Lingua: Inglese
Editore: The Artist Publishing Co., New York, NY, 1971
Da: Argyl Houser, Bookseller, Altadena, CA, U.S.A.
Soft cover. Condizione: Good. Light foxing or toning along the bottom edges of covers and pages where the magazine appears to have been damp, but no actual water stains are visible. On the covers, the light toning and foxing occurs on the entire perimeter of each cover. Otherwise, pages are clean. A few pages have a bent or lightly creased corner tip. Very little wear otherwise. The magazine will be backed with cardboard and carefully packed in a sturdy, flat box to ensure safe transit. This issue includes: "Editorial Comment: Instant Art and the use of photographs"; "On Contructing a Painting in Watercolour: Part 5" by Harold Maddick; "An Approach to Painting: Part 5" by Norman Battershill; "Beginners' Section" by Peter Garrard; "Royal Academy Exhibition"; "The Taubes Page"; "Sculptor's Page" by Anthony Gray; "So You Want to Go on a Painting Holiday?" by Peter Garrard; "An Introduction to Anatomy: Part 5" by Anthony Gray; "Realism: The Enduring Style: Part 3" by Bernard Dunstan; "Book Reviews"; "The Art of Teaching" by Wilfred Hodgkinson; and "Questions and Answers Department".
Editore: Hodder and Stoughton Limited for The English Universities Press. London. 1948, 1948
Da: Coch-y-Bonddu Books Ltd, MACHYNLLETH, Regno Unito
Membro dell'associazione: PBFA
Prima edizione
EUR 23,82
Quantità: 1 disponibili
Aggiungi al carrelloALL UK PARCELS SENT TRACKED! ALL OVERSEAS PARCELS SENT AIRMAIL, TRACKED! (S/hand, Hardcover, 1948). 1948 1st edition. Small 8vo (125 x 188mm). Pp196. B/w vignette and full-page illustrations by the author. Burgundy boards, spine titled in gilt. Slight lean to spine, name and foxing to end-papers, preliminaries and edges. Good-plus in slightly foxed and used but complete dust-wrapper. Artist, author, philosopher, and mainly, teacher, W.P. Hodgkinson addresses the question of wellbeing in the post-war era. He discusses life in a rather diffuse way, against the equally diffuse background of "Ridding", a lightly disguised version of his own home village of Shrawley in Worcestershire. "By the age of 21 he was Acting Headmaster of Redditch School of Art, then Headmaster. Then Assistant Master at King Edward's Grammar and Warwick School. Three years as Principal at Truro School of Art were followed by a stint as Principal of Bilston School of Art and Crafts. (The 1939 register shows him living in Bilston as Principle of Bilston School of Art). His interests were in the making and design of stained glass windows, pottery, metalwork, landscape painting, oils and book illustration." (Shrawley Village website). .