Warner william beatty (36 risultati)

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Near fine book and jacket.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. First Edition.

Hardcover. Condizione: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fine / slightly marred dj. 308pp.

Hardback. Condizione: Fine. Condizione sovraccoperta: Fine.

Hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

very good dust-jacket, attractive dark gray cloth, very good copy, little used if at all. WARNER, WILLIAM BEATTY. Chance and the text of experience: Freud, Nietzsche, and Shakespeare's Hamlet. Ithaca, N.Y.: Cornell University Press, 1986, 308pp., . 9780801417542 ISBN 0801417546.

sewn PAPERBACK, deep crease line at about page 110 but sewn binding holds well, otherwise good lightly used copy. note in ink: "lending copy" on front endpaper. INSCRIBED to a recipient with first name only as a token of admiration and regard and SIGNED by the author: Bill. WARNER, WILLIAM BEATTY. Licensing entertainment: the elevation of novel reading in Britain, 1684-1750. Berkeley: University of California Press, 1998, 1st printing number line ending in 1, xvi, 325pp., . What happens to the culture of early modern Britain when the relatively new communications technology of print, developed to promote the highest purposes of religion, law, and education, is instead appropriated as a medium for entertainment? William Warner shows how the earliest British novels, published in small portable format, underwrote the freedom and pleasure of readers, and in so doing provoked an early instance of the modern anxiety about the effects of new media on consumers. Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by early novel reading. Warner uncovers a buried and neglected history of the way the novel was shaped in response to a newly vigorous market in narratives. In order to rein in the sexy and egotistical novel of amorous intrigue, novelists and critics redefined the novel as morally respectable, masculine, British, realistic, and, finally, literary. Warner emphasizes the role of early novelists as entertainers and media workers, and shows how the short, erotic, plot-driven fiction written by Behn, Manley, and Haywood came to be absorbed and overwritten by the novels of Defoe, Richardson, and Fielding. His account replaces the history of the rise of the novel with a more inclusive cultural history. 9780520212961 ISBN 0520212967. …

Hardback. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Please note that this is a heavy item and may require extra postage for international shipping.; Dust jacket is slightly sunned and bumped with minor tearing at upper spine; boards are sturdy and unmarked with sharp corners; binding is tight; pages are crisp, slightly sunned at outer edges but unmarked aside from previous owner's signature on half-title. Overall, this is a good copy with no real signs of use. ; 6.5 X 1 X 9.5 inches; 296 pages. …

Soft Cover. Condizione: Very Good with no dust jacket. Square, tight binding. Clean and bright pages. Wraps have light handling wear, slight edge wear. Contributors: Andrew Ross, "The Eternal Varieties"; William Beatty Warner, "Reading Rape: Marxist-Feminist Figurations of the Literal"; Linda Hutcheon, "A Poetics of Postmodernism?"; David Gorman, "Discovery and Recovery in the Philosophy of Language: Dummett and Frege"; Suzanne Gearhart, "Philosophy before Literature: Deconstruction, Historicity, and the Work of Paul de Man."; 10" (25.4 cm) tall; 86 pages.…

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. Previous owner's name on a label stuck inside, some notes written on the dust jacket, which has had the spine reinforced with tape and quote written on the title page. Orders received by 3pm Sent from the UK that weekday.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Warner, William Beatty. Reading Clarissa: the struggles of interpretation. New Haven: Yale University Press, 1979, 1st edition, xiii, 274pp., very good dust-jacket, small tear at top of spine, very good blue cloth. Richardson, Samuel, 1689-1761. - High praise for the book on rear jacket by J. Hillis Miller. 9780300023213 ISBN 0300023219.…

Hardcover. Condizione: Acceptable. reading copy only - damaged /worn /marked. May be ex-libris Standard-sized.

hardcover. Condizione: Good.

Paperback. Condizione: New. Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by novel reading in the eighteenth century. William Warner shows how the earliest novels in Britain, published in small-format print media, provoked early instances of the modern anxiety about the effects of new media on consumers. Warner uncovers a buried and neglected history of the way in which the idea of the novel was shaped in response to a newly vigorous market in popular narratives. In order to rein in the sexy and egotistical novel of amorous intrigue, novelists and critics redefined the novel as morally respectable, largely masculine in authorship, national in character, realistic in its claims, and finally, literary. Warner considers early novelists in their role as entertainers and media workers, and shows how the short, erotic, plot-driven novels written by Behn, Manley, and Haywood came to be absorbed and overwritten by the popular novels of Defoe, Richardson, and Fielding.Considering these novels as entertainment as well as literature, Warner traces a different story - one that redefines the terms within which the British novel is to be understood and replaces the literary history of the rise of the novel with a more inclusive cultural history.…

Paperback. Condizione: New. Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by novel reading in the eighteenth century. William Warner shows how the earliest novels in Britain, published in small-format print media, provoked early instances of the modern anxiety about the effects of new media on consumers. Warner uncovers a buried and neglected history of the way in which the idea of the novel was shaped in response to a newly vigorous market in popular narratives. In order to rein in the sexy and egotistical novel of amorous intrigue, novelists and critics redefined the novel as morally respectable, largely masculine in authorship, national in character, realistic in its claims, and finally, literary. Warner considers early novelists in their role as entertainers and media workers, and shows how the short, erotic, plot-driven novels written by Behn, Manley, and Haywood came to be absorbed and overwritten by the popular novels of Defoe, Richardson, and Fielding.Considering these novels as entertainment as well as literature, Warner traces a different story - one that redefines the terms within which the British novel is to be understood and replaces the literary history of the rise of the novel with a more inclusive cultural history.…

Condizione: New. Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by novel reading in the eighteenth century. This title shows how the earliest novels in Britain, published in small-format print media, provoked early instances of the modern anxiety. Num Pages: 325 pages, black & white illustrations. BIC Classification: 1DBK; 2AB; 3JD; 3JF; DSBD; DSK; JFC. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 22. Weight in Grams: 554. . 1998. 1st Edition. Paperback. . . . . …

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by novel reading in the eighteenth century. This title shows how the earliest novels in Britain, published in small-format print media, provoked early instances of the modern anxiety. Num Pages: 325 pages, black & white illustrations. BIC Classification: 1DBK; 2AB; 3JD; 3JF; DSBD; DSK; JFC. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 22. Weight in Grams: 554. . 1998. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

308 S., 1 Bl. Gr.-8°. Original-Leinwand mit Schutzumschlag (publishers cloth with dustjacket). Neuwertig. - As new. Gewicht (Gramm): 620.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardback. Condizione: VG+. VG DW. 1st Edition. Book is in very good plus condition with very minor signs of wear and/or age. Dustwrapper/dustjacket is in very good condition with minor signs of wear and/or age.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hard Cover. Condizione: Good Plus. Condizione sovraccoperta: Good. 0.0. Ex-Library.

Condizione: Good. USED Hardcover. Book Condition: Good. No Dustjacket. Owner's stamp on front page. Markings on the inside.

Paperback. Condizione: Brand New. y edition. 496 pages. 8.50x6.25x1.50 inches. In Stock.

Condizione: New. Putting the practices of communication at the center of this intellectual revolution, this title shows how American patriots - the Whigs - used new forms of communication to challenge British authority before any shots were fired at Lexington and Concord. Num Pages: 320 pages, 13 halftones, 14 line drawings. BIC Classification: 1KBB; 2AB; 3JF; DSB; HBJK; HBLL. Category: (G) General (US: Trade). Dimension: 229 x 152 x 33. Weight in Grams: 739. . 2013. Hardback. . . . .…