small nick at spine; lower right corner tip of pages creased; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hard Back. Condizione: Near Fine. Condizione sovraccoperta: Very Good. First Edition Second Printing Stated. Pages Un-numbered. Bright red endpapers. An eight week journey as a work of art; Mexico City, Havana, Buenos Aires, Montevideo, Santiago, Easter Island, Sydney. Introductory interview of the photographer by Mark Sanders on first four pages. Two page essay by Carlo McCormick on the last two pages. Over 125 full-page Color Photographs by Wapliington. Nick Waplington was born on Bikini Atol and lives and works inn London. The Indecisive Memento is his fifth book, previous titles include Sasfety in Numbers 1997, and Other Edens 1993. He is currently riging his unicycle from London to Bejing to highlight the plight of paparazzi photographers whose livelihood is being threatened by the advent of digital technology and overzealour protecdtionist new legislation. When asked why all of his photographs are punctuated with drawings inter-cut with text and what that signified Waplington replied "they are about my life as it was throughout this journey and an attempt to look at what it was I was trying to achieve. A lot of my fears throughout this trip were to do with the fact that I hate flying so I I decided to include that sense of anxiety into this book to confront what I would actually do or think in the unlikely event of a plane accident. What would go through my mind in those last 30 seconds when the plane was crashing down to earth". A colorful and very unique pictorial book. A large heavy book that may incur additonal shipping charges to some locations.…

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good.

Condizione: Very Good. Hardcover, 192 pages. Non-paginated. Illustrated with full color photographs by Nick Waplington. Clean, bright copy. Record # 64045.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condizione: NEW.

hardcover. Condizione: Very Good. Hardcover with dust jacket. Book is in very nice condition, text is unmarked and pages are tight.

Hardcover. Condizione: Very Good. 1st. Unpaginated, hardcover. Dust jacket, covers, and interior pages are all clean and bright. Binding is solid. Contains full page, full color photography throughout. The first few pages consist of an interview with the author, and last few pages have a short selection by Carlo McCormick, no other text is present within. This is a large-format book, available for DOMESTIC SHIPPING ONLY. Clean copy.…

Hardcover. First edition. Subtitled: An Eight Week Journey As A Work of Art: Mexico City, Havana, Buenos Aires, Montevideo, Santiago, Easter Island, Sydney. Photographs and drawings by Nick Waplington; essay by Carlo McCormick; interview with the artist conducted by Mark Sanders. 192 pages; profusely illustrated with color photographic plates and occasional drawings; 8.8 x 11.8 inches. Condition: Near Fine clothbound hardcover in Near Fine dust jacket, protected by a clear mylar cover. All dust jackets are protected by a clear mylar cover. Ships the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted. …

Paperback. First edition. Fine paperback. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The fourth issue of the magazine Trolley (Spring 2005/Issue 4), published by Trolley, the art and photography book publishing house. It's part catalogue of upcoming releases with an essay devoted to each book and many images reproduced and part original material. This issue includes work by Philip Jones Griffiths, Ilkka Uimonen, Nick Waplington, Jarret Schecter, Carrie Levy, and others. Introduction and text by Thomas Rees. Sewn signatures, glued open spine, as issued; 80 pages; color and b&w illustrations throughout; 6.25 x 9.75 inches.…

Hardcover. Condizione: As New. 1st Edition. Was new in our store butshelf wear including a bumped corner have the price reduced. Location Q218.

First Edition. First edition. Softcover. Features photographs by Nick Waplington, Stephen Shore, Julia Peirone, and others. Includes Bronwyn Law-Viljoen's interview of David Goldblatt, Ivan Vladislavic, an article by Charles Bowden, Vince Aletti writing on Bill Cunningham. A fine copy in wrappers.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, 1 volume (unpaged), chiefly colour illustrations; 30 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "Documentary images from the author's recent travels around the world. Through a fusion of photography, writing and collected imagery, this work openly identifies the idiosyncrasies and contradictions of the West and confronts the modern stereotypes of living in the shadow of First World capitalism." - Publisher. "An eight week journey as a work of art: Mexico City, Havana, Buenos Aires, Montevideo, Santiago, Easter Island, Sydney" - page 1. . Size: 4to. Collectible. …

