wood smith nigel (6 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Taschenbuch. Condizione: Fine. leichte Gebrauchsspuren / minor wear---. nein.

Paperback. Condizione: Brand New. 5th edition. 464 pages. 10.00x7.44x0.94 inches. In Stock.

Condizione: Good. 4to. 21x 29.7cm. Sheets loose as issued in original silver printed chemise and box. 28pp. text; poster and 50 signed broadsides, folded from 59.5 x 42cm. to 8 pages. Fine condition. .The deluxe portfolio, 2000-01, comprising 50 offset lithographs, on smooth wove paper, with title-page and text, each signed by the respective artist, the sheets folded (as issued), within the original silver Solander box with debossed cover and spine.Richard Hamilton, Gavin Turk, Tim Stoner, Philip Treacy, Caruso St John, John Hilliard, Liam Gillick, Georgie Hopton & Josephine Soughton, Jake & Dinos Chapman, Mark Hosking, Grayson Perry, Simon Patterson, Runa Islam, Anish Kapoor, Bella Freud, Tacita Dean, Antony Gormley, Carey Young, Marine Hugonnier, Will Self, Fiona Rae, Tracey Emin, Christopher Le Brun, Liam Gillick, Douglas Gordon, Carsten Holler, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija, Nigel Shafran, Anya Gallaccio, James White & Tim Sheward, Mark Lewis, Richard Deacon & Martin Kreyssig, Wolfgang Tillmans, Joao Penalva, Matthew Higgs, Oliver Payne & Nick Relph, John Latham, Gilbert & George, Enrico David, Mona Hatoum, Andrew Lewis, Cerith Wyn Evans, Howard Hodgkin, Tom Gidley, Sam Taylor-Wood, Harland Miller, Peter Doig, Hussein Chalayan, Patti Smith, Darren Almond, Michael Craig-Martin, Jeremy Deller, Bridget Riley."fig-1" was a project initiated by Mark Francis and White Cube founder Jay Jopling, who held 50 one-week exhibitions at a disused venue in Soho, London.The project called together 49 British artists of different generations, from veterans such as Richard Hamilton, Howard Hodgkin, Anish Kapoor, and Bridget Riley, to established YBAs including Jake & Dinos Chapman, Tracey Emin, and Gavin Turk, and up and coming, soon to be illustrious names, such as Peter Doig, Grayson Perry and Harland Miller - each one of them exhibiting for one week, with Richard Hamilton showing twice in the first and last week.Divided into 50 sections, the book chronicles each project in the words of the participants through interviews, essays and visual documentaries. .Arrangment of the prints: 01. Richard Hamilton02. Gavin Turk03. Tim Stoner04. Philip Treacy05. Caruso St. John06. John Hilliard07. Liam Gillick08. Georgie Hopton + Josephine Soughan09. Jake + Dinos Chapman10. Mark Hisking11. Grayson Perry12. Simon Patterson13. Runa Islam14. Anish Kapoor15. Bella Freud16. Tacita Dean17. Antony Gormley18. Carey Young19. Marine Hugonnier20. Will Self21. Fiona Rae22. Tracey Emin23. Christopher Le Brun24. Liam Gillick, Douglas Gordon, Carsten Höller, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija25. Nigel Shafran26. Anya Gallaccio27. James White + Tim Sheward28. Mark Lewis29. Richard Deacon + Martin Kreyssig30. Wolfgang Tillmans31. João Penalva32. Matthew Higgs, Oliver Payne + Nick Relph33. John Latham34. Gilbert + George35. Enrico David36. Mona Hatoum37. Andrew Lewis38. Cerith Wyn Evans39. Howard Hodgkin40. Tom Gidley41. Sam Taylor-Wood42. Harland Miller43. Peter Doig44. Hussein Chalayan45. Patti Smith46. Darren Almond47. Michael Craig-Martin48. Jeremy Deller49. Bridget Riley50. Richard Hamilton.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.

First edition, first printing. Edition of 50 signed by the artists. Fig-1 was 50 projects in 50 weeks initiated by Mark Francis and Jay Jopling, set in a small warehouse building in Soho, each project lasting one week. Each poster is signed by the relevant artist or artists. The projects embraced a broad range of contemporary creative productions including fine art, with 13 Turner Prize nominees, as well as literature, film and video, fashion, design, and architecture. Quarto, 32 page stapled booklet, A1 folded poster with photo-portraits of all the artists, 50 A2 folded posters. With the original silver card clamshell box. Box lightly rubbed to edges, else fine.