william grampp (33 risultati)

Condizione: Good. First Edition (US) First Printing. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st. xi, 290 pages; 25 cm. Near fine. Tight, clean text. Faint dust spotting/top edge. Fine DJ. A near-fine copy of the first printing. Another copy available. *** "Why, as a general rule, is art an inferior investment to common stock (and a less diverting gamble than roulette)? Why has most of the art ever produced become worthless and been discarded? How have painters past and present - from Giotto to Jasper Johns - acted as entrepreneurs without sacrificing their art? How do art auctions work? Why do museums seek to grow even though they keep most of their collections in storage? Why do most governments subsidize art and do such subsidies make economic sense? Most important of all, for serious collectors and art lovers, why is art for art's sake sound economics? Here, a noted neo-classical economist and lifelong student of art draws on art histories, biographies and memoirs, trade reports, and economic analyses to answer questions such as these. Elegantly written and filled with often amusing and always relevant examples, this witty and scholarly book - the first attempt ever to explain in layman's language the workings of the art market - will prove indispensable to anyone involved in art, whether as producer or consumer , professional or amateur." - Publisher. *** CONTENTS: Preface; Introduction: A view of the horizon; Art and economics reconciled; The acquisition of art; The art of painters and the craft; The art market; Art museums; Why does government assist the arts?; Should government assist the arts?; Notes. Size: 8vo.

Hardcover. Condizione: Fair. Condizione sovraccoperta: Good. First Edition. Marks on many pages.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. DJ: as new in mylar, BOOK: as new.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Near fine jacket.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. xi, 290 pages; 25 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "Why, as a general rule, is art an inferior investment to common stock (and a less diverting gamble than roulette)? Why has most of the art ever produced become worthless and been discarded? How have painters past and present - from Giotto to Jasper Johns - acted as entrepreneurs without sacrificing their art? How do art auctions work? Why do museums seek to grow even though they keep most of their collections in storage? Why do most governments subsidize art and do such subsidies make economic sense? Most important of all, for serious collectors and art lovers, why is art for art's sake sound economics? Here, a noted neo-classical economist and lifelong student of art draws on art histories, biographies and memoirs, trade reports, and economic analyses to answer questions such as these. Elegantly written and filled with often amusing and always relevant examples, this witty and scholarly book - the first attempt ever to explain in layman's language the workings of the art market - will prove indispensable to anyone involved in art, whether as producer or consumer , professional or amateur." - Publisher. *** CONTENTS: Preface; Introduction: A view of the horizon; Art and economics reconciled; The acquisition of art; The art of painters and the craft; The art market; Art museums; Why does government assist the arts?; Should government assist the arts?; Notes. Size: 8vo. Collectible.

Hardcover. Condizione: New. Condizione sovraccoperta: New.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780465063215.

Hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket. 155 pages. Ex-university library book, light wear and discoloring; a good sound binding; no jacket. Quantity Available: 1. Category: Economics; Inventory No: 212822.

gebundene Ausgabe. Condizione: Gut. 155 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 405.

Encuadernación de tapa blanda. Condizione: Muy bien. 1ª Edición. (Economía). Barcelona, Ariel, 1991. Col. Ariel Sociedad Económica. Cubiertas originales en rústica ilustrada. Traducción de Blanca Ribera de Madariaga. 256 p. 8º mayor. Muy buen ejemplar. Primera edición en castellano. JL6140.

Hardcover. First Edition; First Printing. Fine in a Near Fine dust jacket. ; 9.4 X 6.0 X 1.1 inches; 290 pages.

22x15. 255 pags. Rústica con solapas.

255 p 23 cm Encuadernación editorial en rústica con solapas. Estado de conservación: Bien.

cartulina ilustrada bien conservada subrayados. .

Hardcover with dusjacket, 290 pages, 24.5 x 16.5 cm, good condition. ISBN 0465063217. Explains how artists act as entrepreneurs, why art is a poor investment, how art auctions work, why governments subsidize art, and why art museums seek to grow. 0 g.

Encuadernación de tapa blanda. Condizione: Bien. 1? Edición. Editorial Ariel. Barcelona 1991. Ensayo. 255 pp. 22 x 15. Tapa blanda de editorial ilustrada con solapas. Sin subrayados. Buen estado de conservación. ISBN: 9788434414020.

Broschiert. Condizione: Gut. 18,5 cm XXI, 186 S. ; XXI, 153 S. ; Broschiert. Sprache: Englisch, Zustand: Gut leicht gebräunt (Innen); Einband (Außen) hat leichte Gebrauchsspuren; Zustand: Gut leicht gebräunt (Innen); Einband (Außen) hat leichte Gebrauchsspuren; Vorderdeckel hat ein Preisschildchen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Paginas: 255,00 Idioma: ESPAÑOL.

Condizione: Muy Bueno. Ariel, 1991, 256pp, Lugar y fecha escrito pequeño en parte superior segunda página, excelente estado//// Nota de la librería: Si no se especifica en la descripción anterior, los libros no tienen subrayados, anotaciones, firmas o defectos reseñables. ATENCIÓN: EL ENVÍO GRATUITO ES ORDINARIO SIN NÚMERO DE SEGUIMIENTO, y puede sufrir retrasos de varios días. Le dejarán un aviso en el buzón PARA LA RECOGIDA EN OFICINA. PRIORITARIO/CERTIFICADO CON ENTREGA A DOMICILIO POR SOLO 2,90 euros. MRV3080.

Condizione: leido. 1ª ed. edición. rúst. 256.

Tapa Blanda. Condizione: MUY BUEN ESTADO. Rústica editorial ilustrada con solapas. Colección Ariel Socidad Económica. Traducción de Blanca Ribera de Madariaga. Contenido: Prefacio - Ítroducción: una visión panorámica - Ate y economía reconciliados - La adquisición de obras de arte - El arte de los pintores y el oficio - El mercado artístico - Los museos de arte - ¿Por qué el Gobierno protege las artes? - ¿Debería ayudar el Gobierno a las artes? - Índices. 255págs Size: 22x15cm.

Hardcover. Condizione: As New.

Rústica. Condizione: Bien.