Hardcover with dustjacket, unpaginated; very good condition; light edgewear to dj; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

dj. First Edition. First edition. Hardcover. First printing. Waplington's fifth book, a monograph of color photographs. Features the text of a conversation between Waplington and Mark Sanders. A very fine copy in very fine dust jacket.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. British photographer Nick Waplington combines large format photographs of friends and family, scenes of British streets and seaside, with an added dimension of digital manipulation. Ranging from the almost undetectable, to the surreally fantastic.Double Dactyl accompanied Nick Waplington's solo show at The Whitechapel Gallery, London, December 2007-January 2008. One of Britain's leading contemporary photographers, Waplington first came to public notice with Living Room (1991), a photographic portrait based on the everyday lives of two close-knit families in Nottingham. Since then, often working in book form, he has become known for photographing British social scenery, and his life and close circle of friends and family in East London, where he lives and works.As an artist, Nick Waplington cannot be categorised. His work combines the enigmatic and the everyday, the complex and the straightforward, and the title of his Double Dactyl exhibition embodies these uncomfortable dualities. The word 'dactyl' comes from the Greek dactylos, a word with a mundane literal meaning: finger. In the technical language of poetic theory, however, a dactyl refers to a unit of rhythm that has three syllables, with the emphasis on the first (the long-short-short pattern resembling the joints of a finger). And yet this aesthetic terminology seems less pretentious when we realise that a double dactyl simply describes the rhythm of the artist's name: Nicholas Waplington. If the photographs in Double Dactyl are united by anything, they are united by Waplington's own multiplicity as an artist. His body of work could be described as a journey around the documentary, one that has prodded and played with notions of authenticity, authority and truth that conventionally define the genre. It could also be described as an experiment in doubleness. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Very Good. No Jacket. Solid VG pictorial hardcover. No dust jacket.

Condizione: Very Good. Unread copy. Plastic clear jacket. Light storage bumps/wear at some edges/corners of hard board. Minor crease lines at a couple of rear pages. Text excellent/clean.

Magazine. First edition. Near Fine magazine showing only a hint of handling/shelving. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The March/April 1992 issue of American Photo magazine (Vol. 3, No. 2), a special issue on European photography, with profiles of and portfolios of work by Bettina Rheims, Ferdinando Scianna, Cristina Garcia Rodero, Nick Waplington, Nick Knight, Eberhard Grames, and others. Also included: articles on Albert Watson, Patrick Chauvel, Robert Farber; book reviews; and more. Edited by David Schonauer. Perfect-bound; 106 pages; color and b&w illustrations throughout; 9 x 11 inches.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. British photographer Nick Waplington combines large format photographs of friends and family, scenes of British streets and seaside, with an added dimension of digital manipulation. Ranging from the almost undetectable, to the surreally fantastic.Double Dactyl accompanied Nick Waplington's solo show at The Whitechapel Gallery, London, December 2007-January 2008. One of Britain's leading contemporary photographers, Waplington first came to public notice with Living Room (1991), a photographic portrait based on the everyday lives of two close-knit families in Nottingham. Since then, often working in book form, he has become known for photographing British social scenery, and his life and close circle of friends and family in East London, where he lives and works.As an artist, Nick Waplington cannot be categorised. His work combines the enigmatic and the everyday, the complex and the straightforward, and the title of his Double Dactyl exhibition embodies these uncomfortable dualities. The word 'dactyl' comes from the Greek dactylos, a word with a mundane literal meaning: finger. In the technical language of poetic theory, however, a dactyl refers to a unit of rhythm that has three syllables, with the emphasis on the first (the long-short-short pattern resembling the joints of a finger). And yet this aesthetic terminology seems less pretentious when we realise that a double dactyl simply describes the rhythm of the artist's name: Nicholas Waplington. If the photographs in Double Dactyl are united by anything, they are united by Waplington's own multiplicity as an artist. His body of work could be described as a journey around the documentary, one that has prodded and played with notions of authenticity, authority and truth that conventionally define the genre. It could also be described as an experiment in doubleness.…